Showing posts with label lol-inducing. Show all posts
Showing posts with label lol-inducing. Show all posts

Saturday, March 03, 2018

The Times' review of RED SPARROW (Francis Lawrence, 2018)

Kevin Maher of The Times wrote a fantastically scathing review of the mess that was mother!. He's on form again, slating Jennifer Lawrence's new film, Red Sparrow. I've taken the liberty of photographing it, as The Times reviews are behind a paywall.


Click to enlarge to read all the shade!

Saturday, March 25, 2017

Tale as old as time... (that Emma Watson can't act)


Out of tune singing is out of tune, and clunky guitar-playing is clunky, but at least it's not quite as questionable as the other two Emma's, Watson and Stone.

That was the first take, so a bit rubbish. I preferred this audio recording, but annoyingly, couldn't upload it as a video, so if you're not too bored, give that superior version a listen. 😎

I saw Beauty and the Beast on Thursday, and whilst being predictably bored by Emma Watson's blank, passionless face in all her scenes, actually quite enjoyed it. Some of the musical numbers were very entertaining, especially 'Gaston', a song which aptly sums up the mentality of the vast majority of clown guys who I've had the misfortune of having gone on dates with in London.

Only difference is Gaston has more humility.

Friday, March 17, 2017

A Silent Microaggression.

You know, for a newspaper who loves to lecture their readership about racial stereotyping (in a case of timing you couldn't make up, just four days ago they ran this hectoring piece about Asian stereotypes), you'd think they'd bother to learn the difference between Japanese films:



The caption pertains to A Silent Voice. Yet the image is a still from Your Name. I guess all Japanese animes look the same to Guardian sub-editors.

Perhaps of Guardian writers focused on say, actually doing the research they're paid to do, rather than preaching piously or shagging about, they wouldn't have made such a mistake. Just suggesting.

This isn't the first time they've confused two compatriots, with embarrassing circumstances. In their tribute to the passed away Cruyff, they published a photo of Rob Rensenbrink:


No wonder The Guardian are begging for money now. #FakeNews

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Bonus graphic, from The Evening Standard, which perfectly encapsulates my confusion on how Isabelle Huppert's icy tour-de-force in Elle lost to Yellowface Felicia dancing like she had two left feet:

Saturday, July 28, 2012

Lolita, was a meaneater, clocked him like a taximeter.

I know it's somewhat perverse considering the news coming out this week of Kristen Stewart's indiscretion, and I am in no way condoning infidelity (the man she cheated with, the director of the snoozefest that was Snow White and the Huntsman, was married with two kids, oh dear). But homewrecking aside, the news of Kristen's little transgression has made me like her more. 

I'd always regarded her as a pretty, but very bland actress, who I wasn't even sure had a pulse, judging from her awkward public appearances. But evidently, she not only has a pulse, but is a dark horse to be reckoned with, one capable of breaking British heart-throb Robert Pattinson (an equally poor actor)'s heart. And so, I decided to take a closer look at some pictures/gifs of her, and realised that the girl really is stunning.


(what colour are her eyes? Grey? Blue? Green? idk, I love them.)


Rocking the ponytail here!

Aww, poor heartbroken R-Prattz.




I still abhor Twilight, though

Friday, August 19, 2011

Film review: THE INBETWEENERS MOVIE (Ben Palmer, 2011)

Anyone who watches the show knows the set up of the inbetweener boys: Will McKenzie, bespectacled, well-mannered but massively irritating, his best friend Simon, the most attractive of the clan but let down by his gelled-up hair and his relentless thirst for pricktease Carli D’Amato, who clearly doesn’t feel a fraction of the intensity he does to her, dim and slow-witted Neil, and Jay, chronically bullshitting about women he’s shagged, things he’s done, and er, women he’s shagged. 

The four boys’ ridiculously embarrassing travails through life made for three hugely entertaining series on Channel 4, albeit with the third series being discernibly less funny than the previous two, series three feeling a lot like a re-hash of the jokes they used before, but turned up to an eleven. Well, in the boys’ big-screen outing, they hit Greece on summer holiday, and now they have a brand new country to bring their individual brand of gross-out comedy to.

Perverse as it is, throughout the film, I was actually reminded a bit of the Sex and the City movies, except for four boys rather than women. Now, hear me out. Lots of people felt disappointed with Sex and the City the Movie, feeling it was just one drawn out episode, but that’s pretty much the same with the Inbetweeners Movie, and in both movies, I had a terrific time. 

Further more, as with Sex and the City, despite all the women being well into their forties (and Samantha considerably older), they all have their journeys to make, lessons to learn throughout the course of the film, whether that be about courage, sacrifice, fidelity, or love. The lessons in The Inbetweeners Movie, suffice to say, are a little less meaty, but there is a surprisingly uplifting feel to the way the four boys find redemption in their sweet/sick ways.

Leggy blonde Laura Haddock, who is no stranger to lads’ mags across the UK, leads the quartet of attractive girls who catch the four boys’ eyes. Each girl is pretty in her own way, particularly Laura Haddock (Will’s love interest Alison) with her astoundingly definded cheekbones and babydoll eyes and Tamla Kari, the pretty brunette who clearly likes Simon, despite the fact that he is still blindly going on about Carli, who, incidentally, is also at Malia. 

The way the four boys eff it up with their respective female counterparts is exactly like in an episode of the show, except, this being the big-screen, the writers Damon Beesley and Iain Morris were a little more generous to their four long-suffering leads. Nonetheless, all four boys make more than their share of horrendously cringe-inducing gaffes along the way.

This being The Inbetweeners, you can pretty much make a mental ticklist of things you’re going to hear jokes about: masturbation, anal sex, other weird sex practices, poo, the list is endless. The characters also get involved in embarrassing situations not involving bodily functions or fluids; witness Jay as he tries to drown a well-meaning-but-slightly-annoying-boy on holiday, or Will, King of putting his foot in it, when he argues with a handicapped girl’s dad over rights to a lounge chair. 

