Friday, April 10, 2009

7 Reasons why you Need to Watch Shameless.

I've just finished watching series 1 of Paul Abbott's Shameless, his critically acclaimed drama-comedy about the working class in Salford, centring on Frank Gallagher, an alcoholic and general waste of space father of six kids. And all I can say is wow. I shall give you 7 reasons why you need to be watching it, but really, there are a lot, lot more.

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1. James McAvoy at his most bungtastic. Think he was smokin' in Atonement with his tuxedo, clipped accent and close-up of his blue eyes? Thought he was shaggable in Wanted when he paraded around topless? Thought he looked like a good lay in The Last King of Scotland? (I'll stop now.) In Shameless, he trumps the hotness of any of his other performances. From the first episode and that steamy kiss he shares with Anne-Marie Duff's Fiona to his various car-nicking exploits throughout, he is the epitome of suave, slightly cocky, but never less than completely sincere young geezer, and that is completely and utterly fit.

2. Gerard Kearns' character, 15-year-old Ian Gallagher, is a closet homosexual. In Chatsworth Estate, coming out is not an option. So in series 1, he's secretly having it off with Kash Karib, the Muslim shopkeeper he works for. And although not much is shown in terms of them bunging, the wistful looks exchanged and the rare glimpse of the two kissing is really adorable. Despite their relationship being, you know, adulterous and illegal.

3. Rebecca Ryan is amazing as Debbie Gallagher, the enigmatic and slightly kooky second daughter of the family. Ryan is a really talented young actress (I had the good fortune of seeing her and Skins' Jack O'Connell in last year's Scarborough, a clever piece of theatre that puts a spin on the student-teacher relationship), and she truly makes the character of Debbie a spellbinding one.

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4. The humour. Abbott has found comedy in every aspect of life on the Chatsworth Estate and the wry, dry humour means you can't help being drawn in with it and its residents, ugliness and all.

5. The characters. OK, so Frank Gallagher's a complete and utter knob, but everyone else has something about them; Anne-Marie Duff's Fiona is the breadwinner and the one that has bought her five siblings up for the past three years, Philip is "a bit of a gobshite", but a funny one at that, and as mentioned, Debbie and Ian Gallagher and James McAvoy's Steve McBride are awesome.

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6. The acting. Class all round, whether it be from the children, Anne-Marie Duff (her large eyes speak volumes and she does this neat little eyebrow raise thing as well), James McAvoy, Maggie O'Neil's slightly-camp turn as agorophibic Sheila or David Threlfall's constantly drunk rambling fool Frank. Duff and McAvoy, who make one of the most stunning real-life couples as well, share a truly tender scene in episode 7 of the series that moved me to tears.

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7. HBO are in talks to create an American version. Watch the original so you can complain about how the Americans have bastardized it.

So that is that. Off I go to watch series 2!

Thursday, April 09, 2009

Observe This.

As you may have noticed, I have worrying level of obsession with classifications. Like, I really have to know why one episode of Peep Show was rated 18 when the others were all 15s, etc. Anyway, I was at a friend's house on Tuesday when the trailer for Jody Hill's Observe and Report, a police comedy, came on the telly. Running underneath it was the bbfc description, which reads -

bung

Now, is it just me, or would this have been enough to render a film an 18 15 years ago? Also, the trailer for the film was stronger than the film itself! Interesting.

As I said, I'm a bit obsessed with film ratings and the bbfc, so I found this interesting. You, however, might just want me to -
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Bung.

The Apprentice, Episode 3.

Week 3. To date, we've had one of each gender fired, leaving us with 13 people now. This week, Alan Sugar chooses to mix the teams up a bit. But first, the show begins, and we see Lorraine looking quite the horror, without a bra or any make-up on, as she makes her way toward the phone. The contestants are told to go to Lee Valley in East London. No-one has any idea where this is and they faff about the location, as we ladies are treated to a rather lovely view of Philip in a red hoodie.

