8 Things I Learned from the 2018 BBFC Annual Report

This blog is rated 15 for references to violence, sexual violence, and bragging from the author.

The 2018 BBFC Annual Report actually came out a bit earlier this year than we're used to; last year's report dropped on July 19th, whereas 2018's one came almost two month's earlier. However, so switched on are my BBFC-senses that I seemed to anticipate this, as I wrote my prediction blog a few weeks ago!

So, as per tradition for the past three years (2015 et 2016 et 2017), here were some notable points I took when devouring the report!

01. Emma knows her BBFC

This was also one of my takeaways from last year's report, and I'm aware it's a bit self-aggrandising to bring it up again, but it's not like me to self-promote, now is it? 😏

In my anticipation blog, I correctly called that Red Sparrow would be the most complained-about film of 2018, followed by Peter Rabbit, Show Dogs, A Northern Soul and Ready Player One. I even correctly predicted that Love, Simon's trailer would get the BBFC complaints.

Sharp Objects gets rated 18 by the BBFC

I finished reading Gillian Flynn’s Sharp Objects this week. The book has been turned into an 8-part HBO miniseries, and although I’m yet to watch it, it had very much been on my radar due to the expert way it had been marketed: ‘From the director of Big Little Lies, from the producers of Get Out, from the author of Gone Girl, and starring Amy Adams’. Any semi-cineliterate individual will know that that is a killer recipe for success.

‘Killer’ being the operative word. The plot revolves around a journalist, Camille Preaker (Amy Adams), who returns to her stifling Missouri hometown to investigate the disappearance of two young girls in the town. Having a tonne of baggage herself, including strained relationships with her frosty mother, the investigation causes Camille to revisit some of her demons, including the death of her beloved sister Marian, a death she never got over.

Inbetween a 15 and an 18

This blog is rated 15 for strong sex references.

Every year, I like to analyse the BBFC short insight for a film, before I’ve even seen it. Last year, I nerded out to the BBFCinsight for Dunkirk, as it was an unprecedented case of four different adjectives for each of its classification issues.

The year before, I was excited because Suicide Squad got a 15, which is really unusual for a big studio superhero movie. Funnily enough, Suicide Squad’s short insight is actually subsumed in Dunkirk’s, ‘sustained threat, intense sequences, moderate violence, strong language’, yet Dunkirk is a rating lower.

Tangential, but Dunkirk has Harry Styles (a singer-turned-actor) and Suicide Squad has Cara Delevingne (a model-turned-cocaine addict). They used to ‘date’ each other. I daresay one was substantially more successful at acting than the other.

2018’s bout of ‘Emma critiquing the BBFCinsight of a film having not even seen the movie’ comes for the upcoming The Festival. For this film, Iain Morris and Damon Beesley, the creators of The Inbetweeners, collaborate again, as director and producers, respectively.

10 Lessons Learned from the 2017 BBFC Annual Report

I’ve waited long and hard, but Christmas for Emma has arrived! The BBFC Annual Report for 2017 dropped today, and here are the ten main takeaways I got from consuming it!

01. Emma knows her BBFC

Just as I’d predicted in my anticipation blog, the film which got the most complaints to the BBFC last year was Logan. 

TV review: 13 REASONS WHY season 2 (Netflix)

This blog contains spoilers for season 2 of 13 Reasons Why.

Since its release last March, 13 Reasons Why, the Netflix adaptation of Jay Asher’s novel, chronicling why High School student Hannah Baker took her own life, was met with controversy. Many people felt the show glamorised suicide, not least in the way Hannah made 13 cassette recordings with a reason and person named on each tape, to be listened to by the people who contributed to her decision to commit suicide. In season 1, the characters named on the tape, unsurprisingly, were wracked with guilt and recriminations over who was ‘most’ culpable, flew between the accused.

Film review: A OR B [幕后玩家] (Pengyuan Ren, 2018)

A shady investment manager Zhong Xiaonian (Xu Zheng) wakes up one day to find that the safe where he kept records of his dodgy dealings, and a vital USB stick containing access to all his funds, has been ransacked. Even worse, there’s no way for him to exit his bedroom. He’s locked in, and every day at 9am, he must choose one undesired consequence (A), or another (B), or else both will happen.

This plot conceit, which has more than a passing resemblance to the Saw movies, is executed, for the most part, in a suitably compelling manner. In order to rise to his position at the top of the company, Zhong has screwed over many people and made some powerful enemies, and as he tries to plot his escape from the locked room, he’s also trying to ascertain the identity of the person who’s doing this to him.