But the funniest scene in the entire film was, for me, the cringefest that was Neil, Will and Simon trying to get the girls’ attentions by dancing up to them. If you can call it dancing. I call it “sides splitting with laughter.”

Critics have hailed The Inbetweeners Movie prurient, juvenile, and relentlessly crude. They are right. Some of the jokes do fall flat, but the ones that are good are great, and coupled with a cheesy-cool soundtrack, some genuine drama (Simon and Jay fall out, like, omgz!!!!) and an arsenal of one-liners that will have you hiding behind your hands with embarrassment, The Inbetweeners Movie pretty much does what it says it would on the tin, with an added bonus of the unexpected but genuine satisfaction the viewer gets from seeing our four boys become men – sort of.

Grade: B+

Tuesday, August 02, 2011

Film review: HORRIBLE BOSSES (Seth Gordon, 2011)

Childhood friends Nick, Dale and Kurt, once known as the “three musketeers” are still friends into their adulthood, and meet up on a daily basis for a drink and meal at their local bar. Trouble is, whilst their friendship thrives, their work lives leave a lot to be desired. 

Nick (Arrested Development’s Jason Bateman) works in a corporate environment, with a psychotic boss Dave Harken (played by Kevin Spacey) whom gets arsey if he is so much at 2 minutes late – after 6am. In one scene, Harken entraps him into necking scotch – at 8 in the morning. Nick despises his boss, but puts up with his bullying, knowing – or thinking – that if he takes the shit for a while longer, he will receive the promotion to VP that he has so hardly worked for. That hope, we later find out, turns out to be completely misguided.

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Wednesday, July 13, 2011

Favourite Ron & Hermione moments.

By the way, this is my hand touching Grint's from the premiere last Thursday in Leicester Square:


10. Can You Keep a Secret?
Hermione’s super-human knowledge and diligence is well-documented throughout the seven books and indeed, her intelligence has come to Harry’s aid on countless occasions. But she possesses so much more than simply book smarts; she is sensitive and a very good reader of people – Ginny’s schoolgirl crush on Harry is apparent to all in Chamber of Secrets, but she being the 11-year-old, impressionable lil’ sis of his best friend, he sensibly pretends not to notice, leaving the crush to evaporate. In Half-Blood Prince, however, it is he who develops feelings for her, and the fact that she has them, quite literally, lined up, and isn’t afraid to face her brother Ron about it when he scolds her – only exacerbates his feelings for her. At the end of the book, after he has gotten her, he has to let go, and it is revealed that it was Hermione to advise Ginny to go with some other boys, not particularly with the aim of forgetting about Harry entirely or to make him jealous, but because she deserved to experience teenage love in her own right. Deep down though, Hermione knew that Ginny only had eyes for Harry and the her flings – however troubling to Harry (and Ron) – would do her no harm. Whilst this is not explicitly a Hermione/Ron moment, simply the fact that Hermione knew how much her crush & best friend’s younger sister fancied her other famous best friend but diplomatically chose not to tell either shows that whilst she is smart like the best of them, Hermione’s best quality is not her brain, but her heart.

09. Well Jell
In Half-Blood Prince, Harry and Hermione both turn the head of Potions Master Professor Slughorn, who invites them to come to his exclusive Slug Club, of which the other members are either well-connected students with distinguished bloodlines (Blaise Zabini’s mum was a heartbreaker of a witch who frequently married and divorced), or students who Professor Slughorn sees a light in, like Ginny and Hermione. Ron, who reacts with a red-hot temper that would do his hair proud at seeing his sister and two best friends invited but not him, and much of his anger is directed at Hermione, who by now he is growing increasingly confused by his feelings towards. Hermione rarely dabbles in underhand tactics, but Ron becomes so snarky towards her simply for being noticed for her excellence that she allows the horny-but-hot Cormac McLuggen to bring her as his date for the Christmas Slug Club party, knowing full well how much it will make Ron jealous. The little on-running feud between Ron and Hermione is as amusing as it is entertaining and acts as an accurate portrayal of teenagers and the petty things we do to get the attention of the ones we like.

08. For you, there’ll be no more crying.
In Philosopher’s Stone, the first few times we are introduced to Hermione Granger, it is difficult to warm to her. Bossy, a know-it-all and almost unbearably stuffy, Harry is a little bemused by her. Ron, however, never one to mince his words, voices his displeasure towards Hermione. Naturally, Hermione would overhear, and despite the brave face she has sustained so far, her butter-wouldn’t-melt demeanour comes crumbling down and her hurt locker shows. She runs into a toilet to cry, unaware that a gigantic troll is also there. Harry and Ron come to her rescue and in a brilliant display of teamwork, the three defeat it. With that, the quintessential OT3 of friendship is borne. If I really wanted to overanalyse, we could say that Hermione’s obnoxious behaviour to Harry and Ron had just been her defensive mechanism for speaking to “famous Harry Potter” and his cute ginger friend who she quite liked the look of. But that would probably be overanalysing it; they were only in year seven.

07. “I love you, Hermione”.
Harry and Ron have – as they have a knack of doing – got themselves in trouble, and now have homework assignments on top of that to worry about. Hermione senses their plight and offers to help with their work. Ron, so grateful, utters weakly “I love you, Hermione,” and it is said that Hermione “turns pink”. Ron’s comment was a throwaway one, but Hermione’s embarrassed reaction tells me that it was she who fell for Ron first, but he was too bull-headed and dull to realise.

06. Lust and delirious
Harry Potter and the Half-Blood Prince is, in a way, a tennis match of sexual politics between Ron Weasley and Hermione Granger. He should be so lucky as to get her – beautiful, smart, loyal girl that she is, but his own insecurity is so crippling that it leads him to mistreat her. His path in getting with sentimental and fairly annoying but well-intentioned Lavender Brown arose from a fight with his younger sister. Unhappy at being berated by Ron for making out with his friends, Ginny cries, in defence, that Ron is simply being a prude because Harry has had experience of snogging (Cho), and “even Hermione kissed Viktor.” This proves to be the catalyst for Ron and Lavender getting together, Lavender herself unaware to the fact that she’s being used as a pawn in the two’s warfare. After Ron suffers a near-death accident, however, and he is recovering, he’s so doped up that he’s unable to get his agenda right and says the name of the girl who he’s really thinking about: Hermione.

