Album review: REPUTATION (Taylor Swift)

A month shy of turning 28, Taylor Swift has been around the block and suffered a few knocks to her standing (not to mention her heart) for her troubles. Her sixth album comes at some time when some self-reflection is much-needed.

With a title like ‘Reputation’, she’s certainly cognisant of that artefact. It would be trite to dub her 15-track album as a ‘confessional’, as she’s always been very forthcoming about wearing her heart on her sleeve, and channelling her painful life experiences into song-writing inspiration, but there's a salient self-awareness in this album that was perhaps lacking in her previous work.

ALBUM REVIEW: Dangerous Woman (Ariana Grande)

From the first time I heard Ariana Grande’s collaboration with Iggy Azalea, ‘Problem’ in 2014, which, along with the film BLUE IS THE WARMEST COLOUR, epitomised my feelings towards my a certain someone (#cryptic), I have been staunchly #TeamAri. The Italian-American songstress is great to look at, has fantastic vocal range, and effortlessly exudes sex appeal (the élan with which she peers up from her white Lolita sunglasses in the 'Bang Bang' music video is a kind of sultry swagger I can but only dream of). So it was with great excitement that I waited for Dangerous Woman, her third studio album, with. So much so, in fact, that I’m currently writing a female version of TRAINING DAY, and, have assigned it ‘Dangerous Woman’ as the film’s working title.

The album’s eponymous lead single is terrifically catchy. ‘Something about you, makes me wanna do things that I shouldn’t’, Ariana croons, whilst in the music video, she slinks around provocatively in lingerie, showing that she is well and truly through with the good girl image which she initially sported when she first became famous. If Yours Truly was clean!Ari, My Everything, with songs such as 'Love Me Harder' and 'Hands On Me' were suggestive-but-PG-13!Ari, then Dangerous Woman is full-on femme fatale, R-rated!Ari. And she’s not here to half-step. She’s owning it.

‘Side to Side’, Ariana’s third collaboration with Nicki Minaj, is probably their weakest so far, but it says a lot about the collective quality of the music these two women make together that it is still a more than solid 8/10 track. I loved the reggae vibe of the song, as well as the employment of Nicki’s verbal fireworks for the rapping, but I thought the actual lyrical quality of the rap was a bit weak, with practically every other line being an allusion to one of Nicki’s previous hits. By contrast, the employment of Macy Gray in ‘Leave Me Lonely’, one of the few melancholic songs on the album, works a treat, with Gray’s gravelly voice suiting the sombre words she’s singing perfectly.

As with her preceding two albums, the tracks I tend to enjoy more are the upbeat, funky ones. ‘Greedy’ tells the story of a woman’s high appetite for a certain something (spoiler alert: it’s not for food), and with electro-pop beats, a brass band, and best of all, her voice hitting stratospherically high notes, makes for a great musical party. ‘Everyday’ is very similarly thematically to ‘Greedy’ but the beats are more RnB-infused, demonstrating Grande’s musical versatility, and how her voice is so strong it crosses genres. The album’s only major misstep is ‘Sometimes’, a slow-moving guitar-led track which sounds like a lazy B-side that is just at odds with the musical flavour with the rest of the album.

The standout track of Dangerous Woman, for me, is ‘Let Me Love You’, an unashamedly saucy song in which Ariana Grande gets to put her vocals to their breathy best. (Some people aren’t such a big fan of the way she sounds out of breath when delivering her lyrics, but I really dig it). Lil Wayne’s rap on it is a good foil to her verses, and his bluntness in ‘I said girl you need a hot boy / she said you need to stop fucking with them thots boy’ evokes memories of his featuring credit on Kelly Rowland's 'Motivation', another brazen foray into smut where his rhyming was both irreverent and intelligent. Furthermore, the cavalier little nod to Beyonce’s ‘Irreplaceable’ when Grande asserts ‘I know they'll be coming from the right and the left, left, left’ shows she KNOWS she’s the ish. Arrogance among popstars is obviously a double-edged sword; you need to acknowledge the fact that you’re HBIC, but at the same time not become insufferable. Egotism is justified if it's merited. Within that lyric, we have the album in a microcosm: a woman discovering, nay, asserting her allure. In Ariana Grande’s case, it’s well-deserved.