Film review: FALLEN ANGEL (Otto Preminger, 1945)

Eric Stanton, a penniless, down on his luck conman arrives in a Californian coastal town and instantly falls for Stella, the resident siren. Unfortunately for him, he’s not the only one to have fallen under her spell, as all the men in the town are equally smitten with her.

Very helpful (not)

This blog post is rated 15 for references to sexual violence and torture.

The BBFC replied to my e-mail on Red Sparrow, and in doing so, reminded me why it is I don’t usually bother e-mailing them. The Call Me By Your Name thing was a fluke; I forgot how obstinate and obtuse these people are when they want to be or have accepted a bung from 20th Century Fox.

Don’t be fooled by the length; like Jamie Redknapp’s punditry, they have used a lot of words which ultimately say very little.

1) The BBFC are in the business of re-writing film history to suit their agendas.

Red Sparrow's 15 Rating Should Never Really Have Been Here

The only positive thing I can say about Red Sparrow is that Charlotte Rampling and Jeremy Irons were in. Although, after this, Batman v Superman and High-Rise, Jezza might want to find himself a new agent...

I watched Red Sparrow on Thursday (don't worry, I used my Limitless card to book a ticket to Kenneth Branagh's vanity project so I didn't contribute to JLaw's Box Office, then sneaked in). It was, as I expected, dreadful. After Passengers and mother!, I daresay a film this bad is the last thing Jennifer Lawrence needs, but there you go.

I go to HMV for DVDs, I come back with intel on the BBFC

^^ Title a very tenuous reference to ‘Guns and Ships’ from the Hamilton soundtrack, which I am absolutely obsessed with!

So, whenever I go to HMV to buy something, I spend way more time in store than necessary, due to my natural inclination for turning every DVD around so I can read the BBFC short insight on the back. Here are a few points of interest from the last time I went:

A ranking exercise (part 1)

I gave an R class on Thursday, where I showed how you can sort a dataset by more than one criteria. Here, it's sorted by BBFC rating, then IFCO rating, then alphabetically to give a rough outline of all the films I watched on my Odeon Limitless card (over two subscription years) from childish to most adult

My challenge to you: within the blocks of where the BBFC and IFCO ratings are the same (so for example, the first three films in the table), re-rank them so that the list of most childish to most adult is more accurate. Obviously this is a totally subjective exercise, but, give it a go!

Statistical Analysis of Usage of My Odeon Limitless Card

I went on a 4-hour R course last year, and since then, I’ve just been fixated with adapting the code they gave us to draw pretty graphs with, in order to nerd out over my personal interests (chiefly, films and football).

This post will be much like the one I did six months ago when I analysed my film-watching habit of 2016 across all mediums, only here, I’m just analysing the 69 titles I saw on my Odeon Limitless card with some attempts at ~science behind the graphs I present.

10 things I learnt from the 2016 BBFC Annual Report

So, after waiting, and waiting, and waiting, the BBFC Annual Report for 2016 dropped! Here it is, and having pored over it, here are my major takeaways from reading it!

01. I guessed those complaints pretty much spot-on

I’m glad my many hours of wasting time watching films purely for BBFC research purposes (such as Fairy Tail: Dragon Cry), poring over BBFC minutes and lurking who complains to their Twitter account has paid off, because my prognostications for the films that would cause them the most complaints were even better than my Oscar predictions (and the Oscar goes to…. La La Land! No, Moonlight! #stillgloating).

When the BBFC TMIs.

Last week, my brother and I caught up with White Gold, a show about three wheeler-dealer window salesmen in Essex in the 80’s, on iPlayer. Written by one-half of the team behind The Inbetweeners and featuring two of the four lead actors from the show, it’s also about half as good as The Inbetweeners.

The main issues with the show were that it tried too hard to be funny, and Ed Westwick (Chuck Bass from gossip girl)’s character was a deeply smarmy, dislikeable bloke. I think the cover of the DVD pretty much tells you all you need to know about this show:

I miss Simon Bird. So much.

A stray observation from perusing the DVD section of charity shops on a Saturday morning.

Hanna, which was the BBFC's second most complained about film in 2011 (second only to Black Swan), mainly due to the strength of the violence, exacerbated by the fact that it was a young teenage girl involved in most of the fight scenes, is a 15 in Ireland. I'm glad to see the Irish are sensible, and didn't let the fact that the lead actress being their countryman, blind them to their film rating duties.