05. Oh, Krums.
Harry and Ron leave it a bit late in finding dates for the Yule Ball, meaning that the girls they go with – attractive twins Parvati and Padma Patel are perfectly fine, but not the ones they wished to have gone with. Harry’s choice had been asked sooner – Cho Chang, and Ron’s preferred date is more obscure. When it became hard to find someone he thought Hermione would be available as a last-ditch resort, but on seeing her – by far the most beautiful she’s been – at the Yule Ball, in the arms of Viktor Krum, a famous Quidditch player who up until this point he’d been in awe of, brings up all kinds of envy in him. As a result, he pays Padma no attention, loses all the idolatry he’d had thus far for his Quidditch hero, and seeks Hermione out to have a go. She isn’t having any of it, crying, “Next time there's a ball, ask me before someone else does, and not as a last resort!". Ron splutters his indignations, but judging from Hermione’s tears and Harry’s tactical reticence, he’s only kidding himself.

04. Knight with cruddy armour
Draco Malfoy comes from an affluent family. This is unceremoniously shoved in the Gryffindors’ faces when his father kits the entire Slytherin Quidditch team out with Nimbus 2001. Taking the opportunity to sneer at Harry and Ron, Hermione replies sharply – but accurately that at least Harry earnt his place on the team, rather than buying it like Draco. Malfoy doesn’t like being told by a Muggle, and calls her a terrible word – Mudblood. This infuriates many of the passers by, but only Ron does something about it, pulling out his wand to defend his friend. Unfortunately for him, his wand is crooked and his own hex backfires, but that he would defend his mate’s honour with such fierce loyalty shows the beautiful, unadulterated spirit behind Ron and Hermione relationship.

03. Paying the penalty
Always in the shadow of ~Famous Harry Potter~ and his astounding Quidditch skills, Ron has a chance to shine in the sixth book when Harry, as captain of the Quidditch team, is holding tryouts. Cormac McLuggen probably has more natural talent, and in a Quidditch penalty shoot out, he is flying, saving four of four penalties. As the fifth is taken however, he does a bizarre dance-in-the-sky that results in him letting one in, and Ron getting the role of goalkeeper. As it transpires, it was Hermione who performed the jinx on Cormac to make him under-perform, as retribution for some throwaway comments he’d made about Ron and Ginny. A little action of a good friend, perhaps, but for by-the-book Hermione to play so dirty shows that she truly cared about the person she was doing it for. If only Ron knew.

02. Come together, over me
Albus Dumbledore’s death in Harry Potter and the Half-Blood Prince was one of the most arresting, surprising and depressing deaths in literature for me, not least because it seemed to signal an uprising of Voldemort’s clan. At the end of the book, the entire school (bar a few evil-minded Slytherins) is in mourning. Ron and Hermione have set aside all the drama they have incurred in the book (in a fit of rage, Hermione had sent a bunch of canaries after Ron after seeing the two all over each other), and it is fair to say that Ron has entered that tentative transition between lad and full-fledged young man. Many of the inhabitants of Hogwarts cry, including Hermione, who, we are told, weeps into her ginger friend’s shoulder. It is a rare moment of beauty amidst a sea of heartbreak.

01. Kiss Me
There was a clatter as the basilisk fangs cascaded out of Hermione’s arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet.
Corny, yes. Out of place (it’s in the Battle of Hogwarts), yes. But oh my lord, it was so bloody overdue. Seven years of adventure, of being there of each other, laughter and tears, mindgames and game playing, all culminating in these few, such rewarding lines. As you may have noticed, I'm quite into my films where there's all this strife and tribulation, and it ends with a grandstanding act of redemption, and Ron and Hermione's kiss is redemption for a lot of the casualties incurred in the series.  I don’t care for Emma Watson a jot but I love Rupert Grint and Harry Potter, and thinking over all these precious Ron/Hermione moments has thoroughly piqued my thirst for the final film coming out this Friday!

Sunday, July 03, 2011

Film review: BRIDESMAIDS (Paul Feig, 2011)


If you were to ask thirty-something Annie (Kristen Wiig) whether she was happy with how things are going in her life, she probably wouldn’t be totally honest if she answered “yes”. Working in a job she clearly despises as a retail assistant in a jewellery store – a job, we are told, she only got as a favour from the manager to her mum, less-than-satisfied with her relationship – or lack thereof with the hunky but arrogant Ted (Mad Men’s John Hamm) and living with a weird and annoying brother-sister duo, it’s fair to say she’s not exactly firing from all cylinders in her life. 

The only aspect she has always been able to count on is her best friend Lillian. The two meet up in the mornings to cheekily scab off free training from a local fitness instructor by hiding behind a tree and exercising to his words. They listen to each others’ relationship woes and offer opinion and advice, but never judgement. And, unlike with so many faux friendships that are rife with ulterior motive, when the two tell each other that they love each other, you know they mean it.

So when Annie learns of Lillian’s upcoming engagement to long-term boyfriend Kevin, her initial feelings of delight for her friend very rapidly turn to fear, isolation and upset when the prospect of losing her childhood friend to a world of upmarket dos, nappies and, even more terrifyingly the annoyingly perfect Helen, Lillain’s fiancée’s boss' wife, who seems intent to usurp Annie’s title as Lillian’s best friend. 

In one hilarious scene at the engagement party, Annie gives a brief but heartfelt speech congratulating Lillian. Helen then takes the mic and oh-so-subtly slips in a few words and inside jokes in her speech. Annie, refusing to be outdone, takes the mic back and shares a few friendship histories of her own. Thus triggering off a vicious cycle, culminating in both women singing a terrible song together – but the audience with tears in their eyes.

