Wednesday, November 10, 2010

Top 10 Girls Aloud song lyrics that I connect to.


Back to the Girls Aloud obsession once again! One of the many things I love about their songs is that I can always recognise something of myself in their lyrics. So here are 10 of their song lyrics which I feel I connect to:

01. “Without any meaning, we’re just skin and bone, like beautiful robots dancing alone” – Untouchable


02. “Boy did you ever think that loving would be nothing more than walking me home? No no” – Sexy! No No No…

03. “My Aladdin’s lamp is down and I got a fear, ooh baby, right here” – The Promise

04. “It might sound crazy but your voice still leaves me all funky” – Whole Lotta History

05. “You could be the one that’s the head of the pack, babe. You could be the power stealing the whole damn show” – Crocodile Tears

06. “Surfing channels ‘til I bleach out the pain” – Memory of You

07. “I got you, I know your game. Doesn’t mean I know how to play” – History

08. “Gone are the days of magic, those times were cool. I tried to make love not hate, what was I to do” – Rolling Back the Rivers in Time

09. “I've been waiting all this time for you / And I've been hatin' all this talkin', baby, black and blue” – Waiting


10. “Wake me up before I drop out on you / You treat me rough to show that you care / And I just can't refuse baby” – Wake Me Up

Oh, would you look at that, nearly all of them relate to love, and the pangs of disappointed love. Typical Bung!

For more of my musings on music, click here.

Tuesday, November 09, 2010

Album review: MY BEAUTIFUL DARK TWISTED FANTASY (Kanye West)



The introduction to the album, Dark Fantasy, unsettles you right from the off, with an opening monologue delivered in what sounds like a bizarre, exaggerated imitation of a British accent. Then there’s some soaring, gospel-like singing, building the tension until the 1-minute-19-second mark: there he is! He immediately shows off his expansive range of high school Spanish: “How you say broke in Spanish? Me no hablo”, and the chorus of “Oh, oh, oh” is masterfully orchestrated. 

Wednesday, October 27, 2010

TV recap: THE APPRENTICE series 6 episode 4, SELLING TO TRADE

It’s all about product development this week, as both Apollo and Synergy are tasked with selecting two up-and-coming inventions and pitch them to various department stores and independent retailers across the UK.

We’re launched straight into the drama when Jamie and Mel fight for the position of Project Manager. Mel, who was the winning PM last week - though a strong case could be made that her team won in spite of her leadership rather than because of it - keenly puts herself forward again. However, a democratic team vote sways in Jamie's favour, securing him the PM armband. Jamie looks chuffed, Mel looks extremely irked. 

On the other team, picking PM is considerably more straightforward; Chris puts himself forward and meets no opposition, winning the position by default.

Sunday, October 10, 2010

Six mini-film reviews: 4.3.2.1 (Mark Davis, Noel Clarke, 2010), MADE IN DAGENHAM (Nigel Cole, 2010), THE PRESTIGE (Christopher Nolan, 2006), THE RIVER (Jean Renoir, 1951), SIDEWAYS (Alexander Payne, 2004) and OUT OF THE PAST (Jacques Tourneur, 1947)

Bungsy's screening log: 4 October 2010 to 10 October 2010

4.3.2.1 (Noel Clarke and Mark Davis, 2010)


 
4.3.2.1 tells the story of four female friends in inner-city London who inadvertently get embroiled in a high-stakes diamond heist. The film kicks off with the group meeting up in a cafĂ©, before they part ways for their own interlocking adventures. Unbeknownst to them, over the next 48 hours, their paths will cross in more unorthodox ways. 

The film follows directly after they have parted ways, channelling the misadventures of each girl over the subsequent days. So far, so Tarantino. Except that, whilst I find QT's relentless self-promotion and ego a little irksome, he at least possesses the filmmaking pedigree to justify the smugness. Noel Clarke and Mark Davis, not so much. 

Wednesday, October 06, 2010

TV recap: THE APPRENTICE series 6 episode 1, BANGERS

Finally, it’s here! After what felt like a very underwhelming series of Junior Apprentice, we’re finally onto the original. Margaret Mountford has gone and is replaced by the formidable Karen Brady, but the rest of the formula is reassuringly familiar. And by that, I mean a batch of completely deluded contestants who are almost swimming in their own arrogance, paired with tasks specifically designed to expose those exact flaws. 