Some music fans are perturbed that Ariana Grande, who despite being 22 old, still looks like a little kid, being so overtly sexual on Dangerous Woman. But, in her defence, she’s already had her squeaky clean period, and she’s over that. She gave us a hint of her more carnal instincts when she told us ‘she might have let you hold her hand at school, but Imma show you how to graduate’ and other such double entendres on her second album, but Queen Ari isn’t here for innuendo any more. To paraphrase Dennis Hopper in BLUE VELVET, "Ari wants to fuck". This pretty doe-eyed girl is blossoming into a dangerous woman. And her music has never sounded better as a result.

Grade: A

Album Review: TAKE ME HOME (One Direction)

The dreamy boy band’s second album had a difficult job, having to follow up to last year’s Up All Night, which featured the massively popular One Thing, Gotta Be You, and especially What Makes You Beautiful which was one of the tunes selected to be sung in the Olympics closing ceremony. The sequel, however, more than lives up to billing, The Godfather Part II of albums, if you will. 

There isn’t a song on it that stands out quite as much as What Makes You Beautiful did, but the overall quality is much greater.

The opening track, Live While We’re Young, an ode to living for the moment and YOLO-ing it up, is the closest to being the WMYB of the album, filled with up-tempo beats and cheeky one liners (“and if you get together, get together, don’t let the pictures leave your phone.”) Even the chorus, “let’s go crazy crazy crazy ‘til we see the sun”, you can imagine singing in a manner identical to the chorus to WMYB, and Zayn delivers some powerhouse at the refrain of “And giiiiiiirl, you and I, we’re about to make some memories tonight”; Mr Malik, in my opinion, is the one who has come the furthest, vocally, between the first and second albums.

Two restaurant reviews: MY OLD PLACE (Liverpool Street) and L'ARCO (Victoria)

My Old Place (Liverpool Street)

Smack bang in London’s financial centre where lots of the people who work there are too busy to sort out their own packed lunches, My Old Place is a favourite among busy commuters to sit down in and eat their lunch. 

The fact that it’s frequented by Chinese clientele is a testament to the authenticity of the food. The food is made on order and thus fresh and delicious, unlike in several other diners in Chinatown, where items such as egg fried rice taste horribly stale. 

The quantities of salt, pepper, sauces and various other condiments are added just the right side of tasty without being over the top in the usage, and there are some exciting dishes to be experienced. 

However, what lets this place down is the quality of the waiters, which is haughty bordering on rude. One of our orders were mixed up, for which they didn’t even apologise for, merely act as if it was our fault we couldn’t read the menu. 

So it’s a shame, really, because the food is great, the prices are very reasonable considering the location, but the staff could really do with a class or ten in bedside manner.

Grade: B-

L’Arco (Victoria)

A highly likeable restaurant in Victoria with a genuinely homely vibe, Ristorante L’Arco boasts some genuinely Italian waiters who really take the time to get you whatever you want. 

The food was served promptly on ordering, and cooked to perfection, as well as fairly well priced considering the to-die-for-location. 

I had tomato omelette and chips, which came to around ten pounds, which I considered fair, particularly as the tomato sauce tasted divine. 

My only criticisms with this place were that, whilst the food was good value, the drinks were far too expensive, and also that the menu, whilst would most certainly suffice, didn’t offer anything massively imaginative. But, if you want to play it safe on a date, you can’t go wrong with L’Arco.

Grade: B+/A-

For more of my restaurant reviews, click here. If you would like me to review your restaurant, drop me an email at lemon_and_lime7@hotmail.com