Showing posts with label Emma Watson. Show all posts
Showing posts with label Emma Watson. Show all posts

Saturday, July 18, 2020

8 Lessons Learned from the 2019 BBFC Annual Report

The blog is rated 15 for strong sex references and drug references.



On Thursday, the BBFC dropped their 2019 Annual Report, which for film classification nerds, is also known as 'Most Complained about Films to the BBFC Day'. I spent Friday evening poring through the report, looking for clues and new information, and psycho-analysing every adjective used in the report. In short, I was in heaven.

Here were eight prominent things I noticed from reading it:

01. Emma knows her BBFC…
Tale as old as time… that the first point I make every year when discussing the BBFC annual report, is not an observation, but rather, a shameless display of braggadocio. The three most complained about films in 2019 were Joker, The Favourite and John Wick: Chapter 3 – Parabellum, and I'd predicted all three of these in my prognostication blog.


Sunday, July 29, 2018

OOTD: Wearing my 'Insufferable Emma' dress

My five least favourite actresses are Jennifer Lawrence (eighth worst performance of 2017), Emma Stone (actually not a bad actress tbf, but she stole a role from an Asian actress in Aloha), Emma Watson (worst performance of 2017), Cara Delevingne (fourth worst performance of 2017), and Kaya Scodelario (I don't contribute to her Box Office takings so haven't seen a film she's been in for years, thankfully).

So 40% of my 'Insufferable Women' list consists of women who share the same name as me. What they also have in common is that in the musicals they acted in, their singing was... not the best. This quote from Phantom Thread perfectly summarises my reaction when I heard Emma Stone wail through 'Audition' and Emma Watson's auto-tuned caterwauling in 'Belle':


In La La Land and Beauty and the Beast, the two Emmas each wore a yellow dress. Stone's came in the 'A Lovely Night' dance, and Hermione's was in the scene when she first dances with the Beast.


Not one to be left out, I thought I'd make like my two namesakes and also wear a yellow dress. After all, I too, am an Emma of dubious singing talent, who has far too high an opinion of herself. Hence, my yellow dress is verily named, the 'Insufferable Emma' dress.


Dress: John Lewis
Earrings: from China
Glasses: Red or Dead

Saturday, June 23, 2018

If music be the food of love, play on

My captain didn't play in England's 2-1 win against Tunisia on Monday, and thus, I foresee myself spending much of this World Cup releasing an album, full of nothing but songs moaning about Gaz's lack of game time!

He may not be starting, but Cahill's presence in Russia means the British media are at least taking photos of him in Russian art galleries for me, so I can't whine too much.


Thursday, March 22, 2018

The Worst Acting Performances of 2017 [5 to 1]

Emma’s shade-throwing at bad acting continues! Read 10 to 6 here. I like to think I was relatively measured in my snark before. As we’re now onto the bottom five, I can’t promise to be so kind! Ehehe.

05. Johnny Depp, Murder on the Orient Express

As the sketchy art dealer Ratchett, Depp’s character is killed off early on, leaving Kenneth Branagh’s sleuth the rest of the film to piece together whodunit. The Johnny Depp of old, the Depp we saw in Pirates of the Caribbean (the first one, not the 34897 laboured sequels after), Ed Wood and Edward Scissorhands would have seized this role with aplomb and made an indelible impression in his limited screen time.

Wednesday, December 13, 2017

Reflections on Monday’s Golden Globe nominations

The awards season is officially underway! I was on holiday in NYC when the Golden Globe nominations dropped on Monday and didn’t have time to do a reaction post, so here be my rather delayed Good, Bads and Uglies on the nominations. 

Good
- Dunkirk and Christopher Nolan being nominated. Dunkirk is currently my choice for best of 2017 (having not seen the vast majority of the Oscar heavyweights as they’re released later), and the only 9/10 I’ve awarded a 2017 film.




Thursday, July 27, 2017

Statistical Analysis of Usage of My Odeon Limitless Card

I went on a 4-hour R course last year, and since then, I’ve just been fixated with adapting the code they gave us to draw pretty graphs with, in order to nerd out over my personal interests (chiefly, films and football).

This post will be much like the one I did six months ago when I analysed my film-watching habit of 2016 across all mediums, only here, I’m just analysing the 69 titles I saw on my Odeon Limitless card with some attempts at ~science behind the graphs I present.


Saturday, July 22, 2017

Bungsy's Girlcrush List, 2k17.

I haven't done one of these lists for over three years, and I think it's fair to say my taste in women has generally evolved, whilst some of the lady crush staples still remain. 