The challenge this week is to manufacture and sell sausages, and from the looks of it, the contestants will be making a pig's ear of it.

“Everything I touch turns to sold”, drawls one of the candidates, following up with “Where’s my glass ceiling?” Already, he has established himself as a self-serving, egotistical goon amidst a sea of egotistical goons. The episode truly kicks into gear in when Sir Alan divides the teams, as per standard, by gender. 

The first task for both teams is to pick their names. The women, after dallying with an atrocious “Winning Women”, plump for Apollo, because, as one of the candidates notes, for the Apollo, as for them, “failure is not an option.” Meanwhile, the men flit between Fusion and Synergy, before the latter is selected by the majority.

Next up, picking the project managers. Dan Harris, the oldest of the men, throws himself in the ring straight away, while Joanna volunteers for the women with a bit more reserve. The two teams then have to map out their strategies for manufacturing and pitching their stock. The men opt for bargain basement sausages, whilst the women decide the more delicate angle with premium gourmet sausages. 

Already the two project managers are starting to exhibit their true colours; Dan waves his arms around and hollers the f-words repeatedly, whereas Joanna shows her patronizing streak. Karen Brady, observing the men, is far from impressed with Dan, noting that heis “very aggressive.”

“Who the fuck is it?” hollers Dan, in another display of said aggression later on in the show. By now, the two teams have gone to the meat markets, bought their supplies (and on the whole failed to get a good bargain). The women go for some fairly obscure ingredients for their sausages - ham and mint, and chicken and chilli being two of their sausages. When they put all the ingredients into the machine and produce sausages, I must say, the sausages looked like willies initially. Soon, however, Apollo have take-off, and produce sausages that are on their way to looking mildly presentable.

Elsewhere with Synergy, Dan pouts a bit, before throwing his weight around. The boy’s team’s sausages come out of the machine looking like dried faeces; most unappetizing. Jamie Lester, one of the men, is truly unimpressed with his PM, noting that Dan “can’t organise a piss-up in a brewery”. Meanwhile, the women’s sausages are overstuffed with pricey mint, and the two ladies doing the accounts note that Apollo aren’t making as many as they’d hoped.

After that ”night of hard graft”, the women’s sausages are actually looking fairly professional. Unfortunately, when packaged, they look much like the men’s – sausages in a box. To exhibit their higher end ingredients, they must give tasters. The men start selling, telling people that the sausages are “Made by us” - - not really a selling point if you ask me. Synergy hit Portobello market, complete with speakerphone. The deal they’re offering is £3.99 for a pack, 3 packs for a tenner. They are frying samples, which pulls in buyers.

Of Synergy, Stuart Baggs is very eager to let it be known that he sells a lot. “To be honest I sell the most here”, he drawls. When his intrusive selling style is called into question by another team-mate, he gets shirt. “Who’s selling the most?” he demands, with the air of a spoilt child. The women need to recoup their high production costs, but as of yet, they’re not making a great deal of sales. Nick, watching them, observes wryly “You sell the sizzle, not the sausage,” touching on the fact that the women haven’t cottoned on to giving tasters. After a while, they do realise what the cooking utensils next to them are doing. “Better late than never,” he mutters.

The men then try to sell sausages to people in pubs. 90p a sausage, the guy in the pub is not having any of it. Dan just moves his arms about and swears in an attempt to be assertive. Meanwhile, in Apollo, friction is arising - one woman feels she’s being usurped; she’d talked a seller into buying some sausages, but feels that Joanna is hogging the glory by closing the deal. Joanna says that “As long as the deal’s done”, it doesn’t matter who does the selling, but this doesn’t stop the other team-member from moaning. It’s “a matter of professionalism” she complaigns.

The men, for some godforsaken reason, decide that when faced with a huge amount of stock that won’t sell, it’s time to take a stocktake. Even though that’s certainly not goning to make any money. Yet again, Dan continues to bark at his team and wave his right arm about, left hand in apron pocket, as if this proves what a good project manager he is. Dr Shibby Robati, a surgeon, talks about how fed up he is with his project manager’s brash confrontational ways. Soon, the day ends.