And that’s the genius of Bridesmaids, in my opinion – it manages to hit so close to the truth. Who hasn’t felt the jealous pang of seeing a friend that you value so dearly slowly, but inextricably falling away from you and closer into the net of the one you perceive as your nemesis? Kristen Wiig, who is no stranger to comedy, being a regular on Saturday Night Live, gives one of the performances of the year. It doesn’t hurt that she co-wrote the script, so is completely comfortable with the material, but her deliveries and deadpan facial expressions make for one of the best comedic performances I’ve seen for a while. 

Underneath all the high jinx, however, are the tears of a clown; Annie isn’t happy, and, whether she likes it or not, there are plenty of problems of her’s that can’t purely be pinned down to the fact that her best mate is getting married. Her taste in men speaks for itself; it is clear from the off that good cop Officer Rhodes (our very own Chris O’Dowd off The IT Crowd) has eyes for her, yet she chooses to go back into the welcoming-for-all-of-ten-minutes arms of the chauvinistic Ted. It’s frustrating to watch her make such mistakes, but any and every woman watching Bridesmaids over the age of 15 (as right they should be, it’s a 15 certificate over here after all) knows exactly what it’s like to shun the attentions of a nice guy in favour of one who treats her like shit.


The supporting cast all more than pull their weight in Bridesmaids. Melissa McCarthy is the token chubby-but-good-humoured sister of the groom, who provides much of the visual humour of the film, and Wendi McLendon-Covey, as Lillian’s cousin Becca, gets some of the best lines – involving being married to a horny husband, the nonchalant delivery of “I just want to watch the Daily Show once without being entered.” 

The friendship love triangle, of Annie-Lillian-Helen is written perfectly, full of social airs and graces between the former and latter. Rose Byrne as Helen, who I have plenty of fond memories of watching in Damages, is supposed to be the ~bad guy~ here, and some of her actions are deplorable (not least the little prank she pulls on Annie on the airplane), but we don’t end the film completely despising her, as, she is, after all, just another lonely woman. 

Chris O’Dowd is completely adorable as Officer Nathan Rhodes, and when he and Annie finally do spend the night together, he not only welcomes her to spend the night (a stark contrast to the friends-with-benefits Ted’s caddish behaviour when he says “I want you to leave but I don’t know how to say it without sounding like a dick”), but he even goes out and buys her some cooking ingredients (Annie used to own a bakery before the recession hit in and ate all her profits – forcing our into redundancy). Annie is so taken aback by this show of kindness that she leaves straight away. It’s a very well directed, surprisingly poignant scene, once again highlighting sometimes often in life, it’s almost as if people go out of their way to stay unhappy. 

The balancing act between comedy and drama is a difficult one, and although Bridesmaids is very firmly one of the former (certain scenes – the bridal dress fitting, Annie’s altercation with an uppity young customer, and her drunken daze on the airplane are just some of the many that had me in stitches, and the sex jokes are a bawdy treat), it’s the sensitive, intelligent way that the latter is inflected into the comedy that makes Bridesmaids such a winner. After all, if I wanted to laugh my face off, there’s plenty of dumb YouTube videos I could watch, or, say Borat or something. 

But Bridesmaids wasn’t just funny, it was emotionally rewarding. We come to care for Annie and her plight; this film isn’t just about her failings as a bridesmaid-in-chief; they are purely a microcosm of her problems in life as a whole. Yet as the film progresses and she lives and learns a little more, she realises that it is never too late to stop feeling sorry for oneself and turn things around. 

Beautifully written, not least the romantic subplot between Annie and Officer Rhodes, you will leave this film with a feeling inside sweeter than any slice of wedding cake.

Monday, January 10, 2011

The Social Vexwork.

I'm currently watching David Fincher's The Social Network, and I must say, I love how the protagonist goes on livejournal to whine about his fail of a love life. Because that doesn't sound familiar at all. ;)


Wednesday, December 15, 2010

Bung’s Favourite Songs of 2010.

1. Forget You (Cee Lo Green)
I wasn’t too enamoured with this song when I first heard, but multiple plays on nights out with friends, not to mention the terrific cover done by Glee, has gotten me to really adore it. Essentially, it’s quite a sad tale of a man’s failed romance with a golddigger, but such are the upbeat tempo and tune that Cee Lo Green really has fun with his silver-tonguing.

2. Love the Way You Lie (Eminem ft. Rihanna)
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Far and away, one of the deepest, most moving songs I’ve ever heard. It captures an abusive relationship that is massively detrimental for both parties involved, yet such is the power of the love (and hate) binding the two involved, that just walking away isn’t an option. This being something that both Eminem and Rihanna are very well versed in, it’s no surprise that Rihanna’s voice touches emotive highs and Eminem’s rapping really resonates.

3. Airplanes (B.o.B ft Hayley Williams)
Dreams, aspirations, shattered hopes, wishing upon airplanes… been there, done that. Hayley Williams has a beautiful voice, some parts of B.o.B’s rapping really hold true. What’s not to love?

4. Power (Kanye West ft. Dwele)
“No one man should have all that power,” notes Kanye, although I would argue that if anyone’s deserving of power, it’s him, for coming out of hiding after being publically denounced a thousand times last year to comeback and produce, write, score and rap and sing in My Beautiful Dark Twisted Fantasy, by far one of the most complete albums I’ve gotten my hands on, this song on it being the crème de la crème.

5. On to the Next One (Jay-Z ft. Swizz Beats)
The video raised some problems with one of my super-Christian friends at work, but I absolutely adore everything about this song, from the Swizz Beats appearance (Cher Lloyd ripping them off irks me ever so), to Jay-Z’s all-round swagger and arrogance. “No I’m not a Jonas brother I’m a grown-up, no I’m not a virgin I use my cojones.” Tell me that’s not poetry.