Some choices from previous years which now make me cringe when I look back include Cara Delevingne (in my defence, this was before she assailed my eyes as an actress and played to her strengths as a model), Kaya Scodelario (still fit tbf, but just kinda annoying) and Emma Stone (still cute, still talented, but I will now forever sideye her for the yellowface in Aloha debacle). 

I imagine when I look back at this list in a few years, I will be equally cringed out.

So, without further ado, Emmabung's Girlcrush List, 2017!

10. Ariana Grande
'Problem' is a piece of song-writing genius, an ace and catchy song has guided me through all manner of turbulent times. I have so much time for Ari's 4-octave vocal range, and I also dig how despite being baby-faced and having Bambi eyes, she has a hyper-sexualised image. The seductive way she peers up from the heart-shaped sunglasses in the 'Bang Bang' music video: swoon.

Thursday, April 06, 2017

Bit rich of Scarlett Johansson.

I won one month's access to an app that allows me to read various magazines on my phone from McDonald's Monopoly, which has provided a satisfactory companion for my commutes.

I was browsing one of the magazines when I saw this quote from ScarJo:


Saying we need to support other women sounds very nice in principle but I didn't see her doing as much when she stole a role from an east Asian for Ghost in the ShellGitS underperforming at the US Box Office is apt karma for such brazen whitewashing, if you ask me.

I am so sick of:
a) Hollywood actresses stealing roles from east Asian actresses who struggle with visibility in film enough as it is (ScarJo, Emma Stone, Tilda Swinton), and 

b) white feminists who purport to care about equal rights for women, when all they care about is equal rights for themselves (Jennifer Lawrence, ScarJo, Emma Stone, Emma Watson, Chloë Grace Moretz, Lena Dunham, Amy Schumer, the list is endless). 

These women would trample over women of colour in a heartbeat if it meant progressing their own (already thriving) careers, yet still want the crown of being ~all inclusive~.

Fuck that.

Wednesday, April 05, 2017

10 Fittest Ladies in Film, 2014.

Happy Hump Day! Here be a previous post in the series. I post male and female lists alternately, every Wednesday.

10. Nina Dobrev, Let’s Be Cops


Saturday, March 25, 2017

Tale as old as time... (that Emma Watson can't act)


Out of tune singing is out of tune, and clunky guitar-playing is clunky, but at least it's not quite as questionable as the other two Emma's, Watson and Stone.

That was the first take, so a bit rubbish. I preferred this audio recording, but annoyingly, couldn't upload it as a video, so if you're not too bored, give that superior version a listen. 😎

I saw Beauty and the Beast on Thursday, and whilst being predictably bored by Emma Watson's blank, passionless face in all her scenes, actually quite enjoyed it. Some of the musical numbers were very entertaining, especially 'Gaston', a song which aptly sums up the mentality of the vast majority of clown guys who I've had the misfortune of having gone on dates with in London.

Only difference is Gaston has more humility.

Wednesday, March 15, 2017

Methink the lady doth protest too much.


Emma Watson has been working overtime recently in an attempt to quell rumours about her being too much of a diva to get the lead in La La Land, even saying 'I couldn't care less if I won an Oscar if I didn't feel the film I made said something'.

Whatever helps you sleep at night, sweetie.

Still, I guess she couldn't do La La Land, what with her busy schedule giving shite talks about white feminism.

Another newspaper cutting that attests to my theory that Po-faced Watson is an absolute diva who is completely unabile to take a joke:

Monday, February 20, 2017

Ranked: the 2017 Best Picture nominees

I refuse to watch Hacksaw Ridge because it looks like an absolute chore (and I despise Mel Gibson), so here be my rankings, from least favourite to favourite, of the 8 films nominated for Best Picture that I have seen. I’ll list the three most Bye Felicia ones today, and give the better five later this week.

08. Manchester by the Sea

Kenneth Lonergan’s bleak-fest has Casey Affleck in a domain he’s completely unfamiliar with: Boston. He plays a reclusive handyman, Lee Chandler, who is made legal guardian of his nephew Patrick after Patrick’s father dies, forcing him to revisit painful memories in his Massachusetts hometown of Manchester.

Saturday, November 26, 2016

Predictions: 2017 OSCAR NOMINATIONS (three months before the ceremony).

The aim is to also post predictions in a month's time, and before when they get announced, on January 24th 2017, as well, so I can see how my guesses change. Here goes!