Apollo and Synergy enter the Board room. Sir Alan asks them how their names and project managers came about. “I put myself forward”, Joanna says smugly. Then, it’s the moment of truth. Synergy spent more, and made more money than Apollo, but Apollo spent so little that overall, they made £15 more profit than the boys. Nick gives some rare words of encouragement to the women who’d done the numbers, “Stella and Elizabeth are hot on the figures”. True enough; both women didn’t push themselves to the front of the camera, rather, they sat back and carried out their task with diligence and precision. Stella and Elizabeth are two to keep an eye on in a sea of despicable goons.

So, the women win, and are escorted back to their place of residence for the duration of the show – a Georgian townhouse slap bang in the middle of London’s west end. It is gorgeous, complete with a grand piano, a luxury sofa, a modern deco kitchen, sauna, and gym with treadmill. Downstairs, a chef is cooking sausages. Apollo can just about see the funny side, and tuck into (what looks like) some delicious finger food.

As for the men, they come home later, after the celebrations, as Sir Alan Sugar says he’s too tired for the recriminations to begin immediately. Stuart confidently declares “I’m going to take my suitcase in and I am not going to pack a thing. Because I’m not going home.” Once in the board room, the sniping begins immediately. It is revealed that Dan only sold £14 worth, though his defence – and it is a defence he uses many times in the boardroom – is that he was too busy “managing.” When questioned on being “Out of his depth”, he declares “I focussed on being a project manager”. But his teammates aren’t having any of it. One of them chirps that he was like “a bull in a china shop.” “So aggressive and so thuggish”.

Dan decides that he will bring Stuart and Alex into the board room. Once they’re in, Stuart and Dan begin arguing immediately. It is funny, after all that harping on, it turns out Stuart didn’t sell the most. More dissent in boardroom follows, with Dan claiming that he had his hands full Project Managing, and Stuart being sarky in a way that only a 21-year-old can (by the way, it is very hard to believe that he’s only one year older than me, such is his weather-beaten face, making disparaging comments.

In the end, Dan gets fired, which I think is by far and away one of the best firings Alan Sugar has made. He has time to take Stuart down a peg or two, telling him to only speak when he’s being spoken to, and thus ends the first episode of a long-awaited season of The Apprentice. Next week, they’re selling package holidays. BRING IT.

Emmabung's Top 10 Cutest Footballers (Currently.)


This list changes as often as I change my hoodies, so I would take it with a pinch of salt. Looking over it, I realise it is very English, Spanish and Croatian heavy (in fact, the only other nations represented are the Czech Republic and Ivory Coast). As a matter of fact, nine of these ten dudes are Europeans, which probably betrays my predilection for European men. Anyway (from top left then clockwise), the men are:

Xavi and Iniesta (both Spain, both Barcelona). I often think of these two as the same player, such is their telepathic bond and brilliant link-up play at Barcelona and for their national team.

Frank Lampard (England, Chelsea). It makes me laugh when people, especially overweight middle-aged men, call Lampard "fat", because he has an amazing physique. The fact that he plays so well for my team, as well as sporting a sexy Romford accent, only makes him more irresistable.

Luka Modric (Croatia, Tottenham). Little Luka, along with Crouchie, will probably garner the most laughter for his appearance on my list here. After all, the Croatian magician does have long blonde hair, a big nose, and buck teeth. That's not ordinarily considered attractive. But, I dunno. He is a very skilled footballer (if I could bring one player to the Bridge it'd be Modric or the later mentioned Adam Johnson), yet seems to be uncharacteristically humble, something which could be attributed to his being from Croatia (incidentally, a country I absolutely BUM). After all, they have an Island that looks like this!


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Stunning!

Salomon Kalou (Ivory Coast, Chelsea). Aww, sweet-faced, adorable, innocent Sala! What a cutie.

Niko Kranjcar (Croatia, Tottenham). Har, the second Croat Spuds player in my list. To be honest, I was very close to including a third, the defender Vedran Corluka, but alas, I left him out. Well, of the three, Kranjcar is easily the most "stereotypically" handsome, with his gorgeous brown eyes, sexy bod and tanned skin. He doesn't seem to be playing that many games this season for some reason, but he does play, it's not his football I'm paying attention to. ;)

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Adam Johnson (England, Manchester City). Adam Johnson is, in short, one of England's most exciting prospects. I firmly believe that Capello was a fool for not selecting him (though, then again, this is the man who didn't start Crouchie enough in the World Cup, and who knows what could have happened if he'd played more). I watched Adam Johnson on James Corden's World Cup (he was just about the only good thing to take from that piece of shit show), and he was wearing a hoodie and speaking eloquently in his cute Tyneside accent. As with five of the other men in this list, I've actually seen Johnson in the flesh, when I went to Manchester City vs Spurs (I always forget this fact because I was too busy perving on Crouchie in that game), and he and Tevez were probably the only two City players in the game that showed true flair in their footballing. It's hard enough to establish yourself at big-spending City, even harder when you're the right side of twenty with considerably less experience and ego than your fellow teammates. But Adam Johnson's humility is to his credit, and it won't be long before he's made a name for himself - for club and country.