Turns out Lee Valley Athetics Centre is an elite Olympic training ground, and the location is itself an indication as to what the teams are to do this week. But first, a bit of rejigging. Kimberley and Kate are moved to Empire, and Noorul and Philip go over to Ignite. The task? To create a sports product, market it and make sales. The team that makes the most sales of their product is the winner. They have 2 days to design a prototype and sell it.

Ignite need to pick a leader. Lorraine puts herself forward but no-one pays her any real attention. In the end, Debra is elected project manager and she looks extremely smug, her shockingly blue eyes blinking away. Lorraine is none too happy. Over at Empire, meanwhile, James reckons this week is a "potential banana skin". The Irish fella Ben, bearer of one of the most slappable faces, is clearly a bit too sex-obsessed, and immediately launched into his "sex sells" speech. Back at Ignite, Naomi grabs hold of one of her teammates' legs, as if doing this will create a sports utility. More silly suggestions are thrown round before Philip disregards them, "I want me abs to look good," he declares. He then proceeds to girate randomly whilst his jaws gurn away.

James' team discuss a tricep dip and Ben does a bizarre demonstration that can only be likened to attempting to bung his chair. James then splits his team, putting Ben in charge of design. BINGOBUSTER, they say. Kimberley lol's. Howard suggests "Wingworker" as another name. I lol.

Sexy cello music plays as we are told that it is now 11am. Debbie's team still haven't decided. Philip is still carrying on with his over-physical demonstrations. Naomi suggests an ankle-exerciser of some kind, to which Phil says in his thick Geordie brogue, "We need to get past the foot thing." He's plugging a piece of foam cube that he's scribbled down with biro on his notepad, but on meeting with the experts, they are told that it does nothing for peoples' fitness levels. How difficult is it to find something that hasn't been done before? Ignite ask. 'Tis kind of the point...
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Three of the girls go shopping for gym clothes to wear in their photo shoot. They peruse through the footwear section, holding up a nice-looking Adidas pair and another, very ugly pair. Yasmina suddenly has an epiphany: "We've got a fairly good looking guy in the group, why don't we use him?" She pitches this idea to Debbie, also saying that the photoshoot already has one ethnic minority in Mona, and asks if Philip can be in it instead of Noorul, because he's "you know, quite good-looking, and stuff." Phil suppresses a happy grin. Debbie, however, isn't having any of it. "I don't live in fucking Vietnam", she screeches, before making what can only be a speech for the politically correct masses about how anyone can be in the photoshoot, regardless of their nationality. Shifty eyes from Philip.

Empire are told that the product that makes the most sales is the chin up bar. "Not gimmicky enough", Ben says, though the team are told to keep it simple, such as a simple pull-up bar. The message is clear: don't over-complicate things.

2.45pm, and an idea still isn't formed. "The bum ball", Philip says loudly, before moving about again. On the other team, Ben has clearly ignored advice to keep it simple. He wants springs. He wants rubber. He wants everything but the kitchen sink in there. It's going to be a late night, apparently.

Back at the house, everyone on Empire does a hands-in a la Power Rangers. James is last to put his hand in, looking apprehensive. 7am the next day. The Bumball idea has been developed into something called the Body Rocka, a neat little board mounted on a round ball which can exercise most parts of the body. Mona makes lots of love sounds as she finds her way around it. Empire's product is less compact, the Home Multitone; it looks absolutely massive and very clunky, not more 19th century than 21st century. Ben Clarke doesn't see this, however, "I've come up with a bloody great product", he declares. "I've actually shocked myself." James does not seem as happy about it.

Next is pitching their product, to which Lorraine puts herself forward to do it for Ignite. She's quite duff in the trial run, using generic words like "Reassign" and "Innovative" (btw, I'm pretty sure she pronounced innovative wrong, at least, it's completely different from how I pronounce the word), and Debbie looking none too impressed. Lorraine claims you can carry the Body Rocka in your handbag; no you bunging can't! And she also uses the phrase "stable stability." Hmm. Debbie pretty much admits she doesn't think much of Lorraine's pitching skills, admitting that if the product wasn't as strong as it was, she probably wouldn't put Lorraine in charge of the pitch.