Disclaimer: as I haven't seen a lot of these films, a lot of what I'm saying is just guesswork. I could end up despising a bunch of these movies once I view them, and completely alter my predictions! For  predictions more grounded in research and opinion, check out Nathaniel's impressive compendium. He's a professional film writer so he's seen most of the films discussed, and thus, his word carries a lot more clout!



Picture
Any number between 5 and 10 could get nominated, so I'm going...
01. La La Land
02. Fences
03. Moonlight
04. Silence
05. Manchester by the Sea
06. Jackie
07. Arrival
08. Lion


Of these titles, I've so far only seen Arrival, which I was very impressed with, particularly given my innate aversion to sci-fi. It was a smart movie, but more importantly, it was a humane movie, and that, coupled with the tight, unostentatious visuals, means it deserves to get nominated.

Of the other seven, Jackie interests me the least, but then again we all know my thoughts about Natalie 'earnest' Portman, haha.  La La Land, Fences and Moonlight look absolutely captivating in their own ways, and I can't wait to watch them. 

Despite the fact that Scorsese is my favourite director, Silence's trailer left me a bit cold. I'm not sure what's up with Adam Driver and Andy Garfield's accents, and it just seems to lack the energy of a Wolf of Wall Street or The Depahted. But, we'll see.




Director
01. Damien Chazelle, La La Land
02. Pablo Larraín, Jackie
03. Martin Scorsese, Silence
04. Barry Jenkins, Moonlight
05. Denis Villeneuve, Arrival

Pablo Larraín has two films that are in serious contention at the 2017 Oscars, the other being Chile's entrant in to the Foreign Language Film category, Neruda, starring Mexican hottie Gael García Bernal (I totally just said his name out loud with an affected Latinamerican accent whilst typing this, haha). Chazelle's Whiplash was my favourite film of 2014, and his direction on it (particularly the scenes where JK Simmons yells at Miles Teller) were superb. Apparently La La Land is even more assured than Whiplash so that, the strong critical response the film has garnered, surely render him the frontrunner.




Actor
01. Denzel Washington, Fences
02. Casey Affleck, Manchester by the Sea
03. Ryan Gosling, La La Land
04. Tom Hanks, Sully
05. Andrew Garfield, Hacksaw Ridge


Andy Garfield is a bit of a left-of-field shout, but I just think that he can't appear in two prestige pictures and get totally ignored, and Silence's trailer didn't really seem like it had a 'proper' lead, so I've plumped for this. Plus, he was HELLA snubbed for The Social Network (fourth favourite performance of 2010, just saying).

Tom Hanks impressed audiences in both Bridge of Spies and Captain Philips and most people were surprised he didn't get nominated for at least one of them, particularly given the Academy are fond of him (he's the only actor to have won Best Actor back-to-back, for Philadelphia and Forrest Gump, respectively. Although Eddie Redcarpet sure tried hard to achieve that feat by stealing roles from transgender actresses, just saying). So many feel Hanks is due a nomination this year.

I currently have Denzel listed as frontrunner just because I don't want creepy Casey Affleck to be frontrunner, given his past history of groping a sleeping woman. Hopefully that holds him back from achieving the gold and leads Denzel to receive his third Oscar.




Actress
01. Natalie Portman, Jackie
02. Emma Stone, La La Land
03. Annette Bening, 20th Century Woman
04. Amy Adams, Arrival
05. Jessica Chastain, Miss Sloane


Sigh. I am so gutted that Viola Davis is campaigning as Supporting Actress for Fences rather than Leading. From reports of people who have seen the film, it's one of those borderline cases (so not as brazen as, say, Felicia Vikander in The Danish Girl and my girl Rooney Mara in Carol last year), and Viola just submitted herself in Support to give herself more of a fighting chance of getting the gold. Which I get, #YouDoYou, but even from her clips in the trailer, she was immense, and I feel that, even with less screen time than Portman, she would have run her and Stone close. Viola is a leading lady and deserves no less than to be acknowledged as one!!!!!

Anyway, yeah, looks like Natalie Portman's heading towards her second Oscar.

Jessica Chastain for Miss Sloane is a bold pick, given most predictions have listed Isabelle Huppert, an icon of French cinema, for Elle in her place. It is indeed a travesty that Huppert doesn't even have one Oscar nomination. But as we know, talent only comes to play about 15% of the time at the Oscars. Emily Blunt doesn't have an Oscar nomination, either. 😒

I feel Miss Sloane, about a gun lobbyist, has a strongly political slant that could play well into Hollywood's hands given the recent US elections. I follow Chastain on Facebook and she's already been pointing out the parallels between the movie and life, so...