Iker Casillas (Spain, Real Madrid). Oh, nothing more needs to be said, really. He is a huge, huge dish, and one of the best goalkeepers in the world.

Petr Cech (Czech Republic, Chelsea). Speaking of talented goalkeepers, there is no-one I have greater pride for in football than Petr Cech. He came back from a horrific head injury in October, 2006 with Stephen Hunt, after which many questioned his form. In truth, it is possible that he may never quite reach the super-high levels he'd set himself before then, but I would rather have him as my team's goalkeeper than anyone else in the world. Intelligent, sensible, and so, very, very lovely.

Peter Crouch (England, Tottenham). CROUCHIE =) =) I don't think I need to say any more, really, considering I've been worshiping him since his Liverpool days, and, as a staunch Chelsea fan, I don't make a habit of rooting for ex-Liverpool and Spurs players. But I just can't not. His funny robot dance, his other goal celebrations, his knack for always giving 100%, even if it doesn't necessarily pay off, makes him my #1.

Monday, October 04, 2010

It's a Woman's World.

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Bung is drunk!!! this is my first drunken film review since my film blog started in 2006, so, you best enjoy it! :P


I had a coupon that entitled me to see Nigel Cole's Made in Dagenham as well as a free beer at the Little, Theatre, Bath. It was an adorable film. Despite me being able to predict how the film would go:

Women want equal rights -> Women campaign for equal rights ->; Campaigns are initially fruitless -> Things get worse before they get better -> Happy denouement, as Joe McEldry said, it's the journey, not the destination, and, what a journey. I was moved to tears throughout the film and cried about 60 times. This was largely because I'd used my free drinks coupon on a bottle of London Pride, which, at 2.4 alcohol units, was more than enough to get me wasted. It was interesting, actually; I was the only person under the age of 60 in the cinema, but I must have been a SIGHT -- trampy Chinese youth with a bottle of beer in one hand, bawling throughout the film. Anyway, the other reason I cried was because everything that happened in the damn film reminded me of my best friends Luke and Anna, neither of whom are at Bath this year. So I cried, a freaking river. Especially as Luke is actually from Essex, so the whole bloody film reminded me of him. WAH.

But the film itself was great. Sally Hawkins, who we all know deserved an oscar nomination at the very least for her turn in Happy-Go-lucky almost reaches the performance in that film here, as Rita, a woman who just wants equal pay. She is a great leader and brings out good performances in all the supporting cast, particularly Bob Hoskins (his monologue about his mother was one of the many scenes that moved me to tears), Jamie Winston and Rosamund Pike, who's lovely performance, on the surface, seems to be very like that of hers in An Education, but under the exterior, she proves how women are awesome, keeping in tone with the film.

Overall, I thought it was going to drag on, but  Iwas chuckling, entertained (and crying) throughout. RECOMMENDED, k.

Also, I need2stop drinking.

Sunday, October 03, 2010

Weekly Screening Log (27th September to 3rd October)

Right, I know I always do these and then end up stopping but I will try my damndest to stick to it this time round! (Famous last words).

Loser (Amy Heckerling, 2000)

Jason Biggs stars as a dorky college student on a scholarship, who is friendly, warm-hearted and nice, and thus, completely out of place amidst his boozy, hedonistic dorm mates. He falls for the equally lovely Mena Suvari, someone who is struggling to pay her way through college as well as having an affair with Greg Kinear’s college lecturer. 

Friday, October 01, 2010

Bung’s Top 10 Girls Aloud songs.

