Golden Globe predictions, 2021

It's the Golden Globes tonight! They screwed up epically last year, awarding Best Screenplay to Tarantino's insufferable Once Upon a Time in Hollywood..., giving that hack another platform to blather on about how great he was. The fact that they rewarded his contrived film over the brilliant Parasite further attests to the Golden Globes' chronic lack of taste, and how they just kiss the more famous person's ass.

(Graciously, the Oscars did it right, crowning Best Original Screenplay and Best Director and Best Film to Parasite over Tarantino's yawnfest, giving me faith that voting bodies do occasionally exercise good judgment!)

Thus, I'm predicting the Golden Globes this year, but I really don't expect anything good from them. They've shown their true colours in the past, time and time again.

I'm still yet to watch quite a few of the nominated titles, but when I have free time, I have been making my way through the films which interest me, that are available on streaming services. Yesterday I watched I Care a Lot, which was Rosamund Pike reprising her streak of Gone Girl-villainy, to very entertaining and thrilling effect! 

Best motion picture - drama: The Trial of the Chicago 7

Thoughts on five samplers ordered from FeelUnique - part 3

Unlike my two previous FeelUnique hauls (reviews here: un et deux), I got more than just samples of perfume for my third haul. The two different products I got this time were a night cream and a shampoo/conditioner combo.

So, here are my thoughts on November's treats...

Restaurant review: STEAK & CO. (Leicester Square)

One of the things that this new world order of social distancing and lockdowns has prevented me from doing, that I miss the most, is the weekends on the town I used to have. These Saturdays in London would usually follow an itinerary of going to a steakhouse, drinking cocktails and watching a film at the cinema, although the order varied depending on reservation and cinema showing times.

Film review: REBECCA (Ben Wheatley, 2020)

A young woman (Lily James), working as a paid companion to the snobby Mrs. Van Hopper (Ann Dowd) is swept off her feet in Monte Carlo by Maxim de Winter, who is out there holidaying alone following the death of his first wife, Rebecca. After a whirlwind romance, the two marry, and return to his handsome estate in Manderley.

Thoughts on five perfume samples ordered from FeelUnique - part 2

My obsession with smelling new fragrances means that I'm ordering five samples from FeelUnique, subject to their limits on ordering (one order of samplers per month).

Below are my thoughts on October's batch!

Book review: THE BALLAD OF SONGBIRDS AND SNAKES (Suzanne Collins)

Set 64 years before The Hunger Games, The Ballad of Songbirds and Snakes is Suzanne Collins' prequel to her dystopian YA trilogy, a book series whose film adaptations launched the Hollywood career of that awful over-actor and recipient of the most undeserved Oscar win ever, Jennifer Lawrence.

For that reason, then, you'd think that I would dislike The Hunger Games books. But I actually really enjoyed them (I even enjoyed some facets of the films). The world-building exhibited in the books was extremely inventive, and, whilst it may have been a tad derivative of Battle Royale and various Roman and Greek myths, I maintain that most good art contains inflections of other artists that preceded it.

Central to the books was the first-person narrative of Katniss Everdeen, the tribute from District 12. Throughout the trilogy she displayed courage, resilience and resourcefulness beyond her 16 years, and her actions were underscored with familial loyalty to her more fragile younger sister, Prim. Collins shrewdly avoided painting her heroine as a Mary Sue, however, as Katniss was also stubborn, unforgiving, whiny and often downright unlikeable.

You love to sea it

As I discussed in April, working from home, and the various video-conferences I partake in on a daily basis has made me more conscious of the film posters I had on the wall facing the camera. I had bought a Parasite film poster from Geeky Illustrator to join the Shawshank Redemption one I already had.

The Shawshank Redemption poster was on the wall opposite the Parasite one, and I realised it made sense to put the two side by side, seeing as they were from the same artist. And then in late May, I purchased a Finding Nemo poster to flank the Parasite poster on the other side (from another artist).

What I now have is a very colourful display of three films to face my Webcam for when I'm in a meeting, that perfectly represents three facets of my love of cinema: Disney, foreign film and character-driven dramas!

Guarding them all is my boy Gary Cahill, because, obvs.