6. Teenage Dream (Katy Perry)
If there is one song that invokes memories of Summer 2010, it’d be this. I turned 20 this year so am no longer a teenager, but the song itself invokes the memories of what it’s like to FEEL like a teenager when you’re in love. Brill.

7. Empire State of Mind (part II) (Alicia Keys)
Poetry, pure poetry. Alicia Keys is a goddess.

8. Kickstarts (Example)
Example actually came to my University several weeks back, and I missed the opportunity to watch him perform. Still not over it; this song is gorgeous.

9. Take One for the Team (Ft. Cyhi the Prynce, Keri Hilson & Pusha T)
For flat-out lulz, there’s no better than “Take one for the Team”. “He said that bitch wasn’t pretty enough to finger!” whines Cyhi the Prynce in one verse, whereas Kanye happily admits that despite trying to be nice, “You know what? I’m not a nice guy”. More honest.

10. Monster (Kanye West ft. Jay-Z & Nikki Minaj)
11. Bad Romance (Lady Gaga)
12. Fireflies (Owl City)
13. Born Free (M.I.A.)
14. Tightrope (Janelle Monáe)
15. Waka Waka (Shakira)
16. Acapella (Kelis)
17. Good Intentions Paving Company (Joanna Newsom)
18. Just the Way You Are (Bruno Mars)
19. California Gurls (Katy Perry)
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20. Dog Days are Over (Florence and the Machine)
21. Like a G6 (Far East Movement ft The Cataracs & Dev)
22. You Got the Dirtee Love (Florence & Dizzee Rascal)
23. Billionaire (Travie McCoy featuring Bruno Mars)
24. What’s My Name? (Rihanna ft Drake)
25. We Dance On (N-Dubz ft Bodyrox)

Wednesday, October 06, 2010

The Apprentice, 2010: Week One.

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Finally, it’s here! After (what I felt to be) a very underwhelming series of Junior Apprentice, we’re finally onto the original. Margaret has gone (replaced by Karen Brady), but the rest of the formula is reassuringly familiar. And by that, I mean deluded contestants who are almost swimming in their own stench of arrogance and tasks which bring out said qualities. The challenge this week is to sell sausages, and from the looks of it, the contestants will be making a pigs ear of it.

“Everything I touch turns to sold”, drawls one of the contestants. “Where’s my glass ceiling?” Already, he has established himself as a self-serving, egotistical goon amidst a sea of egotistical goons. The episode kicks in when Sir Alan divides the teams, as per standard, by gender. The first task for both teams is to pick their names. The women, after dallying with an atrocious “Winning Women”, plump for Apollo, because, as said by one of the women, for the Apollo, as for them, “failure is not an option.” The men flit between Fusion and Synergy, before the latter is selected by the majority.

Next up, picking the project managers. Dan Harris, the oldest of the men, puts himself forward straight away, whilst for the women, Joanna volunteers with more reserve. The two teams then have to decide how they’re going to set about selling their sausages, and the types that they’re going to supply. The men opt for bargain basement sausages, whilst the women decide the more delicate approach with gourmet sausages. Already the two project managers are starting to exhibit their true colours; Dan waves his arms around and hollers the f-words repeatedly, whereas Joanna shows her patronizing streak. Karen Brady, observing the men, is far from impressed with Dan, noting that heis “very aggressive.”

“Who the fuck is it?” hollers Dan, in another display of said aggression later on in the show. By now, the two teams have gone to the meat markets, bought their supplies (and on the whole failed to get a good bargain). The women go for some fairly obscure ingredients for their sausages - ham and mint, and chicken and chilli being two of their sausages. When they put all the ingredients into the machine and produce sausages, I must say, the sausages looked like willies initially. Soon, however, Apollo have take-off, and produce sausages that are on their way to looking mildly presentable.

Elsewhere with Synergy, Dan pouts a bit, before throwing his weight around. The boy’s team’s sausages come out of the machine looking like dried faeces; most unappetizing. Jamie Lester, one of the men, is truly unimpressed with his PM, noting that Dan “can’t organise a piss-up in a brewery”. Meanwhile, the women’s sausages are overstuffed with pricey mint, and the two ladies doing the accounts note that Apollo aren’t making as many as they’d hoped.

After that ”night of hard graft”, the women’s sausages are actually looking fairly professional. Unfortunately, when packaged, they look much like the men’s – sausages in a box. To exhibit their higher end ingredients, they must give tasters. The men start selling, telling people that the sausages are “Made by us” - - not really a selling point if you ask me. Synergy hit Portobello market, complete with speakerphone. The deal they’re offering is £3.99 for a pack, 3 packs for a tenner. They are frying samples, which pulls in buyers.

Of Synergy, Stuart Baggs is very eager to let it be known that he sells a lot. “To be honest I sell the most here”, he drawls. When his intrusive selling style is called into question by another team-mate, he gets shirt. “Who’s selling the most?” he demands, with the air of a spoilt child. The women need to recoup their high production costs, but as of yet, they’re not making a great deal of sales. Nick, watching them, observes wryly “You sell the sizzle, not the sausage,” touching on the fact that the women haven’t cottoned on to giving tasters. After a while, they do realise what the cooking utensils next to them are doing. “Better late than never,” he mutters.

The men then try to sell sausages to people in pubs. 90p a sausage, the guy in the pub is not having any of it. Dan just moves his arms about and swears in an attempt to be assertive. Meanwhile, in Apollo, friction is arising - one woman feels she’s being usurped; she’d talked a seller into buying some sausages, but feels that Joanna is hogging the glory by closing the deal. Joanna says that “As long as the deal’s done”, it doesn’t matter who does the selling, but this doesn’t stop the other team-member from moaning. It’s “a matter of professionalism” she complaigns.

The men, for some godforsaken reason, decide that when faced with a huge amount of stock that won’t sell, it’s time to take a stocktake. Even though that’s certainly not goning to make any money. Yet again, Dan continues to bark at his team and wave his right arm about, left hand in apron pocket, as if this proves what a good project manager he is. Dr Shibby Robati, a surgeon, talks about how fed up he is with his project manager’s brash confrontational ways. Soon, the day ends.