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Now, I’ve always been a big Girls Aloud fan, but it took my lengthy commutes to work this Summer with nothing but my big-ass iPod for company to appreciate the full genius of their song lyrics, rather than just view them as a fun girl-band. In fact, I used to only ever notice Cheryl's beauty and Nadine's t'riffic voice, but recently I've got a whole lotta love for Kimberley, and acknowledge that Sarah and Nicola both have their moments too. As an ensemble, I just can't get enough of 'em, and so wish they'd get back together. Thus, as I did with Regina Spektor ages back (and by ages I do mean ages, 2 years ago, Jesus), I thought I’d do my top 10 of their songs. I’ve given this a fair bit of thought, and it’s not been easy to leave out some songs, but, finally, I think I’m ready to unleash it!

Because ten just isn’t enough for this insanely wonderful five-some: The Loving Kind, Watch Me Go, Graffiti My Soul, Here We Go, The Promise are runners-up

10. She
The B-Side to The Promise, and, whilst the frontline single itself is a terrifically cheery and feel-good song about falling in love despite everything, She turned my head even more. The beat in She is one of Girls Aloud’s sexiest, as are the lyrics, about a she-wolf and how she prowls, set to a combination of sultry singing and cheeky chanting. And Nadine, who I’ve always believed to have the best voice in the band, gets to really give a pipes a good blasting in the song’s closing refrain, which she completely nails; her delivery of “you in the middle, get your coat, let’s go!” manages to be both bossy and alluring.

09. No Good Advice
“Shut your mouth, because your shit might show” is one of Girls Aloud’s feistiest lyrics, but it suits No Good Advice, a song which showed that they aren’t just like every other goody-goody girlband on the scene, and that they have more of an edge to them, an edge which brings out the inner rockstars in them. The delivery of the spirited lyrics are especially so from Nadine and Cheryl, who do some ballsy voice work here, and the funky guitar and drums in the background complement the lively tone of the song. Essentially, it’s a song about rebelling about the (well-intentioned) things your parents say to you, and do your own thing instead (the part of the song wherein the girls say a litany of things they can do without – absolute genius). Which, to be quite honest, I complete connect to.

08. Sound of the Underground
Back in the day of Popstars: The Rivals, this was their first song, which they beat their opponents with for the spot of Christmas no. 1, and, eight years on, it has more than survived the test of time. The bassline wouldn’t be out of place in a Tomoyasu Hotei instrumental and the beat is wonderfully metallic, but you’ve also got the catchy lyrics (of which Nadine’s delivery hints at the promise of a great singer to come).

07. Fix Me Up
For a long, long time, this was my mobile ringtone, and certainly one of their catchiest (and bawdiest) songs. Essentially, it’s about being horny and wanting to bung your man, but such is the cheekiness of the lyrics and the band’s delivery of them (Sarah Harding, perhaps construed as the most fun-loving of the band, unsurprisingly takes centre stage here) that the song remains on just the right side of seediness. It’s a funky, funny, enjoyable choon.

06. Control of the Knife
My favourite rendition of this is easily from the Tangled Up tour, wherein Cheryl puts her exquisite dancing talent to good use by taking centre stage. The “trick me” part, which doesn’t feature in the single, is a very ingenious use of Kelis (see also: integrating Rihanna’s Disturbia in Sexy! No No No… in the Out of Control tour). With an intrepid move into the world of reggae and ska, Control of the Knife is a mish-mash of musical flavours, topped off with a great horn solo, showing that, it’s often just as much about the instruments and producers as it is about Girls Aloud themselves.


05. Something Kinda Ooh
Something Kinda Ooh, which receives my vote for sexiest GA music video and has had me repeatedly questioning my sexuality (the silhouettes! The cars! The skimpy outfits!), is easily the best one to dance to on cheesy nights out and in the cheese rooms in Oceana. The adrenaline-pumped bass, the jolly guitar riffs, Nadine Coyle rapping, it all comes together to create what is – and will continue to be – a nightclub favourite. I still get insanely happy when I hear the girls’ voices chanting “I GOT TO HEAT IT UP, GOTTA, GOTTA HEAT IT UP.”

04. Call the Shots
One of my favourite songs to listen to whenever I’m irked with men, I really dig the message of being strong and not giving into men and their damn petty games. The ooh-ing and aah-ing give the song a little added spice, and the backing track wouldn’t be out of place in a 90s disco, which gives the whole thing a wonderfully nostalgic feel. The line “I won’t cry because I’ve stumbled through this far” shows the mature, sensitive side to the band that may not have been as well-exhibited in the past, and the whole package is just a wonderfully bittersweet and elegant affair.