Emma's favourite songs, 2020

1. Homecoming (Kanye West ft. Chris Martin)
2. Son of a Preacher Man (Dusty Springfield)
3. Alison (Elvis Costello)
4. Truth Hurts (Lizzo)
5. Off to the Races (Lana del Rey)
6. That’s Life (Frank Sinatra)
7. Sinnerman (Nina Simone)
8. Rocky Raccoon (The Beatles)
9. Hallelujah (Rufus Wainwright)
10. Sexy! No No No… (Girls Aloud)
11. Talk Show Host (Radiohead)
12. Clam, Crab, Cockle, Cowrie (Joanna Newsom)
13. What Makes You Beautiful (One Direction)
14. Fancy (Iggy Azalea ft. Charli XCX)
15. November Has Come (Gorillaz)
16. Samson (Regina Spektor)
17. Romeo and Juliet (Dire Straits)
18. Stuck in the Middle with You (Stealers Wheel)
19. Run this Town (Rihanna, Jay-Z and Kanye West)
20. Power (Kanye West)
21. Untouchable (Girls Aloud)
22. Paper Planes (M.I.A.)
23. Make Me Feel (Janelle Monáe)
24. All These Things that I've Done (The Killers)
25. Control (Janet Jackson)

26. Wild Boys (Duran Duran)
27. Love the Way You Lie Part II (Rihanna ft. Eminem)
28. I Knew You Were Trouble (Taylor Swift)
29. Head over Heels (Tears for Fears)
30. Boys Don't Cry (The Cure)
31. Na Na Na Na Hey Hey Goodbye (Steam)
32. Problem (Ariana Grande ft. Iggy Azalea)
33. Good Old Fashioned Lover Boy (Queen)
34. New Rules (Dua Lipa)
35. Million Dollar Man (Lana del Rey)
36. We Are Never Getting Back Together (Taylor Swift)
37. Glory Box (Portishead)
38. Empire State of Mind: Broken Down (Alicia Keys)
39. How Do You Like Me Now? (The Heavy)
40. Tiny Dancer (Elton John)
41. Baba O'Riley (The Who)
42. The Loving Kind (Girls Aloud)
43. Thank U, Next (Ariana Grande)
44. California Dreamin' (The Mamas and the Papas)
45. Cat People (Putting Out Fire) (David Bowie)
46. Chelsea Dagger (The Fratellis)
47. My Father's Gun (Elton John)
48. You’re Such A (Hailee Steinfeld)
49. Magnets (Disclosure ft Lorde)
50. What I Go to School for (Busted)

51. Bang Bang (Jessie J ft. Ariana Grande & Nicki Minaj)
52. When She Loved Me (Sarah McLachlan)
53. Royals (Lorde)
54. Cell Block Tango (Chicago OST)
55. 2am (The Saturdays)
56. Rewrite the Stars (The Greatest Showman OST)
57. Hey Jude (The Beatles)
58. Can’t Hold Us Down (Christina Aguilera ft Lil’ Kim)
59. Brandy Alexander (Feist)
60. Let it Go (Idina Menzel)
61. Girls Like You (Maroon 5 ft. Cardi B)
62. Defying Gravity (Idina Menzel)
63. Sueños (Diego Torres)
64. Love Affair (Regina Spektor)
65. Video Games (Lana del Rey)
66. I Don't Want to Go to Chelsea (Elvis Costello)
67. Juice (Lizzo)
68. Under Pressure (Queen ft. David Bowie)
69. Adia (Sarah McLachlan)
70. Brown Eyes (Lady Gaga)
71. See You Again (Wiz Khalifa ft. Charlie Puth)
72. It Wouldn’t Have Made Any Difference (Todd Rundgren)
73. Everybody Wants to Rule the World (Tears for Fears)
74. Good As Hell (Lizzo)
75. Underneath Your Clothes (Shakira)

76. Blank Space (Taylor Swift)
77. Lovely Head (Goldfrapp)
78. Bad Girls (M.I.A.)
79. Shape of You (Ed Sheeran)
80. I Wish I Knew How it Feels to Be Free (Nina Simone)
81. Shout (Tears for Fears)
82. Gaston (Beauty and the Beast OST)
83. She (Elvis Costello)
84. Fighter (Christina Aguilera)
85. Vincent (Don McLean)
86. Lullaby (The Cure)
87. Born to Die (Lana del Rey)
88. The Other Side (The Greatest Showman OST)
89. Ay Vamos (J. Balvin)
90. Kill 'em with Kindness (Selena Gomez)
91. Pennies in my Pocket (Emilio Estefan)
92. Airplanes part 2 (B.o.B, Hayley Williams & Eminem)
93. All That Jazz (Chicago OST)
94. Skyfall (Adele)
95. Hey Mama (Kanye West)
96. O Saya (A.R. Rahman ft. M.I.A)
97. Work (Kelly Rowland)
98. Notorious (Duran Duran)
99. This is What Makes Us Girls (Lana del Rey)
100. We Are the Champions (Queen)

Product review: two Japanese snack boxes

One of the things that a lot of people have struggled with during enforced lockdown was that, without social events to attend in the evenings or at weekends, it was difficult to pass the time without something to look forward to.