Finally, Amy Adams is very well-liked by the Academy, and is due an Oscar statuette at some point. Her performance in Arrival won't win, as it was too muted and unflashy, but the overall quality of the film, her popularity, and the fact that she was also in Nocturnal Animals makes me feel it would be churlish of them to deprive her of her sixth nomination.






Supporting Actor
01. Mahershala Ali, Moonlight
02. Peter Sarsgaard, Jackie
03. Lucas Hedges, Manchester by the Sea
04. Liam Neeson, Silence
05. Stephen Henderson, Fences

Ali has been picking up raves everywhere for his performance in Moonlight, so much so that I highly doubt his limited screen time (the film is told in three parts so every actor bar Naomie Harris is only in, at most, a third of it) will be to his detriment. Plus a really solid piece of acting lingers with your regardless of how short the running time was (think: Anne Hathaway in Les Mis).

From the trailers, Lucas Hedges looks like he's doing great work in Manchester by the Sea. Oscars can be a bit sexist in that in the Supporting Actress category, they're more than happy to nominate/award young girls (eg Hailee Steinfeld in True Grit, Saoirse Ronan in Atonement, Anna Paquin in The Piano), whereas they're stingier with dishing out slots for boys of comparable ages. But with their egregious omission of Jacob Tremblay last year for Room, they've got some atonement of their own to do. Hopefully Hedges reaps the dividends. 





Supporting Actress
01. Viola Davis, Fences
02. Naomie Harris, Moonlight
03. Nicole Kidman, Lion
04. Octavia Spencer, Hidden Figures
05. Gugu Mbatha-Raw, Miss Sloane

I'll admit that the prevalence of women of colour in this category is influenced by some heavy wishful thinking on my part! But seriously, no-one needs to make reparations more than the Oscars for last year's complete whitewash. By all means nominate a white actor if they were good, but 'talent' argument doesn't really work given they nominated Eddie Redcarpet for The Danish Girl, Jennifer Lawrence for Joy, Mark Ruffalo for Spotlight and Christian Bale for The Big Shortperformances that compare very unfavourably to Oscar nominated-performances in the past. To say those selections were mediocre would be an insult to mediocrity.

So yeah, I don't give a sh_t if the Oscars go too far the other way in terms of affirmative action this year; performers of colour are owed some kudos. 

Naomie Harris is apparently amazing in a de-glam role as the junkie mum of the protagonist in Moonlight. She was always charming as flirty Moneypenny in the James Bond movies, so looking forward to seeing her in this role. Hidden Figures sounds great: uncredited women of colour who did all the grunt work for NASA and didn't get the credit for it. Apropos, and pretty similar to the Oscars, actually.

And Britain's very own Gugu Mbatha-Raw is a luminous screen presence (Mark Kermode, in his review of Free State of Jones, described a scene where she smiled, saying 'the whole screen lit up'), and should have been given the role of Belle in Beauty and the Beast instead of Emma Watson. Gugu is strikingly beautiful, has musical and dramatic training (unlike Emma), has previously played someone called Belle (in Amma Asante's Belle), and, most importantly, can actually act. 

But ofc Emma Watson got the part.

As I said, Hollywood has some serious reparations to make.

Original Screenplay

01. Jackie
02. 20th Century Woman
03. Manchester by the Sea
04. Moonlight
05. Zootopia

Adapted Screenplay
01. Fences
02. Lion
03. Arrival
04. Silence
05. Hidden Figures
--

I'm not going to bother predicting the technicals, foreign film and short films until closer to the time when I've seen more.

I shall check back after the actual nominations come out and compare how I did! =)

Wednesday, August 17, 2016

My 10 Favourite performances of 2011.

The only year of my backlog left to go. The force of playing favourites in this list is strong!

 10. Jennifer Aniston, Horrible Bosses
A nympho boss from hell, but Aniston's clearly had  blast taking on the role and the fun of that made for a very fun performance. And I never thought I'd see Rachel from Friends say such filthy things!

09. Jessica Chastain, The Help
I also loved Jess in Tree of Life which came out the same year, but as that's my second most despised movie ever after American Hustle, I listed her for this. Jess (I call her that because I like to pretend to myself that I'm BFFs with her) is a freaking chameleon!

