Thursday, April 02, 2020

10 Most Attractive Men in a 2019 Film

2018's list, in case you wanted to get a flavour for Emsy's taste in Hollywood hunks!

10. Lakeith Stanfield, Knives Out (new entrant)


Saturday, March 28, 2020

10 Most Attractive Women in a 2019 Film

Hey readers, hope you're all well and not going stir-crazy due to the lockdown!

I've decided to make lemonade out of lemons, and use this mandated stay-at-home period to spend more time blogging, something which I have done embarrassingly little of in 2020.

Thus, what better way to get back into it than by compiling one of this blog's yearly staples: most attractive women in a 20XX film?

Here is 2018's list, and as has become my habit, I will record next to each lady whether she was present in the previous year's list, or if she is a recent obsession!

10. Lili Reinhart, Hustlers (new entrant)





Sunday, February 09, 2020

2020 Oscar Predictions


As I've been banging on for weeks on this blog, Parasite should win. But the Oscars are very rarely about "deserve". When Moonlight rightly triumphed over Blah Blah Bland  three years ago, that was such a surprise, because it's unusual for the Oscars to actually reward the best film of the year!

Going by that train of thought, I don't expect the Academy to pleasantly surprise me tonight, and thus, they'll give the big two awards to the cut-rate Dunkirk, instead of the genuine originality and acuity of Parasite.

Best Picture - 1917
Best Director - Sam Mendes, 1917
Best Actor - Joaquin Phoenix, Joker
Best Actress - Renee Zellweger, Judy
Best Supporting Actor - Brad Pitt, Once Upon a Time in Hollywood
Best Supporting Actress - Laura Dern, Marriage Story
Best Adapted Screenplay - Jojo Rabbit
Best Original Screenplay - Parasite


Even though I pessimistically predicted Once Upon a Time... in Hollywood to triumph in this category at the BAFTAs last Sunday, I screamed with delight when I was proved wrong, and Flo Pugh announced Parasite as the winner!

Not just because Parasite is the infinitely superior written film, but because it meant the momentum was with Parasite to go on and win Best Original Screenplay at the Oscars. And thus, I am predicting it to rightfully be crowned here tonight!

Academy, don't let me down and give it to OUATIH! Quentin Tarantino does not deserve a third Oscar! He barely deserves one.

Best Animated Feature - Klaus
Best Animated Short - Hair Love
Best Documentary Feature - American Factory
Best Documentary Short - Learning to Skateboard in a Warzone (If You're a Girl)
Best International Film - Parasite
Best Live Action Short - Nefta Football Club
Best Cinematography - 1917
Best Costume Design - Little Women
Best Film Editing - Parasite




The bookies have the same odds for Parasite to take Editing as they do Ford vs Ferrari, and most Oscar-prognosticators are split evenly for who they're predicting for this category. Parasite has fewer cuts, 960 compared to the average in a film of 1,250, and Ford vs Ferrari's car-racing scenes were certainly cut with flair.

The Academy have historically rewarded the editing for frenetic films that rely on more editing (e.g. Whiplash, Mad Max: Fury Road and last year's egregious win for Bohemian Rhapsody), which would favour Ford vs Ferrari.

But I am stubbornly predicting hopefully here, almost in the hope of willing a win for Parasite. Much of the enjoyment of Parasite came from the economy of  each scene; there wasn't a superfluous shot in the film. Every shot served a purpose, even if you didn't realise its purpose until later. The editing in Parasite may be less flashy than in Ford vs Ferrari, but it aids the story (and Bong's vision) perfectly. So I hope the Academy repay my faith and reward the editor here.

It would send a great message that the Academy reward crafts on the quality of them, rather than the quantity.

Best Makeup and Hair Styling - Bombshell
Best Production Design - Once Upon A Time in Hollywood


Parasite deserves to win in this category (it deserves to win all six of its categories!), but sadly, I think the Academy will go for the more in-your-face sets of Once Upon a Time in Hollywood. La La Land won this category three years ago, and the art decor in this film was reminiscent of LLL.

But in terms of astute use of the production design to assist telling your story, Parasite deserves this, hands down.

Best Visual Effects - 1917
Best Original Score - Joker
Best Original Song - "(I'm Gonna) Love Me Again," Rocketman
Best Sound Mixing - 1917
Best Sound Editing - 1917

So sadly, I'm predicting six awards for Call of Duty: WW1. I want Parasite to win all six awards it's nominated for, and to make myself feel better about the fact that it's probably not happening, I partook in some emotional hedging in the form of a monetary bet:


If 1917 is going to steal Parasite's awards, I may as well make £7.38 out of it! (I haven't gambled for nearly four years, and I lost £10 that time. I would gladly take the money hit this year, if it meant Bong's masterpiece was justly rewarded!)

Sunday, February 02, 2020

BAFTA predictions, 2020.

My predictions last year were decent, especially in how I anticipated that we'd give Best Film to Roma, a move that was not mirrored by the Academy Awards, who went for Green Book.

Thus, as is a tradition on my blog, I'd try my hand at predicting tonight's British Academy Film Awards! Remember, the below is who I think will win, which very rarely overlaps with who I think actually should win.

Best Film: 1917


Sadly, I think this uninspired Dunkirk rip-off will triumph, even though it's not a patch on Dunkirk, and feels like watching someone play a computer game for 2 hours. I see BAFTA falling for the 'made to look like it was filmed in one shot' gimmick, and even more sadly, the Oscars to do the same next week.

Saturday, January 04, 2020

Golden Globe 2020 Predictions

I've been sadly rather neglectful of my blog of late (I'm been extremely busy at work!), but one thing I  will always find time for, no matter what, is movie awards prognostication. The Golden Globes take place tomorrow evening, and I absolutely love blindly guessing!

Last year, the Golden Globes had a surprising amount of clout, as their rewarding Glen Close best actress (and not Lady Gaga as I'd predicted), meant the Best Actress Oscar was between Close and Olivia Colman. Furthermore, they gave Best Film, Musical or Comedy to Green Book, which went on to win the Oscar for Best Picture. This meant that, in the landscape of 2019's Best Picture, the Golden Globes fared better than the BAFTAs as an Academy Award weathervane.

So without further ado, Emma's guesses!


Best Film, Drama: The Irishman


Thursday, December 26, 2019

Book review: CONFESSIONS OF AN ACTUARIAL TUTOR (John Lee)

As part of my job, I have to sit actuarial exams in tandem to working. I sat CM1 and CS1 in April, and CS2 in September (the M stands for Maths and S stands for Statistics). I have had the good fortune of having passed all three exams I sat this year (hence the rather extravagant Christmas present I got myself), but luck was only a small factor in why I was successful. John Lee, who’s expert tutelage I received for the two Statistics modules, played a huge part.

That's not him btw.

His new book, Confessions of an Actuarial Tutor, is a compendium of amusing things that happened to him in his ~20 years of teaching actuarial students. For anyone who’s ever met John, he writes as he speaks: a mixture of gallows humour, self-deprecatory banter, nerdy mathematical jokes and a sprinkle of that unique John Lee eccentricity.