Next to give a soundbite is the increasingly self-assured Ben, who reckons he's the best looking geezer on his team. "I have at least graced a gym," he says proudly. Kate tells us that she's "low maintenance on the nail front", before giving a bit of bizarre advice: wearing fake tan means you don't need to bung on foundation. As someone who wears neither, I really wouldn't know.

In the photoshoot, Ben is told to be "a little less QVC." If you ask me, the facial expression he's sporting in the shoot is not dissimilar with that of someone taking a dump. Ben's shot: not that great at all. Over at Ignite's photoshoot, Debbie is driving everyone mad. Yasmina is the one with the camera, but Debbie just has to make her voice heard on everything. "Deborah is not much fun to work with", Yasmina sighs. We can see that! Nick watches silently as Deborah barks away at everyone. Next, Philip sports a navy suit, light blue shirt and red tie. HOT. Lorraine works on her pitch: Dumballs, Dumbells. And Deborah gathers everyone. "C'mon troups," she says sharply, expecting everyone to follow her.

The pitch. Maj chews away on a silver pen. Lorraine speaks as if she's entertaining a particularly dim child. James' team pitch, making the bold and downright incorrect claim that one can "easily" assemble their product. They certainly prove this point when the thing needs assembling twice 'cos it's so clunky. Class. Back to the Body Rocka, Lorraine is so boring that she's inducing Mona to spread her legs for some reason. Paula (a woman who's been somewhat of a non-entity in this episode) and Yasmina bite their lips. Philip, however, is extremely excited. "This is the iPod of fitness products", he says proudly, before the group sing some N*Sync. I say sing, it's more like a cacophony of cats screeching.

James & co head to John Lewis. The two men there look like they're trying extremely hard not to laugh in the faces of Empire. Third pitch round, Lorraine is still as boring as ever. John Lewis asks Ignite what it'll take to get exclusivity of the Body Rocka. No-one's thought about this and they stare at each other confusedly. Finally, Yasmina throws a number in: 20,000 of them. But the soft-spoken bloke is not impressed with such a poor deal. On the other pitch, Ben is lapping it up and shows off his press-up skills and colourful socks in equal measure. "Wee bit 1970s".

The moment of truth, boardroom time. Standing in the waiting room, a lot of the women have their arms crossed. Deborah rolls her mascaraed eyes. In the boardroom, Sir Alan walks in and takes his seat. "Good team leader?", he asks Empire regarding James. Ben doesn't answer, instead, he moves his head non-distinctly. "What does that mean?" Sir Alan asks, mimicking him. Hee. James pipes up unsurprisingly, saying he wasn't happy with the end product. The same question from Sir Alan is asked to Ignite. "Yeah, she was OK", Mona says. Debbie looks unimpressed, like she feels she deserves more.

Ignite are asked what they thought of their pitch. Debbie makes a veiled dig at Lorraine, saying that she gave 110% effort. There's no such thing as 110% effort, Sir Alan snipes, before Phil steps in and defends Lorraine. I thought this was a lovely gesture, especially as her pitch wasn't up to much at all, but by Philip defending her, he prevented everyone else from quickly jumping on the anti-Lorraine bandwagon.

Numbers time. From Powerhouse, Empire received no orders, Ignite, 80. From Totally Fitness, Empire received no orders, Ignite, 100. Not looking too good for James' team. Finally, John Lewis. They made 500 orders for the Home Multione (heaven knows why), and of Ignite's product, they order... 10,000. That was a heart in mouth time for Ignite, as Nick had sadistically taken his time in revealing the figures. As a prize to Ignite for winning, they are rewarded a personal concert from Katharine Jenkins in Kenwood House. Ignite are very, very happy.

As for Empire, it's squeaky bum time for all involved. "The Empire doesn't strike back," Sir Alan notes wryly. The team go to the dingy Bridge Cafe, wherein they mourn the "upside down telly with a couple of springs hanging down from it", also known as the Home Multitone. At the same time, Katharine Jenkins is serenading Ignite. Yasmina seems to be holding hands with another female teammate. Licky licky subplot in The Apprentice, maybe? Who cares, 'cos Philip is wearing a V-neck and looking damn bungable in doing so, whilst Lorraine looks a bit like Tina Fey.