NowTV's completely inaccurate listing of BBFC ratings.

I won a month's NowTV subscription from McDonald's Monopoly, which is super-handy as they have a bunch of shows and boxsets on there.

Prior to consuming the shows, however, I couldn't help but notice how off they were with the BBFC ratings of some of the shows:

Modern Family is a family show, who's episodes go up to 12, tops! Where on earth did they get the 18 from?

How I Met Your Mother and Delicious have episodes that are 15, but that's it.

Based on these three inaccuracies, I wondered if NowTV's default was just to autopilot everything as 18. But they get the show's rating wrong by rating it a lot lower than it should be, too:

And finally, it wasn't easy, but I found a show for which NowTV accurately listed the BBFC rating:

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Nerding out over the BBFC is my thing, chaps. Check out all the other posts I've done on them here.

Endless BBFC Nerdiness [Over Brief Strong Cesc].

I was browsing HMV when I spotted this, and instantly, my film classification board nerd senses were tingling.

I didn't see Endless Poetry when it hit cinemas, but I was tempted to, only because it got a 15 from the BBFC and an 18 from Ireland:

A strong frontrunner for the worst film of 2017.

I saw this on the Greatest Actress Ever (ahem)'s Instagram:

A sci-fi featuring Dane DeYawn (so called because of those prominent bags under his eyes and his yawn-inducing acting performances) and Upstart Delevingne, to me, just screams Razzie. I can't think of a more sexless couple than DeHaan and Delevingne (other than Dane DeHaan and Felicia Vikander, or Cara Delevingne and Joel Kinnaman).

I can't wait to hate-watch it and tear it to pieces on my blog. 🎬

In the theme of throwing shade at films I've not yet seen, I believe The Big Short is about to have its title stripped as the Most Smug Film of All-Time:

The trailer for Ben Wheatley (director of my pick for the worst film of last year, High-Rise)'s insufferable-looking crime caper was the most wannabe Tarantino thing ever. Just a lot of shooting in a warehouse, Sharlto Copley being incomprehensible and lame banter between caricatures.

Hard pass.

Ben Wheatley and Amy Jump: the most inauspicious matrimony in film since Zack and Deborah Snyder (I went there).

From the BBFC's extended information for Raw. What's a woman's 'public hair', just wondering?

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Mild 12s.

I spotted this arrangement in my local charity shop a few weeks ago, and greatly applaud the craftsmanship to arrange the films by BBFC rating!

Whilst perusing charity stores and DVD exchange shops, I noticed this on the back of The Fresh Prince of Bel-Air DVD boxsets:

What was noteworthy about these two were that they flagged 'mild sex references', yet 12s are usually 12s due to moderate reasons! Bizarre.

Because I'm a stickler for random BBFC trivia, here are more 12s with mild reasons flagged in the short insight. I will update as and when I come across new ones.

I've also nerded out to 15s which had no strong components, post here.

Review of the 133 films I watched in 2016 [with BBFC analysis]

I’m slowly going through my review of 2016 releases, one blog post per week (backlog: un et deux). As I still have quite a lot of the 2016 awards-nominated films to see and thus don't want to complete my 'review of the year' without giving them a chance first, I thought I’d buy some time by looking at all the films I watched in 2016, not just the ones that were released that year.

I watched 133 films in total last year, in a mixture of mediums, from at the cinema (my Cineworld Unlimited and Odeon Unlimited cards have both recouped their charges), at the cinema with ISENSE, whatever that is, on DVD, on the TV, on Netflix and Amazon Prime, and a few other mediums that I shan’t detail.

The arithmetic mean for the 133 films I gave out of ten was 6.54, which unfortunately shows some erroneous decision-making on my part, given I generally only watch a film if I expect it to be 7/10 in quality.

However, the appearance of a couple of lesser-seen films with my favourite actresses in, Saoirse Ronan and Rooney Mara, on Netflix, including a couple of real stinkers (Lost River, Dream Boy, Dare, Trash), would have no doubt bought this average down. Plus, while catching up with the 2015 Oscar-contention films, there were a handful which I didn’t think were that great, but watched for the sake of completeness (eg The Revenant and The Big Short), so they, too, would have skewed the average.

I recently went on an R course, so here be three graphs that indulge my statistical fascination with films (and the BBFC in particular).