I completely sympathise with this, and as an act of self-care, during the quarantine period, I have been ordering myself little treats on the internet every few days. It doesn’t quite substitute the endorphin rush of hanging out with friends in a packed, boozy bar, but I find that if you have mail deliveries to look forward to, it helps delineate the days, and prevent them from blurring into one.

If you have the means to do so, I recommend you do the same!

Two things I ordered near the beginning of the lockdown were two Japanese snack boxes. Below are my brief thoughts on them:

52 Japanese Candy and Snack Okashi Set (£20)

An opportune shift

In this working from home period during lockdown, I have to have video-conferences on an almost daily basis. This made me realise that the poster set-up that I'd had on the wall facing my work WebCam was suboptimal:

I absolutely adore the Nick Wilde plushie in the photo though, and wouldn't trade him for the world.

I liked Wonder Woman a lot, it was my tenth favourite film of 2017 (at the time of writing), and It probably makes my top 20 of 2017. But for a film to be rewarded a special spot on my wall, it has to be a bit more special than top 20, top 10 of the year! (It was awarded a place more due to the fact that it was based on a  Stephen King novel, which my favourite film also happens to be. More on that later).

In addition to being films which weren't the best representation of Emma's cinephile tastes, they were also too small to be spotted from the Webcam. So ideally, I'd want one film poster rather than two, large enough that its title could be recognised instantly.

Thus, I turned to my current obsession, and a film I seem determined to own all the merch for, Parasite:

This amazing artwork was done by The Geeky Illustrator. I had already bought a The Shawshank Redemption poster from him and was not disappointed, so I went back for more with this gorgeous Parasite poster. It complements the lime green of my wall so well (not to mention Nick Wilde's shirt), and the use of the son's tent for the second 'A' is just inspired!

So, going forwards, I can now have Webex calls with more confidence. Thank you, The Geeky Illustrator!

Product review: Original Fizzy Cola Bottles Retro Sweets Gift Jar (Berrymans Sweet Shop)

I ordered the Original Fizzy Cola Bottles Retro Sweets Gift Jar by Berrymans Sweet Shop to get me through the lockdown, as I have a sweet tooth and I like to snack on Cola bottles during the day.

These were not the standard I have come to expect from Haribo fizzy Cola bottles. They arrived, saturated with sugar. There was about 2cm of sugar piled up at the bottom of the bottle!

They were too acidic - I like the sour flavour of Haribos, but these went too far; no sweets should cause their consumer to grimace every time they're eating them! And they also didn't have the soft texture of Haribos. Instead, they were starchy and borderline stale.

At £9 for 585g, these sweets are considerably pricier per Cola bottle than the Haribos, and much less appetising. So, for the budget-concious of you out there, this represents a sage lesson for future lockdowns: stock up on Haribos!

The sweets that are available for sale on the internet are but a cheap (although ironically, more overpriced) imitation.

Grade: E

For more of my product reviews, click here!

Restaurant review: KIMCHEE (Holborn)

I was so delighted that Parasite rightly won Best Film and Director at the Oscars this year (as you can probably tell by me proudly wearing their merch!), that I had an informal victory lap in its honour. This involved having several drinks celebrating its win, but the most specific bit of celebrating I did was dining at a Korean restaurant, Kimchee.

Sadly, Kimchee did not serve the ram-don that was made so iconic by the thrilling scene in the movie, but it did serve bimbimbap, kimchee, pajeon, and various other staples of Korean dining, so I was excited to visit it, hoping that it would join On the Bab, BimBimBap and Gogi Korean Bar and Grill in the pantheon of fabulous Korean restaurants I’ve visited in London.

But this wasn’t to be. The food at Kimchee was awfully overpriced for what it was:

Those portions of kimchi are tiny, yet it cost £5!

Lockdown activities: making a pizza from scratch

I decided to make the most of being stuck inside during the lockdown to try my hand at some cookery experimentation. This was what the result was:

It was delicious! A good thing about making a pizza from scratch is that you can pile on all the things you like, and none of the stuff you don't! 

2020 Oscar Predictions

As I've been banging on for weeks on this blog, Parasite should win. But the Oscars are very rarely about "deserve". When Moonlight rightly triumphed over Blah Blah Bland  three years ago, that was such a surprise, because it's unusual for the Oscars to actually reward the best film of the year!

Going by that train of thought, I don't expect the Academy to pleasantly surprise me tonight, and thus, they'll give the big two awards to the cut-rate Dunkirk, instead of the genuine originality and acuity of Parasite.

