Hi readers! I know, it’s been an embarrassingly long time
since I last blogged. I was hoping that I’d have more time to spare, following
qualification, to work on my blog. But in reality, being a qualified actuary just meant an increase in responsibility at work, so the time that I'd previously spent studying for FIA exams, was instead swallowed up with longer working hours, meaning that my poor blog got neglected.
I'm currently on maternity leave, and for the first time in forever, I've found a tiny sliver of time to myself. In between feeding and changing my newborn bubba (who is all kinds of adorable!), I now have a bit of spare time to turn back to my favourite creative outlet: writing.
To kick off my foray back into blogging, I bring you, my 100 favourite songs list! Whether it contains some genius wordplay or sensational vocal performance, was employed to iconic effect in a film or TV scene, it being one that I love singing at karaoke, or it hitting some emotional beats that really speak to me, each of these songs carries a special place in my heart.
1. Homecoming (Kanye West ft. Chris Martin)
2. Son of a Preacher Man (Dusty Springfield)
3. Alison (Elvis Costello)
4. Truth Hurts (Lizzo)
5. Off to the Races (Lana del Rey)
6. That’s Life (Frank Sinatra)
7. Sinnerman (Nina Simone)
8. Rocky Raccoon (The Beatles)
9. Hallelujah (Rufus Wainwright)
10. Sexy! No No No… (Girls Aloud)
11. Talk Show Host (Radiohead)
12. Clam, Crab, Cockle, Cowrie (Joanna Newsom)
13. What Makes You Beautiful (One Direction)
14. Fancy (Iggy Azalea ft. Charli XCX)
15. November Has Come (Gorillaz)
16. Samson (Regina Spektor)
17. Romeo and Juliet (Dire Straits)
18. Stuck in the Middle with You (Stealers Wheel)
19. Run this Town (Rihanna, Jay-Z and Kanye West)
20. Power (Kanye West)
21. Untouchable (Girls Aloud)
22. Paper Planes (M.I.A.)
23. Make Me Feel (Janelle Monáe)
24. All These Things that I've Done (The Killers)
25. Control (Janet Jackson)
26. Wild Boys (Duran Duran)
27. Love the Way You Lie Part II (Rihanna ft. Eminem)
28. I Knew You Were Trouble (Taylor Swift)
29. Head over Heels (Tears for Fears)
30. Boys Don't Cry (The Cure)
31. Na Na Na Na Hey Hey Goodbye (Steam)
32. Problem (Ariana Grande ft. Iggy Azalea)
33. Good Old Fashioned Lover Boy (Queen)
34. New Rules (Dua Lipa)
35. Million Dollar Man (Lana del Rey)
36. We Are Never Getting Back Together (Taylor Swift)
37. Glory Box (Portishead)
38. Empire State of Mind: Broken Down (Alicia Keys)
39. How Do You Like Me Now? (The Heavy)
40. Tiny Dancer (Elton John)
41. Baba O'Riley (The Who)
42. The Loving Kind (Girls Aloud)
43. Thank U, Next (Ariana Grande)
44. California Dreamin' (The Mamas and the Papas)
45. Cat People (Putting Out Fire) (David Bowie)
46. Chelsea Dagger (The Fratellis)
47. My Father's Gun (Elton John)
48. You’re Such A (Hailee Steinfeld)
49. Magnets (Disclosure ft Lorde)
50. What I Go to School for (Busted)
51. Bang Bang (Jessie J ft. Ariana Grande & Nicki Minaj)
52. When She Loved Me (Sarah McLachlan)
53. Royals (Lorde)
54. Cell Block Tango (Chicago OST)
55. 2am (The Saturdays)
