9 things I learned from the BBFC 2025 annual report

Long-time readers of this blog will know I have an "inside baseball" obsession with film classification. I’m fascinated by film classification, especially BBFC ratings, why films are rated what they are, and decisions that were the source of contention. For me, the release of the BBFC’s annual report is like Christmas; the ultimate chance to indulge my inner film nerd.

Back when I was doing my PhD, and then when I had started my job in Finance, I went on a generational run of reading and summarizing my key takeaways from the Annual Reports from 2016 to 2019. But then my job got very busy, and my actuarial exams got more difficult, forcing my niche hobby onto the back burner, leaving the 2020 through 2024 reports unchronicled.

Being on maternity leave, I can now right some of those wrongs, and thus, for the first time in six years, have the time to pore over the 2025 Annual Report, and tell you what I found interesting! Below are nine things that I learned from reading the 2025 annual report.

1. Complaints for non-standard reasons I

The section of the Annual Report that attracts most attention from BBFC nerds, is the complaints section, because this reveals the temperature of the British public, not just in regards to their pressure points in terms of film content, but broader societal issues as well.

Oscar predictions, 2026.

Back to film awards prognosticating, the very reason I started this blog! Whilst I haven't dedicated a full blog post to predicting the Oscars since 2019, I've still religiously recorded my predictions for the Oscars and various precursors, so I can track my accuracy. In the case of this year's BAFTAs, I did pretty atrociously, and I'm looking to redeem myself with my predictions today!

The irony that Zootropolis 2 is one of the reasons why I lost the prediction game!

Best Picture: One Battle After Another

SAG predictions, 2026.

Best ensemble: Sinners 

Product reviews: Fenty Beauty Crush on Cupid blush and Girl Next Door x Chic Phreak highlighter

Fenty Beauty, the make-up brand from Rihanna, was launched in September 2017. It has been praised for its inclusivity, especially in offering products for skin tones where previously there had been scant choice.

Fenty Beauty also broke down gender norms, with its products being accessible to men as well as women. One of its most high-profile advocates was Daniel Kaluuya, who wore shades 480 and 490 of the foundation when attending the 2018 Oscars, where he was nominated for Best Actor, with several media outlets commenting on how glowy his skin looked.

As I’ve discussed before on my blog, I have tended to be quite rigid in the make-up products that I use, with MAC constituting about 80% of my make-up collection.

But, following the positive word of mouth for Fenty Beauty (if it’s good enough for Danny Kaluuya, it has to be good enough for me!), along with the fact that I adore Rihanna’s music, I decided to see for myself, and treated myself to two products from the line: the blush and highlighter.

Oscar predictions, 2021

Due to work and exams, I've not seen as many of the 2021 in contention films as I'd like to (this has pretty much been the party line since I started my job in 2018, aha). But I have been keeping my eye on the bloggers and prognosticators, seeing who won the pre-cursors, as well as watching the BAFTAs.

Thus, I feel well-equipped to at least make a valiant stab at who I think will win! 

Best picture: Nomadland 

Best director: Chloé Zhao, Nomadland 

Chloé Zhao and Nomadland have taken the top two prizes at almost every precursor award, so I think these two wins are currently locked. 

My 10 favourite films of 2018 [2-1]

I've been dragging my feet something awful; it's been six months since the last instalment of my favourite films of 2018 rundown! But, as I will be wanting to do the 'favourite films of 2019' blog at some point, it seems only logical to clear the backlog now!

Should you be curious, part 1 of the blog was here.

02. Stan and Ollie

Jon S. Baird's biographical drama follows Laurel and Hardy, in the twilight of their careers, as they tour the UK, doing live-action recreations of their greatest hits. The gig is a bit beneath the two erstwhile Hollywood stars, but the enterprising Stan Laurel is trying to use it as a springboard for them to make a Robin Hood film. 

Second-guessing which films got the BBFC the most complaints in 2019

This blog is rated 15 for strong sex references and descriptions of violence.

After years of releasing their annual reports every July, 2018's BBFC annual report was instead released in late May. As I really love testing my BBFC senses on a yearly basis, to see how good I am at reading the general public's perception of what BBFC ratings for films ought to be, I thought I'd guess which films got them the most complaints in 2019!

Note, when I refer to a '2019 release', this actually means any film that came out in cinemas in the UK in 2019. So The Favourite, although a 2018 film by American release dates (and eligible for the 2019 Oscars and BAFTAs for that precise reason), didn't hit UK cinemas until January 2019, and is thus a 'UK 2019 release'. 

My guesses:

01. Joker

Restaurant review: KIMCHEE (Holborn)

I was so delighted that Parasite rightly won Best Film and Director at the Oscars this year (as you can probably tell by me proudly wearing their merch!), that I had an informal victory lap in its honour. This involved having several drinks celebrating its win, but the most specific bit of celebrating I did was dining at a Korean restaurant, Kimchee.