Apollo and Synergy enter the Board room. Sir Alan asks them how their names and project managers came about. “I put myself forward”, Joanna says smugly. Then, it’s the moment of truth. Synergy spent more, and made more money than Apollo, but Apollo spent so little that overall, they made £15 more profit than the boys. Nick gives some rare words of encouragement to the women who’d done the numbers, “Stella and Elizabeth are hot on the figures”. True enough; both women didn’t push themselves to the front of the camera, rather, they sat back and carried out their task with diligence and precision. Stella and Elizabeth are two to keep an eye on in a sea of despicable goons.

So, the women win, and are escorted back to their place of residence for the duration of the show – a Georgian townhouse slap bang in the middle of London’s west end. It is gorgeous, complete with a grand piano, a luxury sofa, a modern deco kitchen, sauna, and gym with treadmill. Downstairs, a chef is cooking sausages. Apollo can just about see the funny side, and tuck into (what looks like) some delicious finger food.

As for the men, they come home later, after the celebrations, as Sir Alan Sugar says he’s too tired for the recriminations to begin immediately. Stuart confidently declares “I’m going to take my suitcase in and I am not going to pack a thing. Because I’m not going home.” Once in the board room, the sniping begins immediately. It is revealed that Dan only sold £14 worth, though his defence – and it is a defence he uses many times in the boardroom – is that he was too busy “managing.” When questioned on being “Out of his depth”, he declares “I focussed on being a project manager”. But his teammates aren’t having any of it. One of them chirps that he was like “a bull in a china shop.” “So aggressive and so thuggish”.

Dan decides that he will bring Stuart and Alex into the board room. Once they’re in, Stuart and Dan begin arguing immediately. It is funny, after all that harping on, it turns out Stuart didn’t sell the most. More dissent in boardroom follows, with Dan claiming that he had his hands full Project Managing, and Stuart being sarky in a way that only a 21-year-old can (by the way, it is very hard to believe that he’s only one year older than me, such is his weather-beaten face, making disparaging comments.

In the end, Dan gets fired, which I think is by far and away one of the best firings Alan Sugar has made. He has time to take Stuart down a peg or two, telling him to only speak when he’s being spoken to, and thus ends the first episode of a long-awaited season of The Apprentice. Next week, they’re selling package holidays. BRING IT.


Quote of the episode: a toss-up between:
01. Everything I touch turns to sold
02. My first word wasn’t mummy, it was money
03. I’ve had a similar offer from a Nigerian

Sunday, September 19, 2010

But for a while I dropped that d-d-dirty style when I discovered that's it's sexy.




My favourite sexy GA song lyrics:
01. "you dream of touching me there” - Graffiti My Soul
02. "Quarter past two
I was dressed in red
Tied up to your bed
Begged you on my knees" - Watch Me Go
03. "Oh boy, I can't tell you how sad I feel / If tonight, is just another kink in your steel" - Something Kinda Ooh
04. All the names that you called out in bed seem to fade” - Call the Shots
05. "Oh baby baby hit the light / You gotta hit the spot" - Fix Me Up


Yup, I have indeed been somewhat obsessed with GA recently (not much else has been going on in my life apart from work and and work, though I did make time to watch the Arsenal game, to which I lol'd. Hard). ANYWAY. Yours please!

Saturday, July 03, 2010

Titter.

Now, I'm anything but a Twilight fan. This is pretty well-documented. However, reading the bbfc classification thingy for the latest film in the series, Eclipse, made me laugh, a lot: -

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For this scene of utmost hilarity, I simply must watch the film. And laugh my face off.

Wednesday, June 02, 2010

Words actually can't describe how much I adore this performance

Musically, it's not the best, but Bad Romance, Dance Wiv Me, Fight for This Love, Everybody in Love and I Dreamed a Dream are all songs that have five stars on my iTunes, and I love the personality of this lovely little group:



The Arrangement to win BGT!!

Monday, May 31, 2010

Brief Thoughts on the 8 acts in tonight's Britain's Got Talent.

I'm afraid I didn't jot down names so some of them are guestimates.

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ThreeBees - I enjoyed their delightfully bright costumes, and thought some of the female dancers had bodies to die for. The mashup of music was fun too. As for the dancing, I was left wanting. There are just too many other more talented dance acts in it this year for them to stand out, plus I always assess the level of talent with the could I? test - asking if I could see myself (having done due practice of course) giving that performance. Sadly for Treebees, I just about could.

Olivia Archbald - I get kinda bitchy towards kids who sing, but I enjoyed her audition, chiefly due to the fact that she sang a Sarah McLachlan song. The song she picked tonight, though - Kate Winslet's What If, didn't suit her tone of voice, nor the acoustics of the BGT hall.

Kevin Cruise - not a fan at all I'm afraid. Downright tacky.

Stevie Starr - on one hand, I could barely watch as this guy swallowed a lightbulb and coughed it back up, then proceeded to swallow Amanda's engagement ring, then swallow a locked lock, unlock it with his intestines and lock her ring into it. But on the other, holy cow. By all intents and purposes, this was something different. And, for the wow factor and the fact that he surely is one of a kind, I hope he goes through later.

Tobias Mead - good, I enjoyed what he did with the floating ball, but his audition impressed me more. Piers seemed to love it, which surprised me as he wasn't keen on him in the auditions when I actually found his act a lot more innovative.

Sean Shaheen- I'm a big wimp, so, as with Stevie Starr, I could barely watch. But, unlike with Stevie Starr, I was not interested at any point either in the wellbeing of the guy cutting wood and wearing a ridiculous  anglo-saxon outfit.

Josh Barry - ohgod, this was beyond lame. Bieber Mark II, from the swagger to the poor singing. The backing dancers held far more interest throughout, truth be told. Amanda was all over this boy so I really hope it doesn't come to the judges decision tonight because I just know she'll put him through when it's totally undeserved.