08. Saoirse Ronan, Hanna
Obligatory mention of the best young actress around, whom I've been a loyal fan ever since I watched her as meddling Briony in Atonement. Here, she teams up with Atonement's director again to give a chilling portrayal of a girl who's been trained to be an assassin from birth. 

(Pointless trivia that only I find interesting: the director in question, Joe Wright, was engaged to Rosamund Pike (who he met on the set of Pride and Prejudice, where she played Keira Knightley's nice sister Jane, until Joe dicked her about. From interviews, Rosamund appears to have taken this in her stride and gotten on with her life. I'm disappointed she didn't Gone Girl him tbh)

07. Jonah Hill, Moneyball
As the shy Yale-educated economist who introduces Brad Pitt to the statistics behind baseball, Jonah Hill won plaudits from film critics, his first Oscar nomination, but most importantly for him, I'm sure, I started taking him seriously as an actor. In Moneyball, Jonah leaves behind his usual drunken frat-boy persona to inhibit an altogether more soft-spoken presence,  a subtle screen presence that lets Brad Pitt do all the heavy lifting.

06. Kristen Wiig, Bridesmaids
A brilliantly cringe performance in a brilliantly cringe film. Line-readings on point, especially when she puts the awful customer in the shop in her place.

05. Melissa McCarthy, Bridesmaids
A bold, audacious performance of great confidence and exuberance. In the photo above, she's seducing her real-life husband. Who doesn't want it. Melissa and Kristen's sick comic timing is ensured 2016's Ghostbusters was anything but a flop in my eyes!

04. Elizabeth Olsen, Martha Mary May Marlene
I never knew what her character was thinking. After everything that Martha went through, I think that's apropos. 

03. Rooney Mara, The Girl with the Dragon Tattoo
Fierce A F. Following in Noomi Rapace's footsteps was a formidable challenge, but my Queen more than rose to the task. Her commitment to her role, and the element of relish and bite in that revenge scene is some of Rooney's finest acting. 

02. Viola Davis, The Help
Every piece of acting Viola touches turns to gold (she did a lot with underwritten characters in both Suicide Squad and Ender's Game). But in The Help she's given a role and a script where she can flaunt the true extent of her acting talent, and brings us a woman who's outwardly strong and maternal, inwardly vulnerable. She's the emotional core of The Help, and completely breaks your heart.

Trivia: Viola and Jessica, both on this list for The Help, both attended Juilliard Drama School. And both are astonishingly good actresses. Stay in school, kids!

01. Alan Rickman, Harry Potter and the Deathly Hallows Part 2
... speaking of heartbreaking, for me, one of the most pathos-injected performances of all time is Alan Rickman as Professor Snape in the final Harry Potter film. Whilst the casting of the Harry Potter series has, shall we say, been variable in quality (Emma Watson seems to think wiggling her eyebrows earnestly equates to acting. Bye Felicia), Rickman was everything I imagined as Snape and more. Snape's stony face hid years of bottled-up love for a girl he still feels guilt for his part in losing. 

The finest part of J.K. Rowling's saga was this Big Reveal, and in conveying how much the secret meant to him, Rickman has crafted one of the most memorable Byronic heroes. R.I.P. to a great talent.

The shot above is a scene that still lingers in my memory.

Stats and Shiz, because it's not like that's what my PhD is in or anything
Gender
Men: 2 (haha)
Women: 8
... but this is the first time (going backwards from 2015) I've listed a fella in the prestigious top spot.

Playing favourites (previous appearances)
Jessica Chastain: 6th in 2011 (Zero Dark Thirty), 10th in 2014 (A Most Violent Year)
Jonah Hill: 7th in 2012: (21 Jump Street), 9th in 2013 (Wolf of Wall Street), third in 2014 (22 Jump Street). 
This makes Jonah Hill the only actor to be in my 10 favourite performances of the year four years in a row. Dunno if you can tell but... I'm a fan.
Rooney Mara: 6th in 2013 (Side Effects), 2nd in 2015 (Carol)
Melissa McCarthy: 8th in 2013 (The Heat, from the same director as her entry in this year's list)
Saoirse Ronan: 7th in 2009 (The Lovely Bones), first in 2015 (Brooklyn)
^^^ this may give you an indication of who my favourite actors might be

And of course.... by BBFC rating (gives you a rough indication of grittiness of the film from which the performance came)
12A: 5
15: 4
18: 1 (the 18 in question being The Girl with the Dragon Tattoo. And boy did it earn that 18 certificate!) #RevengeRape

Saturday, July 16, 2011

Harry Potter and the Deathly Hallows part 2 (David Yates, 2011)

A wise English proverb once dictated that all good things must come to an end. Ten years on from the release of Harry Potter and the Philosopher’s Stone, the eighth and final Harry Potter film is released. The producers at Warner Brothers made the money-savvy choice of splitting Deathly Hallows into two films, which led to a sort of Kill Bill effect – one film was all highs, the other all lows. However, they did it the right way round, with the first instalment of Deathly Hallows boring people to near-death. What that meant, of course, was that all the rollercoaster of visual pyrotechnics, character relationships and the final countdown between Harry and Voldemort was saved for the second film. And what a finale it is.