Sadly, Kimchee did not serve the ram-don that was made so iconic by the thrilling scene in the movie, but it did serve bimbimbap, kimchee, pajeon, and various other staples of Korean dining, so I was excited to visit it, hoping that it would join On the Bab, BimBimBap and Gogi Korean Bar and Grill in the pantheon of fabulous Korean restaurants I’ve visited in London.

But this wasn’t to be. The food at Kimchee was awfully overpriced for what it was:

Those portions of kimchi are tiny, yet it cost £5!

2020 Oscar Predictions

As I've been banging on for weeks on this blog, Parasite should win. But the Oscars are very rarely about "deserve". When Moonlight rightly triumphed over Blah Blah Bland  three years ago, that was such a surprise, because it's unusual for the Oscars to actually reward the best film of the year!

Going by that train of thought, I don't expect the Academy to pleasantly surprise me tonight, and thus, they'll give the big two awards to the cut-rate Dunkirk, instead of the genuine originality and acuity of Parasite.

Best Picture - 1917
Best Director - Sam Mendes, 1917
Best Actor - Joaquin Phoenix, Joker
Best Actress - Renee Zellweger, Judy
Best Supporting Actor - Brad Pitt, Once Upon a Time in Hollywood
Best Supporting Actress - Laura Dern, Marriage Story
Best Adapted Screenplay - Jojo Rabbit
Best Original Screenplay - Parasite

Even though I pessimistically predicted Once Upon a Time... in Hollywood to triumph in this category at the BAFTAs last Sunday, I screamed with delight when I was proved wrong, and Flo Pugh announced Parasite as the winner!

Not just because Parasite is the infinitely superior written film, but because it meant the momentum was with Parasite to go on and win Best Original Screenplay at the Oscars. And thus, I am predicting it to rightfully be crowned here tonight!

Academy, don't let me down and give it to OUATIH! Quentin Tarantino does not deserve a third Oscar! He barely deserves one.

Best Animated Feature - Klaus
Best Animated Short - Hair Love
Best Documentary Feature - American Factory
Best Documentary Short - Learning to Skateboard in a Warzone (If You're a Girl)
Best International Film - Parasite
Best Live Action Short - Nefta Football Club
Best Cinematography - 1917
Best Costume Design - Little Women
Best Film Editing - Parasite

The bookies have the same odds for Parasite to take Editing as they do Ford vs Ferrari, and most Oscar-prognosticators are split evenly for who they're predicting for this category. Parasite has fewer cuts, 960 compared to the average in a film of 1,250, and Ford vs Ferrari's car-racing scenes were certainly cut with flair.

The Academy have historically rewarded the editing for frenetic films that rely on more editing (e.g. Whiplash, Mad Max: Fury Road and last year's egregious win for Bohemian Rhapsody), which would favour Ford vs Ferrari.

But I am stubbornly predicting hopefully here, almost in the hope of willing a win for Parasite. Much of the enjoyment of Parasite came from the economy of  each scene; there wasn't a superfluous shot in the film. Every shot served a purpose, even if you didn't realise its purpose until later. The editing in Parasite may be less flashy than in Ford vs Ferrari, but it aids the story (and Bong's vision) perfectly. So I hope the Academy repay my faith and reward the editor here.

It would send a great message that the Academy reward crafts on the quality of them, rather than the quantity.

Best Makeup and Hair Styling - Bombshell
Best Production Design - Once Upon A Time in Hollywood

Parasite deserves to win in this category (it deserves to win all six of its categories!), but sadly, I think the Academy will go for the more in-your-face sets of Once Upon a Time in Hollywood. La La Land won this category three years ago, and the art decor in this film was reminiscent of LLL.

But in terms of astute use of the production design to assist telling your story, Parasite deserves this, hands down.

Best Visual Effects - 1917
Best Original Score - Joker
Best Original Song - "(I'm Gonna) Love Me Again," Rocketman
Best Sound Mixing - 1917
Best Sound Editing - 1917

So sadly, I'm predicting six awards for Call of Duty: WW1. I want Parasite to win all six awards it's nominated for, and to make myself feel better about the fact that it's probably not happening, I partook in some emotional hedging in the form of a monetary bet:

If 1917 is going to steal Parasite's awards, I may as well make £7.38 out of it! (I haven't gambled for nearly four years, and I lost £10 that time. I would gladly take the money hit this year, if it meant Bong's masterpiece was justly rewarded!)

Happiness is the same price as red bottoms.

In a happy sequel to me getting my Gal Gadot piercing, I passed the exam I sat in my September sitting. As I've developed a tendency to treat myself for exam passes (and the substantial toil I put myself through to pass them), I also got myself something for being successful this time. 