Spelbound - Astounding doesn't even begin to cover it. Each and every gymnast on stage got their every move in perfect time, and wow, there was so much excellence all over the stage!! You could tell a lot of time and practice had gone into this. They would make worthy winners of the whole tournament.

And that's that. More tomorrow. I miss football.
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Sunday, April 25, 2010

Last night’s Britain’s Got Talent.

Oh, how I love the BGT. The over-usage of Requiem for a Dream music. The crazy acts. Simon’s bitchy comments. As entertainment, it is second to none.

We start with auditions in Manchester, where the first act, a Christine from Leeds dubs herself a “triple threat” – she intends on dancing, singing and playing an instrument. However, we soon see that she is using all three of those terms in the loosest possible sense when the music to Michael Jackson’s Billie Jean comes on, and she a) moonwalks terribly, b) sings out of tune and out of time and c) merely shakes some castanets about. The fact that her ill-fitting sequined leggings and jacket make her resemble a Christmas bauble simply adds to the sheer incredulity of her performance. She’d said that she wanted to take over the world in five years, but on that performance, the only way she’ll achieve that is by blinding us all with her dodgy attire. The audience are unrelenting, shouting “Off! Off! Off!” and even Piers Morgan has it in him to make a joke, “I haven’t seen moon-walking that slow since Neil Armstrong.”

The dubious amalgamations of two performances in one continue with Sinead, who claims she can play the guitar whilst jumping on a pogo stick. As with the previous act, though, in trying to be groundbreaking and mixing two acts, she doesn’t get either one right. Then we get a 39-year-old man who says he’ll “body build” whilst singing, but his bodybuilding consists of lifting two puny little weights. Lame. Lastly, a woman named Tina tries to fuse fire and singing. In an embarrassing attempt to sex her act up, she removes her robe to remove nothing but her tatties underneath. Whilst is succeeds – Piers and Simon gives their yeses – I think it’s mortifying and that women should act their age.

The next act is both sickening (literally) and beguiling. A man has five coins laid out in front of him, and he swallows each one. After the first one’s been swallowed, we can actually hear the sound of the next coin hitting it, which proves to be an extremely disturbing sound. He then proceeds to chunder up four of the five coins, much to the shock of everyone. The icing on the cake, if you will, is when he swallows a billiard ball (yes, a billiard ball!), in order to get the final coin to come back up. It’s one of the most dangerous things I’ve ever seen and I still don’t know how he did it, but as I have no intentions of trying it myself, I’m happy not knowing. Such acts are extremely polarizing, but this one was just so crazy (plus, unlike the previous acts, he actually did it well), so the judges send him through. The Britain’s Got Talent sob story factor comes out when the dude explains how he came to swallowing coins – growing up in a children’s home, he did it to stop other kids from stealing his money. Whilst I’m usually quite wary of these types of stories, the idea of a child going to the extent of swallowing scabby coins just to save a bit of money does genuinely make me sad.

We leave Manchester and go to the London auditions. First up are Melissa & Laika. Melissa is the proud owner of Laika, who she claims is a guitar-playing dog. Only, it doesn’t quite end up like that. Melissa plays the guitar and sings. The dog, wearing a ridiculous hair band, just lounges on the stage. When asked why the dog isn’t playing, Melissa lamely tries to get the dog to strum the guitar. One crappy strum =/= playing the guitar.

The terrible attempts to try and get animals into acts continues. We get a pig that supposedly does tricks, but he runs off the stage as soon as the act begins. It’s pretty farcical, truth be told, especially how the pig so clearly scares Dec. Then there’s snail racing, which needless to say, is not the most titillating thing I’ve seen in my life. The acts have pictures stuck on them, and hilariously, the Ant and Dec snails seem to be mating. Next up is a girl, Louise Sinclair, and her horse. “Is it a boy or a girl?” Simon asks, before he checks for himself. Anyway, Louise’s act is to do gymnastics on her horse. Animal cruelty if you ask me. It’s boring and tepid and lacks any flavour, and naturally, she gets nos. Not the most talented bunch of animals by any stretch of the imagination.

Thankfully, the next act actually is a bit different. They are The Arrangement, a group of Sixth Form students. I’ll admit, when I first saw them, I didn’t think they were up to much. But they soon prove me wrong, with their classical renditions of Black Eyed Peas’ “I Gotta Feeling” then “Low” then Beyonce’s “If I Were a Boy”, which is not fashionable, but kinda works.

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The best bit is at the end when it goes to Lady Gaga’s “Poker Face” because it’s the only time the orchestra show a bit of a life. The centrepiece of the performance is definitely the lad with the microphone, who I think is incredibly brave, and, whilst not the best singer in the world, has enough public school swagger and energy to carry it off. All three of the judges give their yeses, much to the delight of the audience. I really really enjoyed it, and can’t wait to see what The Arrangement do for next time. If they pick four totally new songs and the orchestra come to life a bit more, I could really love it. However, if they use the same four songs, then I’ll be quite bored.

Someone who’s got Lady Gaga’s style down with the platinum wig and extravagant clothing rather excites things, because the audience think it might actually be Lady Gaga. It turns out to be a man. And their performance is atrocious – just crappy parading about the stage, and the part where he tries to sing the part in French from “Bad Romance” brought to me another song title “Can’t Speak French”. “If we’ve got Lady Gaga, why do we need you?” demands Simon. Not for the first time, Piers, Amanda and the audience love the act, and Simon hates it. I’m with Simon. I love Lady Gaga, and watching a weird guy bastardise her isn’t my idea of talent.

As is the way with the show, there are equal amounts of sweet and sour, and the gymnasts who perform next are definitely sweet. Their act has epic classical music, and it takes a while to get started, but when it does, it spellbinds. Cartwheels. Lifting people up. Balancing. All synchronised. It’s very impressive. The precision and control is second to none. There’s a bit where the girls all do a synchronised backwards flip and no-one puts a foot out of place. Spinning, throwing, body turns. The linking between different sections in the act is fluid too. Best part – when a girl is used as a skipping rope and a lad jumps over her. SO good, you wouldn’t believe kids did that. I think I'm more impressed by acts if I've attempted the things they do so I know how hard it is, and, I was always terrible at gym, so to see them succeed so much spellbinds me. It gets 3 well-deserved yeses. To sum up Ant & Dec, “wow.”