It would be optimistic to say that the three leads have particularly bettered over the ten years. Daniel Radcliffe still strikes me as awful impassive, spending much of the film looking baffled or bemused. When he is required to give a performance of emotional gravitas, he borders on overacting. However, if he is on the cusp of ham, Emma Watson is a fully-fledged bacon, once again letting her eyebrows do the acting, acting. Of the three, Rupert Grint has always been the one who charmed me the most, and as with previous films, he has some real zingers, which he delivers with relish. I met him, in case you forgot.

But looking past the lead three, the performances are an unequivocal joy. Michael Gambon is perhaps a little more taciturn than I had pictured Dumbledore to be, but what he lacks in words he exudes mystery and wisdom. Helena Bonham Carter, though underused, goes to town with her performance, making the demented psycho bitch Bellatrix Lestrange totally her role. Tom Felton, although not given as much of a chance to shine as he was in Half-Blood Prince, pulls off the unenviable task of humanizing Draco – a character we are expected to despise. Bonnie Wright is so impassive that she must have been taking acting lessons from the tree from which her on-screen wand was made from, but Evanna Lynch is delightfully kooky and Matt Lewis – who, it must be said – has aged quite nicely, really comes into his own as Neville Longbottom gets his moment of glory. Maggie Smith is wonderful, shedding all her airs and graces of Downturn Abbey to exhibit the true grit of Minerva McGonagall, and Julie Walters’ delivery of “NOT MY DAUGHTER YOU BITCH” has pipped Bridesmaids’ “you’re a little cunt” as my favourite line-containing-a-misogynistic-expletitive-of-2011.

But the finest performance of the film, and possibly the best performance in the entire Harry Potter franchise, belongs to Alan Rickman. Professor Snape has always been a hard character to sympathise with and many felt Dumbledore’s trust in him was idiotically misplaced, not least at the end of Half-Blood Prince. But as JK Rowling’s novel exhibited, years of hidden love, disappointment and jealousy boil together to give one of the emotionally cathartic performances I’ve seen. Behind that impassive face hid so many emotions, and Rickman lets these all come to the fore in an acting tour-de-force that exhibits more layers than an onion. The scene where Snape discovers Lily Potter’s dead body, such was the force of Rickman’s performance, that I was literally bawling. Beautiful work, and if there was any justice in the world, he ought to be a shoo-in for Best Supporting Actor come Academy Awards 2011.

The showdown in the form of the Battle of Hogwarts is a long affair, but sandwich in between it are pithy one-liners, some excellent CGI, and wonderfully rewarding kisses. Although I’m anything but a fan of Emma Watson, the Hermione/Ron kiss completely melted my heart, as well as the Neville Longbottom & Luna Lovegood romance, how adorable! Alexandre Desplat’s silky score is some of the most grand work he’s done and aptly captures the magnitude of the moment; “Lily’s Theme” is one of his most stunning tracks. Eduardo Serra captures the contrasts between bleakness and redemption gorgeously, and there are some beautiful symbols that have emerged from the film - Hagrid carrying Harry whilst crying for him was one that particularly lingered in my mind.

The epilogue in the film, as expected giving how much I groaned when I read it first time round, is a cringe-worthy affair, but giving Ron a pot belly was comedy gold. There are parts in the film that feel somewhat forced and heavy-handed, but other parts turned out just as I had expected, if not better, having read them in the film – Harry reading through Snape’s memories was a terrific montage of love, loss and regret.

It feels like a huge slice of my childhood has ebbed away with the Harry Potter franchise ending. Along the way, we have had comedy, drama, awful acting, wonderful acting, Hedwig’s Theme – one of the most recognisable tunes in film music, and magic aplenty. It has been a rollercoaster ride, but on the whole, I would say Harry Potter and the Deathly Hallows part 2 is a worthy bow out to a truly innovative and exciting series of books. Mischief managed!