Except, whereas a cartilage piercing only costs £30, I levelled up substantially this time, with £495 Louboutins:

Those red soles ❤️

For my next exam pass, I won't be splurging on something quite as extravagant (I'll probably get another ear piercing!), but I just had to get these heels this time. 

I've heard Louboutins, or 'red bottoms', name-dropped in many of my favourite hip-hop or pop songs (whether it be from Iggy Azalea, Cardi B, J-Lo, Ariana Grande or Lizzo), so there's always been a cachet around them. 

My two personal favourite references to Loubies in music is Ariana Grande trilling 'happiness is the same price as red bottoms' in 7 Things, and Jennifer Lopez (who I will be rooting for to win Best Supporting Actress next year for her fierce performance in Hustlers)'s song Louboutins.

And now I finally have a pair of red bottoms to call my own. ❤️

Oscar predictions, 2019

I did rather well last year, guessing every category bar the short film ones correctly. Let's see if I can match that form this year!

Best Picture: Green Book 

The Consistency Act

This blog is rated 15 for infrequent strong sex references.

The new Fionn Whitehead film, The Children Act, is one of those curious cases where the film is rated 12A in Britain and Ireland, yet got an R in America.

Film review: DUNKIRK (Christopher Nolan, 2017)

I tried to write a review of Dunkirk without using the vernacular 'twink', or slagging off Cokehead Delevingne. Did I succeed? Read on to find out...

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The evacuation of 400,000 British men from Northern France during World War II is depicted from three viewpoints: that of the Allied soldiers on the beach, the civilians who bought them back to Britain in their personal boats, and the pilots caught trying to protect the soldiers from German attack overhead. Three time scales are employed in the film; we follow the soldiers for a week, the civilians for one day and the pilots for an hour, as their arcs converge to one pivotal moment.

My Favourite Films of 2017 [5 to 1]

Part one here!

05. The Florida Project

The less affluent underbelly of Disneyland Florida’s sunny surroundings is depicted with affection and humanity by Sean Baker, who follows 6-year-old Moonee through her adventures at the bright lilac motel where she lives with her mother.

Best and Worst Dressed of the Oscars, 2018.

Obviously, fashion and looks are subjective, so this is by no means the gospel. And I'm not even gonna pretend that bias and love for certain performers (and disdain for others) did not creep until my rankings. I'm prone to playing favourites and being hella petty to those I dislike a la Miles Teller when he tweeted 'congratulations to Moonlight!'

The Dunkirk twinks Harry Styles and Fionn Whitehead weren't invited to the Oscars, but had they been, I'm sure they would have made the Best Dressed Males List.

So, without further ado...

Best dressed women

07. Beanie Feldstein

Jonah Hill's younger sister's dress reminds me, funnily enough, of Jonah's Superbad co-star Emma Stone's gorgeous City of Stars dress that she wore to the 2017 Golden Globes. Only a darker, more gothic version. Black is a slimming colour, and the winged eye make-up, wavy hair and dangly earrings complete the outfit nicely.

Oscars Not Bad

The acting class of 2018 including two sparring partners Outside Ebbing, Missouri. The most predictable batch of winners in recent years, but hey, no Casey Affleck or Emma Stone in sight, so not as objectionable as last year!

Hot dang! I should have put a bet down yesterday, because, bar the short film categories, I got every feature length film category bang on! Ohai, sick predictions! This is by far the best showing I’ve had since creating this blog at the age of 15, and, I have to say, it feels pretty satisfying!

Oscar predictions, 2018

Sick Oscar graphic credit: Vulture. Guess the films represented!

10 Most Attractive Women in a 2011 Film.

Happy Hump Day, readers! Here be my choices for the ten best looking women in a 2011 film (under from the female gaze of Emma), constrained, obviously, by the 2011 releases I've happened to watch. 2012's prettiest women, for comparison.

10. Anne Hathaway, One Day

A Look Ahead to Best Original Screenplay

I watched Lady Bird yesterday, so I can analyse another Oscar category, woohoo! Read my analysis of Best Original Score here. Due to time constraints, this is probably the final category I’m gonna analyse before the ceremony, but, at least I discussed two fields this year, an improvement from last year by one.

BAFTAs so beige.

So, the BAFTAs were on Sunday, and such were the uninspired, bland, going with the crowd wins, that I really didn't feel motivated to do a debrief post, because it would consist almost entirely of me whining (and, as Jennifer Lawrence's essay on how underpaid she was for American Hustle demonstrates, complaining is never a good look).

But, some time has elapsed (to quote Frozen, 'it's funny how some distance, makes everything seem small'), thus, I will share my thoughts on the ceremony and what it means for the Oscar race (spoiler alert: nothing. We've become predictors rather than influencers).

I was ecstatic for Brit Daniel Kaluuya, who won the Rising Star Award. This prize is voted for by the British public and essentially weathervane of who the audience likes best. Given that cinemagoers are the people who make film stars who they are, it's not a bad prize to win.