My Seven Favourite Songs from Disney Musicals

I’ve restricted the options to just songs from Disney musicals, as opposed to songs that appeared in Disney non-musicals, such as ‘When She Loved Me’ from Toy Story 2, otherwise it would have made a hard task even harder (I love ‘Le Festin’ from Ratatouille)!

07. Hellfire – The Hunchback of Notre Dame (1996)

A left-field shout, given the crux of this song is about the sexual frustration a pious priest feels towards the beguiling gypsy Esmeralda. But I had to nominate Hellfire because it’s memorable, taboo, and tonally, so recherché (what other Disney film features the line ‘he made the Devil so much stronger than the man’?)

Essentially, the message of Hellfire is ‘if I can’t have her, no-one can’. It’s every possessive ex-boyfriend, immortalised in a Disney song, and fits in neatly with the plot, as dastard Claude Frollo’s unsatisfied urges are his motivation for a Domino effect that leads to Paris burning. The religious imagery employed in Hellfire only go to compound Frollo’s sense of sinful lust for a woman he both despises, yet will do anything to possess.

I like songs which shine a torch onto the hypocrisy of religion, and Hellfire offers an insight to this holier-than-thou priest’s mindset. Turns out, his thoughts aren’t so holy, and the choir-like vocals accompanying Frollo’s disturbing soliloquy underscores this irony nicely.

(On a slight film ratings tangent, the likes of fluffy Frozen and Tangled getting rated PG when The Hunchback of Notre Dame, by far one of their darkest films, was only a U, is mighty misleading. It ought to be at least a 12 for the creepy overtones in this song alone).

06. Prince Ali – Aladdin (1992)

Methink the lady doth protest too much.

Emma Watson has been working overtime recently in an attempt to quell rumours about her being too much of a diva to get the lead in La La Land, even saying 'I couldn't care less if I won an Oscar if I didn't feel the film I made said something'.

Whatever helps you sleep at night, sweetie.

Still, I guess she couldn't do La La Land, what with her busy schedule giving shite talks about white feminism.

Another newspaper cutting that attests to my theory that Po-faced Watson is an absolute diva who is completely unabile to take a joke:

Happy Birthday, Mr. Shakespeare.

In honour of this very special occasion,Coffee, coffee, and more coffee is holding a Shakespeare on Film blogathon. My contribution to this will be…

Top 5 Cinematic Hamlets.

05. Ethan Hawke in the 2000 Michael Almereyda version.
Mr. Hawke does a fantastic job in the role, giving us the moody, confused, lovesick, and ultimately self-destructive adolescent that Shakespeare intended. His performance fits the contemporary style of the movie’s perfectly. Quite fine too. :P

04. Derek Jacobi in the 1980 Rodney Bennett version.
An actor who has appeared in many Shakespeare adaptations, including playing Claudius in Branagh’s 1996 version, Derek Jacobi captures the true essence of the character, from the beginning to the brutal climax. His experience of Shakespeare shows through, and, through him, Hamlet is a dreamer, a plotter, a voyeur in the corrupt court of Denmark. He makes the four hour epic worth the watch.

03. Kenneth Branagh in the 1996 self-directed version.
Probably my favourite cinematic version of the play, and, in my opinion, the truest to the original source. Some have dubbed his performance Hammy, but I think he played out his character exactly as Shakespeare intended, with the audience continually second guessing his supposed madness. His sharp, irresistible performance is one of a kind, and manages to stand out in a supporting cast that boasts the likes Judi Dench, Julie Christie, Helena Bonham Carter and Jack Lemmon.

02. Simba in The Lion King.
Yes, really, The Lion King. The Hamlet influences are clear, think about it! And Simba was such an influential movie character to me ever since I was little, that I just had to list him. In The Lion King, the role of the young prince whose father is murdered is embodied in the rookie form of Simba, whose naiveté procures him more than his fair share of hardships and troubles. But watching his trials and tribulations are an utter delight for the audience, and I adore every second of this movie. Although much of entertainment make it appear like nothing but a Disney singalong, if we probe deeply enough, we can find connections to some of the greatest literature of all time. Can you feel the love?



01. Laurence Olivier in the 1948 self-directed version.

The pace is slow, at times it feels stiff and artificial, the woman who plays Ophelia is a joke, but this movie has to be seen, if only for Olivier’s master class in acting. As the man who cannot make up his mind, his subtle acting brings to his role a deep understanding of his character's inner struggles and dilemmas, both moral and practical. Through him, Hamlet is every bit the enigma we read about: dignified and noble, reserved and mistrustful, emotional and ruthless, and deeply, deeply frustrated. And his soliloquies shall blow you away. Already an international star from his turn in Henry V, he won an Oscar for his work here, but didn’t bother to turn up to collect it. Probably because his performance surpassed any awards; it truly is that good.

So, hope the Bard has a good one.