Wednesday, July 13, 2011

Favourite Ron & Hermione moments.

By the way, this is my hand touching Grint's from the premiere last Thursday in Leicester Square:


10. Can You Keep a Secret?
Hermione’s super-human knowledge and diligence is well-documented throughout the seven books and indeed, her intelligence has come to Harry’s aid on countless occasions. But she possesses so much more than simply book smarts; she is sensitive and a very good reader of people – Ginny’s schoolgirl crush on Harry is apparent to all in Chamber of Secrets, but she being the 11-year-old, impressionable lil’ sis of his best friend, he sensibly pretends not to notice, leaving the crush to evaporate. In Half-Blood Prince, however, it is he who develops feelings for her, and the fact that she has them, quite literally, lined up, and isn’t afraid to face her brother Ron about it when he scolds her – only exacerbates his feelings for her. At the end of the book, after he has gotten her, he has to let go, and it is revealed that it was Hermione to advise Ginny to go with some other boys, not particularly with the aim of forgetting about Harry entirely or to make him jealous, but because she deserved to experience teenage love in her own right. Deep down though, Hermione knew that Ginny only had eyes for Harry and the her flings – however troubling to Harry (and Ron) – would do her no harm. Whilst this is not explicitly a Hermione/Ron moment, simply the fact that Hermione knew how much her crush & best friend’s younger sister fancied her other famous best friend but diplomatically chose not to tell either shows that whilst she is smart like the best of them, Hermione’s best quality is not her brain, but her heart.

09. Well Jell
In Half-Blood Prince, Harry and Hermione both turn the head of Potions Master Professor Slughorn, who invites them to come to his exclusive Slug Club, of which the other members are either well-connected students with distinguished bloodlines (Blaise Zabini’s mum was a heartbreaker of a witch who frequently married and divorced), or students who Professor Slughorn sees a light in, like Ginny and Hermione. Ron, who reacts with a red-hot temper that would do his hair proud at seeing his sister and two best friends invited but not him, and much of his anger is directed at Hermione, who by now he is growing increasingly confused by his feelings towards. Hermione rarely dabbles in underhand tactics, but Ron becomes so snarky towards her simply for being noticed for her excellence that she allows the horny-but-hot Cormac McLuggen to bring her as his date for the Christmas Slug Club party, knowing full well how much it will make Ron jealous. The little on-running feud between Ron and Hermione is as amusing as it is entertaining and acts as an accurate portrayal of teenagers and the petty things we do to get the attention of the ones we like.

08. For you, there’ll be no more crying.
In Philosopher’s Stone, the first few times we are introduced to Hermione Granger, it is difficult to warm to her. Bossy, a know-it-all and almost unbearably stuffy, Harry is a little bemused by her. Ron, however, never one to mince his words, voices his displeasure towards Hermione. Naturally, Hermione would overhear, and despite the brave face she has sustained so far, her butter-wouldn’t-melt demeanour comes crumbling down and her hurt locker shows. She runs into a toilet to cry, unaware that a gigantic troll is also there. Harry and Ron come to her rescue and in a brilliant display of teamwork, the three defeat it. With that, the quintessential OT3 of friendship is borne. If I really wanted to overanalyse, we could say that Hermione’s obnoxious behaviour to Harry and Ron had just been her defensive mechanism for speaking to “famous Harry Potter” and his cute ginger friend who she quite liked the look of. But that would probably be overanalysing it; they were only in year seven.

07. “I love you, Hermione”.
Harry and Ron have – as they have a knack of doing – got themselves in trouble, and now have homework assignments on top of that to worry about. Hermione senses their plight and offers to help with their work. Ron, so grateful, utters weakly “I love you, Hermione,” and it is said that Hermione “turns pink”. Ron’s comment was a throwaway one, but Hermione’s embarrassed reaction tells me that it was she who fell for Ron first, but he was too bull-headed and dull to realise.

06. Lust and delirious
Harry Potter and the Half-Blood Prince is, in a way, a tennis match of sexual politics between Ron Weasley and Hermione Granger. He should be so lucky as to get her – beautiful, smart, loyal girl that she is, but his own insecurity is so crippling that it leads him to mistreat her. His path in getting with sentimental and fairly annoying but well-intentioned Lavender Brown arose from a fight with his younger sister. Unhappy at being berated by Ron for making out with his friends, Ginny cries, in defence, that Ron is simply being a prude because Harry has had experience of snogging (Cho), and “even Hermione kissed Viktor.” This proves to be the catalyst for Ron and Lavender getting together, Lavender herself unaware to the fact that she’s being used as a pawn in the two’s warfare. After Ron suffers a near-death accident, however, and he is recovering, he’s so doped up that he’s unable to get his agenda right and says the name of the girl who he’s really thinking about: Hermione.

