TV review: GLEE S1E20: Theatricality.

Never one to fall behind on the latest crazes, Glee begins with Principal Figgins, in the deluded belief that vampires exist, bans Tina from dressing gothly due to her attire's links with Twilight and vampirism. Despite the Twilight craze being lost in Tina, "My mom won't let me watch Twilight; she says she thikns Kristen Stewart looks like a bitch", her and Mr. Schue's protestations are ignored, and all black clothing is banned in McKinley High. 

The rest of the Glee club offer her suggestions for different ways of dressing, bike chick, cowgirl, hoodrat, computer programmer, but Tina disregards them all. But Mr. Schue's assignment for the week - Lady Gaga - gives her, and all the rest of the girls (plus Kurt) some new costume ideas of their own.

I found this week's episode of Glee somewhat disappointing given all the hype built up for the episode. For one thing, I'd expected Lady Gaga to actually make an appearance in this episode, which she wasn't. 

Furthermore, for all the reputation it'd gained as the "Lady Gaga episode", there were only two covers of her songs - a fun, frenetic Bad Romance cover, and an acoustic rendition of Poker Face between Lea Michele and Idina Menzel. The former and the latter form the main plotline of this week's episode, wherein Rachel meets and tells her maternal mother of her identity, leading to some half-arsed soul-searching and lamenting over missed opportunities. 

Whilst there is a startling physical resemblance between Michele and Menzel - the face shape, the hair, the eyes, the two failed to summon any huge amount of chemistry when they were acting; the only real chemistry coming when they sang together.

In Theatricality, Finn's mother, who has been dating Kurt's father, moves in with them, and Finn is less than pleased to find himself sharing a room with Kurt (whom harbours feelings for his soon-to-be step-brother). Frustratedly cursing the decor that Kurt has so meticulously chosen, he disregards all the ornaments as "faggy". Kurt's dad is understandably furious when he overhears, thus throwing Finn out. It's good to see Kurt's father sticking up for him, and Mike O'Malley's acting in the scene was great.

As ever, the musical sequences are the best thing about Glee. The Glee club rise to the occasion commendably on the Lady Gaga uniforms front, Dianna Agron looking particularly head-turning in her pink number. (the pink streaks in her hair and the ball in her hand are a particularly nice touch).

As has been the way with Glee, things end on a predictably cheesy note. One of these days, I will probably tire of Glee, but for now, even when it doesn't get out of second gear, it still entertains me.

8. He ni zai yi qi (Chen Kaige, 2002)

Together tells the story about Liu Xiaochun, a thirteen year old boy with a prodigal talent at the violin. His father, Liu Peiqi enters him for a musical competition in Beijing, and although his son finishes fifth, his residence not in Beijing renders him invalid. His dad persuades a music professor to take his son on whilst he goes back home, thus leaving Liu Xiaochun away from his dad for the first time in his life.

Appropriately, for a film about the violin, the music in this film is stunning. This humble story is also written by the director, telling the story with stirring emotive force. Liu Xiaochun proves to be the kind of sensitive soul that far few 13-year-olds are. In its own little way, Together makes me appreciate my parents much more and evoke tears whenever I think about how much they’ve sacrificed for me. The supporting actors are all good, showing the subtle ways in which the people young Xiaochun meets shape his development and life. 

It’s refreshing to witness the friendships and platonic loves that the protagonist meets throughout the film. Xiaochun has two music teachers throughout the film, and each is at a dead end in his life about something, and these themes are investigated with sensitivity. Far be it from being a film about just the violin, themes of friendship, determination, courage, and love are all in here. The film is not without its melodramatic moments, but that only heightened my enjoyment of it. And, whilst it has been criticized by some for being too saccharine, to that I say, what’s so bad about sugary once in a while? As Chen Kaige himself said, "being Chinese isn't all misery”.

Tang Yun, a real-life violinist, was selected for the role when director Chen Kaige saw him at a concert, and his performance is genuine as it is heartfelt. Liu Peiqi is incredible as the father who makes sacrifice upon sacrifice because he wants the best for his son – a gesture that is shown to be even more affecting when the flashback shows how the father came to find his son (few films scenes have had me crying so much, and for so long). 

In fact, despite his violin skills being the catalyst and plot driving force in the film, I see Together more as a universal tale of the love between a father and son. The father isn’t perfect; he’s poor and struggling to make ends meet, but this is something that makes his devotion to his son easier to relate to.

There are two things about Together that resonated with me: the fact that I’m Chinese and the fact that I play violin. And it’s true; watching Together did make me appreciate the violin more, as well feel nostalgia for my homeland. But my appreciation for the film came from far more than just those similarities. 

Cinema is an art form that transcends mere entertainment. It can inspire debate, conversation, raise pertinent topics. It can make an everyday story more exciting and interesting with the aid of music, cinematography and beautiful art direction. But the main reason I watch films is to feel. Human emotion can be felt by anybody, anywhere. And in getting me to feel pathos, bathos and the spectrum of emotions in between, Together achieves that aim perfectly.

Bless!

For Diego Luna, becoming a dad has simplified his life.

"Well, it's just everything is easier now," the Mexican-born actor says of his 11-week-old baby boy, Jeronimo, Saturday while promoting his new drama, Milk, in Beverly Hills. "There is just one reason for you to be here. It's to make sure someone else is happy, and [he] has everything he needs. It's as simple as that."

Plus, Luna, 28, adds, Jeronimo is "the only guy who is not judging me now."

In Milk, Luna's character Jack Lira falls in love with Sean Penn's 1970s gay rights champion Harvey Milk. A performance his wife, Camila Sodi enjoyed, Luna tells PEOPLE.

"She laughed a lot about it," he says, adding that Camila has been spending time at home, "taking care of the baby."

"I'm here just talking about a film – it's just a film – everything now is just what it is," he says. "It can't be so important. Now, there's just one thing that really matters. It's a different kind of love that you didn't know existed. It makes everything easier really."

[source]

Dawww.