03. Can’t Speak French
“Not that one!” my workmate exclaimed when I revealed my list to her after finally constructed it, for, whilst extremely re-playable and featuring a music video that makes a playful nod to the Marie-Antoinette lifestyle of gorgeous costumes and hedonistic lifestyles, Can’t Speak French is far from being one of the deepest songs ever written. But by keeping it simple, I find Can’t Speak French easy to bop along to and connect with, especially the underlying message that often, it is difficult to convey the depth of our emotions through words, so we let our actions do the talking. Plus Cheryl’s “I gotta let you know” refrain contains what is quite possibly her strongest vocal work; I think it’s absolutely lovely.

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02. Untouchable
When I think about how my initial reaction to hearing this song was “yawn”, I cannot help but cringe. Thankfully, I came to my senses, and saw this song for what it really was: pure poetry. Lyrics-wise, I feel this is Girls Aloud’s most beautiful song. Clocking in at just under seven minutes long, the band take their sweet time with this one, and texturally, it happens to be one of their most ambitious songs as well. But the gamble pays off. Moving, deep, and very, very classy, Untouchable shows that Girls Aloud don’t have to be loud to be brilliant. The tone of the song can be interpreted as sad, but I also get a strange sense of uplift whenever I hear it too, which is the mark of a good piece of art. Plus there is one line in it that never fails to give me shivers – Nadine’s stunning “Without any meaning, we’re just skin and bone, like beautiful robots dancing alone”, which, to me, is like Keats for the 21st century. Sublime.

01. Sexy! No No No…
In a word, complete and utter musicalling genius. Although the music video still disturbs me, I simply cannot resist the sultry, girl-power and downright swagger of this song. The bass and guitar riffs are terrific, funked-up pop music, as is Nicola hollering “from top to bottom I’m a woman, sunshine”, which easily takes my vote for the best delivery of a lyric within the band, though there are countless other lines which I quote on a daily basis, “Did you ever think that loving would be nothing more than walking me home”, “I’ll give you nothing ‘til you show me something”, etc. The lyrics, which are relatively obscure, are generally telling of a woman not giving away her affection, and making a man “chase” her, which, I approve 100% of. The song has no structure to speak off, no chorus, bridge and verse, like the majority of their songs, and for that, it jarred when I first heard it, but on repeat listening, I was as hooked as an England left back to his mobile phone (I kid, Ashley, I kid because I love. Clean sheet against Arsenal on Sunday, yeah?) Topped off with a bass which samples “Hair of the Dog” and tonnes of stringry guitar, Sexy! No No No… is an amazing song, whether it be to dance to, sing to, or feel like a woman to (for other songs that fulfil this latter function, listen to Portishead’s Glory Box), and there will never, ever, be anything like it. Perfection? Hell yes.

Sunday, September 19, 2010

Some football photos from September which I dig.

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But for a while I dropped that d-d-dirty style when I discovered that's it's sexy.




My favourite sexy GA song lyrics:
01. "you dream of touching me there” - Graffiti My Soul
02. "Quarter past two
I was dressed in red
Tied up to your bed
Begged you on my knees" - Watch Me Go
03. "Oh boy, I can't tell you how sad I feel / If tonight, is just another kink in your steel" - Something Kinda Ooh
04. All the names that you called out in bed seem to fade” - Call the Shots
05. "Oh baby baby hit the light / You gotta hit the spot" - Fix Me Up


Yup, I have indeed been somewhat obsessed with GA recently (not much else has been going on in my life apart from work and and work, though I did make time to watch the Arsenal game, to which I lol'd. Hard). ANYWAY. Yours please!

Saturday, September 11, 2010

From top to bottom, she's a woman, sunshine.



Set in Argentina, Johnny Farrell (Glenn Ford) is a young, suave hustler who drifts from place to place, with nothing but a loaded die for company. One day, amidst a mugging, he is rescued by Buenos Aires casino magnate Ballin Mundson (George Macready) and the tycoon, spotting a diamond in the rough, employs Farrell as his henchman. The two men enjoy a sucessful relationship, for along while acknowledging the only third party as Ballin's cane.

However, emotions become complicated when Ballin marries a beautiful but heartless woman, the eponymous Gilda (Rita Hayworth). Unknownst to Mundson, his loyal devotee and his new bride were once together, in a relationship that is the very definition of "tempestuous". Needless to say, that relationship did not end well, leading to both parties loathing each other, but also paving the way for one of the most wickedly entertaining three-handers in cinema.