05. Oh, Krums.
Harry and Ron leave it a bit late in finding dates for the Yule Ball, meaning that the girls they go with – attractive twins Parvati and Padma Patel are perfectly fine, but not the ones they wished to have gone with. Harry’s choice had been asked sooner – Cho Chang, and Ron’s preferred date is more obscure. When it became hard to find someone he thought Hermione would be available as a last-ditch resort, but on seeing her – by far the most beautiful she’s been – at the Yule Ball, in the arms of Viktor Krum, a famous Quidditch player who up until this point he’d been in awe of, brings up all kinds of envy in him. As a result, he pays Padma no attention, loses all the idolatry he’d had thus far for his Quidditch hero, and seeks Hermione out to have a go. She isn’t having any of it, crying, “Next time there's a ball, ask me before someone else does, and not as a last resort!". Ron splutters his indignations, but judging from Hermione’s tears and Harry’s tactical reticence, he’s only kidding himself.

04. Knight with cruddy armour
Draco Malfoy comes from an affluent family. This is unceremoniously shoved in the Gryffindors’ faces when his father kits the entire Slytherin Quidditch team out with Nimbus 2001. Taking the opportunity to sneer at Harry and Ron, Hermione replies sharply – but accurately that at least Harry earnt his place on the team, rather than buying it like Draco. Malfoy doesn’t like being told by a Muggle, and calls her a terrible word – Mudblood. This infuriates many of the passers by, but only Ron does something about it, pulling out his wand to defend his friend. Unfortunately for him, his wand is crooked and his own hex backfires, but that he would defend his mate’s honour with such fierce loyalty shows the beautiful, unadulterated spirit behind Ron and Hermione relationship.

03. Paying the penalty
Always in the shadow of ~Famous Harry Potter~ and his astounding Quidditch skills, Ron has a chance to shine in the sixth book when Harry, as captain of the Quidditch team, is holding tryouts. Cormac McLuggen probably has more natural talent, and in a Quidditch penalty shoot out, he is flying, saving four of four penalties. As the fifth is taken however, he does a bizarre dance-in-the-sky that results in him letting one in, and Ron getting the role of goalkeeper. As it transpires, it was Hermione who performed the jinx on Cormac to make him under-perform, as retribution for some throwaway comments he’d made about Ron and Ginny. A little action of a good friend, perhaps, but for by-the-book Hermione to play so dirty shows that she truly cared about the person she was doing it for. If only Ron knew.

02. Come together, over me
Albus Dumbledore’s death in Harry Potter and the Half-Blood Prince was one of the most arresting, surprising and depressing deaths in literature for me, not least because it seemed to signal an uprising of Voldemort’s clan. At the end of the book, the entire school (bar a few evil-minded Slytherins) is in mourning. Ron and Hermione have set aside all the drama they have incurred in the book (in a fit of rage, Hermione had sent a bunch of canaries after Ron after seeing the two all over each other), and it is fair to say that Ron has entered that tentative transition between lad and full-fledged young man. Many of the inhabitants of Hogwarts cry, including Hermione, who, we are told, weeps into her ginger friend’s shoulder. It is a rare moment of beauty amidst a sea of heartbreak.

01. Kiss Me
There was a clatter as the basilisk fangs cascaded out of Hermione’s arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
Corny, yes. Out of place (it’s in the Battle of Hogwarts), yes. But oh my lord, it was so bloody overdue. Seven years of adventure, of being there of each other, laughter and tears, mindgames and game playing, all culminating in these few, such rewarding lines. As you may have noticed, I'm quite into my films where there's all this strife and tribulation, and it ends with a grandstanding act of redemption, and Ron and Hermione's kiss is redemption for a lot of the casualties incurred in the series.  I don’t care for Emma Watson a jot but I love Rupert Grint and Harry Potter, and thinking over all these precious Ron/Hermione moments has thoroughly piqued my thirst for the final film coming out this Friday!

Friday, September 05, 2008

*screams*

How terrifying is this similarity?

Photobucket

Bung Bung.

I’ve actually read some articles of people being “Team Bella” or “Team Hermione”. As I haven’t read the Twilight books, I can’t pick a side, but I love the book Hermione. (Emma Watson, the other hand? Well… bung.)