Showing posts with label violin. Show all posts
Showing posts with label violin. Show all posts

Sunday, November 12, 2017

Review: Hans Zimmer Live in Prague DVD

For me, the score can make or break a film. A good film can be elevated into the realms of greatness by a standout score, and even a poor film can be rescued from being a total disaster if it has some nice music.



Hans Zimmer is a composer who has an impeccable handle on what it means to write music for films. His soundtracks always suit the style, tone and theme of the films they are in. The pieces are easy on the ears and catchy, but they aren’t so carried away with pomp that they draw attention away from the film. Rather, they capture the essence of the story.


Tuesday, March 13, 2012

There's no such thing as broken Britain, we're just bloody broke in Britain.

If you do one thing today, listen to Plan B's latest track, ill Manors:


The track opens with him sarcastically broken a violin, metaphorically symbolising the stream of sob stories - how the Conservative/Lib Dem coalition perceive the impoverished in Britain, most probably. 

Indeed, such was the media coverage of the Summer riots starting in London last Summer, that fingers were all being pointed at the perpetrators. Not a word of doubt, they were wrong to loot. But Plan B implores us to look at the other side of the coin too:

The world, and this country especially, is full of contradictions. I’m just highlighting them, I’m not condoning anything. The point being made in my song ‘ill Manors’ is that society needs to take some responsibility for the cause of last year's riots, why they happened and how we can prevent it from happening again.

Thursday, February 18, 2010

8. He ni zai yi qi (Chen Kaige, 2002)

Together tells the story about Liu Xiaochun, a thirteen year old boy with a prodigal talent at the violin. His father, Liu Peiqi enters him for a musical competition in Beijing, and although his son finishes fifth, his residence not in Beijing renders him invalid. His dad persuades a music professor to take his son on whilst he goes back home, thus leaving Liu Xiaochun away from his dad for the first time in his life.


Appropriately, for a film about the violin, the music in this film is stunning. This humble story is also written by the director, telling the story with stirring emotive force. Liu Xiaochun proves to be the kind of sensitive soul that far few 13-year-olds are. In its own little way, Together makes me appreciate my parents much more and evoke tears whenever I think about how much they’ve sacrificed for me. The supporting actors are all good, showing the subtle ways in which the people young Xiaochun meets shape his development and life. 

It’s refreshing to witness the friendships and platonic loves that the protagonist meets throughout the film. Xiaochun has two music teachers throughout the film, and each is at a dead end in his life about something, and these themes are investigated with sensitivity. Far be it from being a film about just the violin, themes of friendship, determination, courage, and love are all in here. The film is not without its melodramatic moments, but that only heightened my enjoyment of it. And, whilst it has been criticized by some for being too saccharine, to that I say, what’s so bad about sugary once in a while? As Chen Kaige himself said, "being Chinese isn't all misery”.

Tang Yun, a real-life violinist, was selected for the role when director Chen Kaige saw him at a concert, and his performance is genuine as it is heartfelt. Liu Peiqi is incredible as the father who makes sacrifice upon sacrifice because he wants the best for his son – a gesture that is shown to be even more affecting when the flashback shows how the father came to find his son (few films scenes have had me crying so much, and for so long). 

In fact, despite his violin skills being the catalyst and plot driving force in the film, I see Together more as a universal tale of the love between a father and son. The father isn’t perfect; he’s poor and struggling to make ends meet, but this is something that makes his devotion to his son easier to relate to.

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There are two things about Together that resonated with me: the fact that I’m Chinese and the fact that I play violin. And it’s true; watching Together did make me appreciate the violin more, as well feel nostalgia for my homeland. But my appreciation for the film came from far more than just those similarities. 

Cinema is an art form that transcends mere entertainment. It can inspire debate, conversation, raise pertinent topics. It can make an everyday story more exciting and interesting with the aid of music, cinematography and beautiful art direction. But the main reason I watch films is to feel. Human emotion can be felt by anybody, anywhere. And in getting me to feel pathos, bathos and the spectrum of emotions in between, Together achieves that aim perfectly.