Bit of an oversight...

Dunkirk has released its third For Your Consideration advert, and, just like last time, I noticed an omission in who they were campaigning for. Except unlike in Harry Styles' case, this snub is for one of the best, if not the best element of the film, and thus, totally unacceptable:

They've asked for consideration in all categories and outlined the ones that are most relevant to Dunkirk. Yet there's no mention of Hans Zimmer's incredible score!! Given that the music in the film was so tension-amplifying, that the BBFC even mentioned it in their extended information, that really is quite the oversight.

The only possible explanation is that Warner Brothers thought the score was so good, it didn't need highlighting; the quality spoke for itself. Which it does. After all, Zimmer's collaborations with two other single-word-titled Christopher Nolan movies, Inception and Interstellar, were both nominated in the Best Original Score category at the Oscars, and both those films had less Best Picture momentum than Dunkirk has.

But, still, it would have been nice to pinpoint it anyway, just to be on the safe side.

Being beady-eyed when it comes to nerdy film things, I also noticed that whoever made the ad has rejigged the order of two of the actors:

To jog your memory, this was the order of actors in the previous FYC:

The poster creator obviously didn't like this film that much, then!

Nobody's gonna drag Harry down.

I was perusing Awards Daily's FYC gallery when I noticed this ad Warner Brothers put out for Dunkirk:

In case that shade was a little too nuanced, here's a list of actors who WB are campaigning for:

It's of trifling importance as bar Mark Rylance, none of the cast really have a shot at an Oscar nomination (and even for Rylance, with no show at the Golden Globes, SAGs or even the London Film Critics' Circle, that's an uphill battle), but I couldn't help thinking that Warner Brothers are shading Harry Styles somewhat by not listing him here.

I wasn't bowled over or anything by Harry Styles in Dunkirk (he did what he had to do, no more, no less, but was definitely more successful transitioning into acting than his former beardgirlfriend Cara Delevingne), but given he got to act 'angry' and Christopher Nolan used both of his PG-13-mandated allowances of the f-word on Styles, it seems somewhat amiss not to at list him here. It certainly couldn't hurt, IMO, and bar Rylance, who was the standout performer, the gulf in acting quality between Styles and the rest of his co-stars certainly wasn't that palpable.

So it's a bit harsh for Warner Brothers to be tacitly saying 'young Fionn Whitehead is worth the adspace... but you? Nah.'

As a side note, back when Dunkirk first hit UK cinemas in July, I was tickled by this e-mail we got from the Odeon:

Interesting that here, they've focused on the two Peaky Blinders and Inception/Dark Knight Rises actors, Cillian Murphy and Tom Hardy (who British audiences would more likely to be familiar with), thesp Kenneth Branagh and of course, the pretty boy Styles himself, yet omitted Oscar-winner Mark Rylance as a result.

It reminded me of what Nolan said about casting Styles in his movie, 'I saw thousands of young men, but Harry just had something that the rest didn't.'

I believe that 'something' in question is the ability to draw in randy teenage girls by their droves. ;)

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I saw this pun in The Sun, and I kind of loved it:

I just watched Miss Pettigrew Lives for Another Day.

Fun, frivolous, with another heart-winning turn by Amy Adams (the scene where she sings the no.1 is astounding), and with some eye-poppingly pretty costumes!

For Your Consideration...

Well, there's 99 days to the Oscars and I'm trying to, er, atone for my lack of Oscar-relating blogging by doing lots now.



My own personal FYCs this year.

Film
Atonement
“Joe Wright and Working Title have made a film to be proud of. Amidst some incredible scenes (an extremely erotic library non-reading session between Robbie and Cecelia) as well as the fountain scene are amongst the many that will remain with viewers long after the credits have rolled. The quality and calibre of films that Working Title have turned out recently have been brilliant and Atonement ranks up there along with my personal favourites from them, Dead Man Walking and The Hudsucker Proxy. It is a wonderfully crafted, beautifully lush and immensely moving film that shows, above all, how storytelling can both destroy and heal.”

Actor
James McAvoy, for Atonement
“James McAvoy is the star of Atonement. In the Q&A that followed the screening of the film, director Joe Wright described Robbie as the highest form of a human being, and he is. Raised by a single mother, Robbie worked hard for everything in his life, but with success he is still a brilliantly warm and humble person. Even after he is put in the war to avoid staying in prison for longer, he does not whinge about it, but instead, gets through the day with the hope of seeing Cecelia guiding him through. James McAvoy plays this special individual with compassion and understanding. He has the accent and physicality of Robbie down to a T, but, more importantly, conveys his goodness, without ever having to resort to histrionics. McAvoy’s performance is a masterclass in subtle acting. In some pivotal scenes, it is actually his beautiful blue eyes that do the acting more than anything, and they speak more words than Briony’s ostentatious prose ever could.”

Actress
Tannishtha Chatterjee, for Brick Lane
“Chatterjee, the centrepiece of the movie, gives a performance of extreme sensitivity and intelligence. Playing Nazneen, a young woman from the Sylhet, Bangladesh, she is forced into an arranged marriage from a young age, from which she raises a family in the grim East End of London. Brick Lane is a film about a woman who is trapped, in her life, in love and in her Muslim religion, and Tannishtha Chatterjee’s raw performance is utterly heart-wrenching, more so, if we consider that she is a Hindu. ”

Supporting Actor
Rupert Grint, for Harry Potter and the Order of the Phoenix
“My darling Rupert is a joy. His ginger hair, large blue eyes, bumbling demeanour and spot-on comedy timing make him the true star of the show, and every scene that he features in benefits as a result of his appearance. Simply put, he is Godly.”

Supporting Actress
Saoirse Ronan, for Atonement
“As the young Briony, Saoirse Ronan is pitch-perfect, conveying her youthful innocence as well as whiny nosiness. Her sense of knowing about things she clearly doesn’t is infuriating, but Ronan prevents us from denouncing her entirely, reminding us that she is, after all, just a child. I have high hopes for her, and eagerly await her turn as Susie Salmon in 2008’s film adaptation of the atmospheric The Lovely Bones.”

Song
“Spider Pig”, from The Simpsons Movie
“Le Festin”, from Ratatouille