Saturday, July 16, 2011
Harry Potter and the Deathly Hallows part 2 (David Yates, 2011)
It would be optimistic to say that the three leads have particularly bettered over the ten years. Daniel Radcliffe still strikes me as awful impassive, spending much of the film looking baffled or bemused. When he is required to give a performance of emotional gravitas, he borders on overacting. However, if he is on the cusp of ham, Emma Watson is a fully-fledged bacon, once again letting her eyebrows do the acting, acting. Of the three, Rupert Grint has always been the one who charmed me the most, and as with previous films, he has some real zingers, which he delivers with relish. I met him, in case you forgot.
But looking past the lead three, the performances are an unequivocal joy. Michael Gambon is perhaps a little more taciturn than I had pictured Dumbledore to be, but what he lacks in words he exudes mystery and wisdom. Helena Bonham Carter, though underused, goes to town with her performance, making the demented psycho bitch Bellatrix Lestrange totally her role. Tom Felton, although not given as much of a chance to shine as he was in Half-Blood Prince, pulls off the unenviable task of humanizing Draco – a character we are expected to despise. Bonnie Wright is so impassive that she must have been taking acting lessons from the tree from which her on-screen wand was made from, but Evanna Lynch is delightfully kooky and Matt Lewis – who, it must be said – has aged quite nicely, really comes into his own as Neville Longbottom gets his moment of glory. Maggie Smith is wonderful, shedding all her airs and graces of Downturn Abbey to exhibit the true grit of Minerva McGonagall, and Julie Walters’ delivery of “NOT MY DAUGHTER YOU BITCH” has pipped Bridesmaids’ “you’re a little cunt” as my favourite line-containing-a-misogynistic-expletitive-of-2011.
But the finest performance of the film, and possibly the best performance in the entire Harry Potter franchise, belongs to Alan Rickman. Professor Snape has always been a hard character to sympathise with and many felt Dumbledore’s trust in him was idiotically misplaced, not least at the end of Half-Blood Prince. But as JK Rowling’s novel exhibited, years of hidden love, disappointment and jealousy boil together to give one of the emotionally cathartic performances I’ve seen. Behind that impassive face hid so many emotions, and Rickman lets these all come to the fore in an acting tour-de-force that exhibits more layers than an onion. The scene where Snape discovers Lily Potter’s dead body, such was the force of Rickman’s performance, that I was literally bawling. Beautiful work, and if there was any justice in the world, he ought to be a shoo-in for Best Supporting Actor come Academy Awards 2011.
The epilogue in the film, as expected giving how much I groaned when I read it first time round, is a cringe-worthy affair, but giving Ron a pot belly was comedy gold. There are parts in the film that feel somewhat forced and heavy-handed, but other parts turned out just as I had expected, if not better, having read them in the film – Harry reading through Snape’s memories was a terrific montage of love, loss and regret.
It feels like a huge slice of my childhood has ebbed away with the Harry Potter franchise ending. Along the way, we have had comedy, drama, awful acting, wonderful acting, Hedwig’s Theme – one of the most recognisable tunes in film music, and magic aplenty. It has been a rollercoaster ride, but on the whole, I would say Harry Potter and the Deathly Hallows part 2 is a worthy bow out to a truly innovative and exciting series of books. Mischief managed!