To end on a high, we go back to Manchester auditions, wherein there is a Mr Christopher Stone, an accountant. In his introduction, WALL-E music is played. I recognise it, yeah? Anyway, he sings, and he has a beautiful baritone voice. What he also has, and is picked up by Simon, is a lack of conviction. “You’ve got to have a slight swagger” Simon notes, which makes me happy obviously, as swagger is one of my favourite words. Nonetheless, he gets three deserved yeses, and that is BGT for another week.

Monday, April 05, 2010

I can hear the sound of violins long before it begins.

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Downloads available for the three Princess and the Frog tracks.

01. Sorry Seems to Be the Hardest Word (Blue ft. Elton John)
All throughout March, I was on a bit of a Blue kick, and downloaded all of their albums to relive my early teen years, wherein I would frequently dance around the living room to their songs. Whilst Sorry Seems to Be the Hardest Word probably isn’t my all-time favourite of their’s (that’s probably You Make Me Wanna), I love how amazing Blue sound with Elton John, as well as the truth behind the lyrics.

02. Ma Belle Evangeline (The Princess and the Frog soundtrack) download
This song is completely and utterly adorable, and, for me, sums up the cuteness of The Princess and the Frog, plus the theme of the song is used later, in a minor key. It’s just lovely.

03. Fly By (Blue)
Haha, more Blue. The music video for this song makes me chuckle quite a lot, because of the way the men think they have swagger.

04. Stephen (Ke$ha)
Right, I don’t actually like Ke$ha one bit. I think she looks like she has lice, and she really can’t sing. That said, I do think Stephen is an extremely likeable song, and a decent counterpart to Taylor Swift’s Hey Stephen.

05. Du bout des lèvres (Mélanie Laurent)
In addition to being beautiful, a stunning actress and one of the coolest women in Hollywood, Laurent continues to stun me by singing too! I don’t know any French so if anyone fancies translating the lyrics for me, that’d be greatly appreciated, but even if the meaning’s completely lost in translation, it still sounds pretty.

06. The Swan (Camille Saint-Saëns)
Standard. Saint-Saëns seems to be me classical composer du jour recently, as I’ve also been listening to Danse Macabre a lot since last night’s episode of Jonathan Creek. But The Swan is absolutely gorgeous.

07. Down in New Orleans (The Princess and the Frog soundtrack) download
Yeah, I like The Princess and the Frog soundtrack.

08. Chelsea Hotel (Leonard Cohen)
So many lines in this song actually make my heart pang from the level of beauty. “Giving me head on the unmade bed” and “You told me again that you preferred handsome men / but for me you would make an exception” come to mind. Regina Spektor captured the beauty of the song in her own cover. Both rock.

Speaking of Chelsea (ha, see what I did there?SEE?!), I did the BBC online predictors for the remaining fixtures, and... it doesn't look good for my team D:
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Admittedly, I am being super-pessimistic, but I can just see us fudging up against Liverpool and Spurs. Hence the Surrey Reds getting another title. Wah.
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09. Something Kinda Oooh (Girls Aloud)
Just a fun, sexy, amusing song. Stupidly catchy, and Cheryl, Kimberley and Nadine are all awesomesauce.

10. Almost There (The Princess and the Frog soundtrack) download
*sings along*

--

Finally, if you fancy learning Chinese, nothing's better than this cribsheet:
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:P

Tuesday, March 23, 2010

*giggles*

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Elsewhere, to give my life some purpose (lol), I'm re-watching Lost, right from the start, up to season 2 where I quit, and further, all in the hope of catching up to season six by the finale on May 23rd. Expect lots of Lost-related rambles now. Sorry 'bout that.

Sunday, March 07, 2010

It could have been you and me before you broke my heart, and now I'm standing here.

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I only watched three films this week, which is a bit poor, but in my defence, I did have tonnes of work as well as an increase in my TV-watching (Damages, Cambridge Spies, The Simpsons, The Wire, Desperate Housewives and Gavin & Stacey). Phew!

Up in the Air (Jason Reitman, 2009)
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I wasn’t keen on this film from all the clips I’d seen (and the petty fact that I don’t like George Clooney), but it was a genuine surprise. Clooney, whilst playing a smug character, wasn’t actually as unbearably smug as he has been in the past, and was actually semi-likeable as he began to acquire an epiphany toward the end. Vera Farmiga was underused for the most part, but Anna Kendrick was utterly lovely and hilarious. The script was sharp enough, and I love the cameo from the guy that played Juno’s dad. On the whole, I would say I enjoyed the movie less than Juno, but it was much better-rounded as a piece of filmmaking.

Saving Face (Alice Wu, 2004)
I loved this film! It tells the story of Hwei-lang Gao, a 48-year-old Chinese woman living in America who, on getting pregnant, is sent into exile by her ultra-conservative father. She goes to live with her lesbian daughter Wilhelmina, who, from her sexuality, has enough problems of her own. What I loved so much about this film was that it expertly judged the dynamics of the Chinese community in a western society, both embracing its good points, and criticising its shortcomings. The main character, smart surgeon Wilhelmina who’s still struggling to come to terms with her sexuality, was likeable and I genuinely cared for her plight. A bit schmaltzy at the end, but nothing wrong with a bit of feel good. I felt proud to be Chinese after this movie.

Afterschool (Antonio Campos, 2008)
Um. This film was not good. A lad in a restrictive, internet-obsessed boarding school films the death of two cokeheads in his school and shows everyone the video, and afterwards, life just spirals out of control. An extremely pretentious movie, with a lot of long pausing, and one of the most awkward virginity-losing scenes in cinema. Not recommended at all.
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