In the waiting room, Empire sit about as the tense xylophone tune plays the same pattern of 8 note repeatedly. Back in the boardroom, and Alan Sugar says he "doesn't know what to call it really." Grimace. James looks like he's sharting (Philip Seymour Hoffman in Along Came Polly: when you're trying to fart, but end up... ahem). James wastes no time in getting the blame game started, blaming Ben. Kim looks like the sight of the box makes her physically ill. Sir Alan Sugar takes his time, going round the table and laying into each of the team. To Howard (looks like a cross between Tom Hollander with Jonathan Rhys-Myers' eyes), who has been noticeably absent this week, he says "sitting on the fence can get you a sore arse." This is why I love The Apprentice! Turns out that the best thing Powerhouse thought of Empire's pitch was that they took their product away at the end. Ha!

Maj turns on James. James turns on Maj, "he was just here for the ride." It's all very entertaining, semi-car crash TV. James talks and talks some more. Finally, the decision is made, and, joining James in the boardroom will be Ben and Maj. The latter is described by Margaret as "hanging around like a spare part." Sir Alan notes than Ben hasn't had a nice thing to say about anybody else (a fact epitomized on The Apprentice: You're Fired when the charming Irishman chats away about how "obese" he thinks the rest of his team are.) Maj and Ben both think James should go, but the garrulous man isn't going without a fight, accusing Ben of making a bad product due to not developing it and accusing Maj of "hanging around in the periphery." Maj's rebuttal to this is that he wasn't delegated any large enough roles and Ben does a more than forceful and articulate job of sticking up for himself. Lots of shouting ensues, resulting in Ben telling James to "shut up for a second" and the 32-year-old James on the verge of tears.

In the end, Maj is fired for not contributing enough. "You were so far out the door you don't know", James is told. Apparently it was Margaret that got him to stay. I think this was a bit of a mistake, for, whilst Maj wasn't portrayed to be one of the hardest workers, he did get all his jobs done, and efficiently too. Maj looks gutted to leave, but Sir Alan has always made it clear that The Apprentice is "not here to carry passengers."

Back at the house, the consensus is that Ben should have gone. Howard finally makes some worthwhile input, which is that Ben was far too preoccupied with the whole sex sells thing. Debbie tells Empire brashly "your failure is my success." The door opens and James and Ben come in. Cue lots of excited screaming from most of the party, though Philip, sat on the couch, looks gutted that his dear friend Maj has been bunged off.

Monday, April 06, 2009

She had colgate on her teeth and Reebok classics on his feet.

Am loving M.I.A.'s style, even when she was pregnant-
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Screening Log (30/03/09 - 05/04/09)

The Deep End (Scott McGehee and David Siegel, 2001)
Tilda Swinton stars as Margaret Hall, a woman who's son Beau goes off the ropes in adolescence, and gets mixed up with the unsavoury character of Josh Lucas' Darby Reese. When Reese's dead body shows up outside her house, Swinton assumes her son has murdered him and does everything she can to protect her son. This is easier said than done when she's being blackmailed by Goran Visnjic, who has video evidence of her son bunging Darby, and demands $50,000 for his and his partner's silence.

The Deep End is a remake of Max Ophüls's 1949 outing The Reckless Moment, which I watched exactly 15 months ago, and compared to the original, it's darker and more adult, which doesn't necessarily work to its advantage, but the sexual tension between Swinton and Visnjic, particularly as blackmailer begins to fall for blackmailee, is absolutely delicious. 

For their performances and their chemistry alone, The Deep End is worth watching.

Duplicity (Tony Gilroy, 2009)
An initially confusing but generally very entertaining comedy starring Clive Owen and Julia Roberts as an ex MI6 and an ex-CIA worker, respectively, both of which are highly skilled in the art of double-crossing, and decide to collaborate to double cross both Tom Wilkinson and Paul Giamatti's companies, and make a profit in the region of $40 million for themselves. 