Rita Hayworth shimmies across the stage in a wide range of figure-hugging silk dresses, her curves accentuated with shiny, bold belts. Her performance outshines ever the sparkliness of her belts, as she exudes sultry elegance in every frame. Her character is jaded, cynical and has no qualms with using and abusing any men she comes across, but one smouldering look from her and it's not hard to see why she has men going gaga for her.

Her chemistry with Glenn Ford (whom she would later bed in real life) is sizzling and their exchanges demonstrate perfectly that fine line between love, hate, and how easy it is for the two to fuse. It is this edge to Gilda and Johnny's repartee that make them such a curious couple, and their anti-hero characters so compelling.

So sexy that I'm surprised certain parts were permitted by the stuffy Hayes Code of the time and featuring two very different renditions of what is now one of my favourite songs Put the Blame on Mame, Gilda is a representation of the ultimate battle of the sexes. The film has been read by some has having soft homoerotic undertones between Ford's character and Macready's, but, I read it differently.

The love Johnny Farrell feels is all for the titular character, but, such are his jealouses and insecurities, that he fooled himself into believing otherwise, that he hated her and could do without her.

When she returns into his life, with her usual arsenal of conniving games, his world is rocked again, and so begins their vicious circle.

And, to be honest, that is what love is all about, really.

Sibling Narcissism.

My top 10 favourite photos with both me and my brother Tom in. Because it's Saturday and I'm not working for once.

Runners up:
Barcelona
when I was 16
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I'm said to look the same age as him in this one!

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there's something captivating about the lighting in this one.

eight

*chuckles* Gotta love the odd baby photo.

seven
for the lulz. And also the look of concentration on Tom's face in feeding me the ice cream.

six
Daww

five

The way Tom pushes his face against the lamb is so precious

four

er, he's in his Spurs strip. Me in my Chelsea one. That's it really.

three
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My brother is somewhat of a chess champion. And also, I like to look back to remind myself what I looked like before I ballooned up hugely.

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haha

one
Whey! Get us.

That's really. Ha.

Favourite Individual Line Deliveries in Girls Aloud songs.

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I've been listening to Girls Aloud religiously recently, they being my go-to band for songs when my boyfriend pisses me off (which is just about every day). I noticed some lines really, really lingered with me, whether it be for the delivery of them, the poetry in the lyrics, or a mixture of both. Thus, this list.

01. Nicola: "from top to bottom I'm a woman, sunshine" - Sexy! No No No...
02. Nadine: "like beautiful robots dancing alone" - Untouchable
03. Cheryl: "I gotta let you know..." - Can't Speak French
04. Cheryl: intro to Sexy! No No No...
05. Cheryl: "out of the fire that burns inside me, a phoenix is rising" - Call the Shots
06. Nicola: "through wind and rain we got here, now we're flying babe with no fear" - Untouchable
07. Sarah: "your kisses taste like cyanide and that's not good for me" - Graffiti My Soul
08. Nadine: "I was Snow White 'til I started to drift" - Close to Love
09. Kimberley: "and who could ever question any crying I do" - Can't Speak French
10. Cheryl's rap in Watch Me Go

Photobucket

Any I've missed out that you particularly love?

--

Nadine Coyle finally let us in on the full audio of her new single, Insatiable:

Monday, August 30, 2010

Like beautiful robots dancing alone.


I went to visit my best friend Anna in her hometown Coventry this weekend. We had an amazing time! In between clubbing in Birmingham, wining and dining, and girly chats, we also saw...

Inception.

I was not a fan.
(probably the only scene I enjoyed was this one)

Thursday, August 26, 2010

Ever since 2006, I've loved Peter Crouch...

... and that isn't about to change any time soon :))))

A Study in Turquoise.

I'm off work today with a cold, so I've taken it upon myself to actually, you know, update my blog for once. And to start with, some good old fashioned girlcrushing:


My question is, how do you rank the Girls Aloud here in order of bungability? I would say:
01. Kimberley (the yellow dress accentuates her womanly curves perfectly)
02. Cheryl (even though she's in the most boring pose, she would look gorgeous whenever and the turquoise dress really suits her skin tone)
03. Sarah (I actually have a blue dress very similar  to her's but I don't work it a tenth as well, sadly)
04. Nadine (gorgeous, but a tad too thin)
05. Nicola (trying too hard, babe)

Your thoughts?