Best Picture - 1917
Best Director - Sam Mendes, 1917
Best Actor - Joaquin Phoenix, Joker
Best Actress - Renee Zellweger, Judy
Best Supporting Actor - Brad Pitt, Once Upon a Time in Hollywood
Best Supporting Actress - Laura Dern, Marriage Story
Best Adapted Screenplay - Jojo Rabbit
Best Original Screenplay - Parasite

Even though I pessimistically predicted Once Upon a Time... in Hollywood to triumph in this category at the BAFTAs last Sunday, I screamed with delight when I was proved wrong, and Flo Pugh announced Parasite as the winner!

Not just because Parasite is the infinitely superior written film, but because it meant the momentum was with Parasite to go on and win Best Original Screenplay at the Oscars. And thus, I am predicting it to rightfully be crowned here tonight!

Academy, don't let me down and give it to OUATIH! Quentin Tarantino does not deserve a third Oscar! He barely deserves one.

Best Animated Feature - Klaus
Best Animated Short - Hair Love
Best Documentary Feature - American Factory
Best Documentary Short - Learning to Skateboard in a Warzone (If You're a Girl)
Best International Film - Parasite
Best Live Action Short - Nefta Football Club
Best Cinematography - 1917
Best Costume Design - Little Women
Best Film Editing - Parasite

The bookies have the same odds for Parasite to take Editing as they do Ford vs Ferrari, and most Oscar-prognosticators are split evenly for who they're predicting for this category. Parasite has fewer cuts, 960 compared to the average in a film of 1,250, and Ford vs Ferrari's car-racing scenes were certainly cut with flair.

The Academy have historically rewarded the editing for frenetic films that rely on more editing (e.g. Whiplash, Mad Max: Fury Road and last year's egregious win for Bohemian Rhapsody), which would favour Ford vs Ferrari.

But I am stubbornly predicting hopefully here, almost in the hope of willing a win for Parasite. Much of the enjoyment of Parasite came from the economy of  each scene; there wasn't a superfluous shot in the film. Every shot served a purpose, even if you didn't realise its purpose until later. The editing in Parasite may be less flashy than in Ford vs Ferrari, but it aids the story (and Bong's vision) perfectly. So I hope the Academy repay my faith and reward the editor here.

It would send a great message that the Academy reward crafts on the quality of them, rather than the quantity.

Best Makeup and Hair Styling - Bombshell
Best Production Design - Once Upon A Time in Hollywood

Parasite deserves to win in this category (it deserves to win all six of its categories!), but sadly, I think the Academy will go for the more in-your-face sets of Once Upon a Time in Hollywood. La La Land won this category three years ago, and the art decor in this film was reminiscent of LLL.

But in terms of astute use of the production design to assist telling your story, Parasite deserves this, hands down.

Best Visual Effects - 1917
Best Original Score - Joker
Best Original Song - "(I'm Gonna) Love Me Again," Rocketman
Best Sound Mixing - 1917
Best Sound Editing - 1917

So sadly, I'm predicting six awards for Call of Duty: WW1. I want Parasite to win all six awards it's nominated for, and to make myself feel better about the fact that it's probably not happening, I partook in some emotional hedging in the form of a monetary bet:

If 1917 is going to steal Parasite's awards, I may as well make £7.38 out of it! (I haven't gambled for nearly four years, and I lost £10 that time. I would gladly take the money hit this year, if it meant Bong's masterpiece was justly rewarded!)

BAFTA predictions, 2020.

My predictions last year were decent, especially in how I anticipated that we'd give Best Film to Roma, a move that was not mirrored by the Academy Awards, who went for Green Book.

Thus, as is a tradition on my blog, I'd try my hand at predicting tonight's British Academy Film Awards! Remember, the below is who I think will win, which very rarely overlaps with who I think actually should win.

Best Film: 1917

Sadly, I think this uninspired Dunkirk rip-off will triumph, even though it's not a patch on Dunkirk, and feels like watching someone play a computer game for 2 hours. I see BAFTA falling for the 'made to look like it was filmed in one shot' gimmick, and even more sadly, the Oscars to do the same next week.

Golden Globe 2020 Predictions

I've been sadly rather neglectful of my blog of late (I'm been extremely busy at work!), but one thing I  will always find time for, no matter what, is movie awards prognostication. The Golden Globes take place tomorrow evening, and I absolutely love blindly guessing!

Last year, the Golden Globes had a surprising amount of clout, as their rewarding Glen Close best actress (and not Lady Gaga as I'd predicted), meant the Best Actress Oscar was between Close and Olivia Colman. Furthermore, they gave Best Film, Musical or Comedy to Green Book, which went on to win the Oscar for Best Picture. This meant that, in the landscape of 2019's Best Picture, the Golden Globes fared better than the BAFTAs as an Academy Award weathervane.

So without further ado, Emma's guesses!

Best Film, Drama: The Irishman