However, such is the nature of deceit that they frequently end up mistrusting each other, a little glitch which threatens to ruin the whole operation.

Set chiefly in New York but with flashbacks filmed in the Bahamas, Manhattan and Rome, Duplicity sure is pretty to look at, particularly coupled with its two leads. Julia Roberts, at 41, still looks stunning, and Clive Owen was very, very fit in it! 

The film itself is probably a bit too convoluted for its own good, but I had a lot of fun with it, whether it be in the leads' performances, James Newton Howard's sexy score which had double bass and celli in abundance, the witty script from Michael Clayton writer/director Tony Gilroy, or the final rug-pull of a twist that I truly didn't see coming.

The Shipping News (Lasse Hallström, 2001)
Based on Brokeback Mountain writer Annie Proulx's novel, this film follows Kevin Spacey, who, having been widowed by Cate Blanchett's flighty wife, moves to Newfoundland with his estranged aunt Judi Dench, and sets up shop there, writing a column called The Shipping News, reconnecting with his emotionally scarred daughter and embarking on a tentative romance with Julianne Moore's also-widow-and-single-parent. 

The film was better than I thought it'd be - Spacey doesn't annoy me as much as he has done in other roles, Julianne Moore is always amazing and the overall message of redemption is nice, but it felt a bit underdone in some scenes and horrifically overwrought in others, not least the flashback of Judi Dench's character's disturbing secret. A bit of a mixed bag, this film.

The Final Curtain (Patrick Harkins, 2002)
omgthisfilmissoshitpleasedon'twasteyourtimewithit. kthanxbai.

Fever Pitch (David Hornby, 1997)
Based on Nick Hornby's autobiographical novel and penned by him as well, Fever Pitch follows Colin Firth's Paul, an Arsenal FC-obsessed schoolteacher as he finds himself at a crossroads when he begins courting fellow teacher Ruth Gemmell - football means more to him than life itself and whilst she's at first willing to be initiated into the world of Highbury, referees and last-minute equalisers, she wants him to see that there is more to life than football, particularly when she gets pregnant, putting questions on the two's future together.

I connected with this film from start to finish, from a scene of a young Paul going to his first football match and realising that he'd found his raison d'etre, to the scenes of joyous celebrating on the streets of North London as Arsenal beat Liverpool 2-0 at Anfield.

Fever Pitch isn't a perfect film, I concede - chances are you'll "get it" more if you're English/follow football/live in London, Colin Firth doesn't seem to know whether his character is to groan or gurn in most scenes, the repeated tonal modulations from comedic to dramatic left the film a little lopsided and the acting from some of the schoolkids was suspect, but it captures the mindset of yer typical British football fan perfectly; Nick Hornby, being a dedicated Gooner himself, knows what he's talking about.



The panning scene which follows the footie fans as they advance to their next match, accompanied by Baba O Riley by The Who, is, as far as Bung's concerened, one of the best usages of music in film, bar none. Cinematic gold.

Sunday, April 05, 2009

This is so much bung!

Spike Jonze is back. First he wowed us with the trailer for his long-in-the-making adaptation of Where the Wild Things Are. Now MTV.com is reporting that he's directing a 10-15 minute short film with Kanye West. It apparently will not be a video for West's "See You In My Nightmares" track off 808's & Heartbreak, but the song will be featured. Further plot details and release information are being kept under wraps, but whatever it turns out to be, color me excited. Jonze has directed some of the most iconic music videos of the last two decades (Weezer's "Buddy Holly", Fatboy Slim's "Weapon of Choice," and Bjork's "It's Oh So Quiet" immediately spring to mind.) And, as the eyebrow-raising video for "Flashing Lights" proved, the two share a bizarre sort of creative chemistry. Let's just hope there's no bondage in this one. source


I for one am very excited about this. Though I'm excited every time I see the words "Kanye" and "West", so there you go.