56. Rewrite the Stars (The Greatest Showman OST)
57. Hey Jude (The Beatles)
58. Can’t Hold Us Down (Christina Aguilera ft Lil’ Kim)
59. Brandy Alexander (Feist)
60. Let it Go (Idina Menzel)
61. Girls Like You (Maroon 5 ft. Cardi B)
62. Defying Gravity (Idina Menzel)
63. Sueños (Diego Torres)
64. Love Affair (Regina Spektor)
65. Video Games (Lana del Rey)
66. I Don't Want to Go to Chelsea (Elvis Costello)
67. Juice (Lizzo)
68. Under Pressure (Queen ft. David Bowie)
69. Adia (Sarah McLachlan)
70. Brown Eyes (Lady Gaga)
71. See You Again (Wiz Khalifa ft. Charlie Puth)
72. It Wouldn’t Have Made Any Difference (Todd Rundgren)
73. Everybody Wants to Rule the World (Tears for Fears)
74. Good As Hell (Lizzo)
75. Underneath Your Clothes (Shakira)
76. Blank Space (Taylor Swift)
77. Lovely Head (Goldfrapp)
78. Bad Girls (M.I.A.)
79. Shape of You (Ed Sheeran)
80. I Wish I Knew How it Feels to Be Free (Nina Simone)
81. Shout (Tears for Fears)
82. Gaston (Beauty and the Beast OST)
83. She (Elvis Costello)
84. Fighter (Christina Aguilera)
85. Vincent (Don McLean)
86. Lullaby (The Cure)
87. Born to Die (Lana del Rey)
88. The Other Side (The Greatest Showman OST)
89. Ay Vamos (J. Balvin)
90. Kill 'em with Kindness (Selena Gomez)
91. Pennies in my Pocket (Emilio Estefan)
92. Airplanes part 2 (B.o.B, Hayley Williams & Eminem)
93. All That Jazz (Chicago OST)
94. Skyfall (Adele)
95. Hey Mama (Kanye West)
96. O Saya (A.R. Rahman ft. M.I.A)
97. Work (Kelly Rowland)
98. Notorious (Duran Duran)
99. This is What Makes Us Girls (Lana del Rey)
100. We Are the Champions (Queen)
Ever since I heard 'No More (Baby I'ma Do Right)' from 3LW when I was ten, I've wanted my own Kate Spade handbag, because it gets name-dropped in the song (I'm very easily influenced when it comes to rap songs mentioning brands, ha). Now, some 18 years on, I've finally been able to treat myself to that very thing. Baby I'ma do right!
Best Motion Picture, Drama: A Star Is Born The fact that A Star is Born and Bohemian Rhapsody requested that they compete in the more competitive category (Drama has historically been harder to win than Musical or Comedy) shows the scope of their ambition.
In the pantheon of category fraud, it’s usually been the other way round, for example last year, Get Out’s producers fraudulently campaigned for it as a ‘Comedy’ because they thought it would maximise their chances of a prize.
So the fact that ASIB and BR volunteered for the harder category demonstrates the belief the producers of the films have in their end products. In A Star is Born’s case, I reckon it will pay off.
Potential spoiler: BlacKkKlansman, very much a film for the moment.
As mentioned in part 1 of this blog, Playtest, the median episode, scored a solid 8 out of ten. Thus, the nine episodes I am running through today are all 8.5s or more, a testament to the general strength of Charlie Brooker’s dark, twisted, but constantly thought-provoking series.
09. USS Callister
Black Mirror does Star Trek in this epic take on fanboys, nostalgia, and when you weaponise your interests for less than salubrious purposes.
This blog contains spoilers for season 2 of 13 Reasons Why.
Since its release last March, 13 Reasons Why, the Netflix adaptation of Jay Asher’s novel, chronicling why High School student Hannah Baker took her own life, was met with controversy. Many people felt the show glamorised suicide, not least in the way Hannah made 13 cassette recordings with a reason and person named on each tape, to be listened to by the people who contributed to her decision to commit suicide. In season 1, the characters named on the tape, unsurprisingly, were wracked with guilt and recriminations over who was ‘most’ culpable, flew between the accused.
I love singing. Whether it be
Disney songs, RnB, Broadway showtunes, power ballads, I’m happiest when I’m
warbling along to music (and often getting the lyrics wrong in the process).
Piano Works allows you to do this to live piano music, along with a percussive and jazz band, and a lead singer, whilst dancing in a night-club-style venue. That was
my Friday night sorted, then.
The band played their instruments
really well, with flamboyance from the electric guitars when the occasion
called for it, and more nuanced accompanying for other songs. The band shrewdly
rotated singers depending on the flavour of the song. Sometimes, as was the
case with Kanye West’s Goldigger, more than one person sang at a time. They had
a fantastic female singer who belted out How Far I’ll Go from Moana. Given I
have recently just watched Moana and the song is fresh in my mind, that in
itself made that Friday one of the best nights out I’ve had in a long time.
The song choices at Piano Works
were on point. They played Uptown Funk, Piano Man, American Boy, Grace Kelly…
basically, crowd pleasers. And the crowd was very pleased. Here’s a clip of
their performance of What Makes You Beautiful. The One Direction song is only my fourth favourite of all-time, so I had a whale of a time dancing to it!
I’ve restricted the options to just songs
from Disney musicals, as opposed to songs that appeared in Disney non-musicals,
such as ‘When She Loved Me’ from Toy Story 2, otherwise it would have
made a hard task even harder (I love ‘Le Festin’ from Ratatouille)!
07. Hellfire
– The Hunchback of Notre Dame (1996)
A left-field shout, given the crux of
this song is about the sexual frustration a pious priest feels towards the
beguiling gypsy Esmeralda. But I had to nominate Hellfire because it’s memorable, taboo, and tonally, so recherché (what other Disney film
features the line ‘he made the Devil so
much stronger than the man’?)
Essentially, the message of Hellfire is ‘if I can’t have her,
no-one can’. It’s every possessive ex-boyfriend, immortalised in a Disney song,
and fits in neatly with the plot, as dastard Claude Frollo’s unsatisfied urges
are his motivation for a Domino effect that leads to Paris burning. The
religious imagery employed in Hellfire
only go to compound Frollo’s sense of sinful lust for a woman he both despises,
yet will do anything to possess.
I like songs which shine a torch onto
the hypocrisy of religion, and Hellfire
offers an insight to this holier-than-thou priest’s mindset. Turns out, his thoughts
aren’t so holy, and the choir-like vocals accompanying Frollo’s disturbing
soliloquy underscores this irony nicely.
(On a slight film
ratings tangent, the likes of fluffy Frozen and Tangled getting rated PG
when The
Hunchback of Notre Dame, by far one of their darkest films, was only a
U, is mighty misleading. It ought to be at least a 12 for the creepy overtones
in this song alone).
Given that romance is my favourite genre, it goes without saying that I've seen my fair share of love scenes in movies. There’s
an unofficial hierarchy when it comes to how strict the BBFC, IFCO and MPAA are
when it comes to lovemaking at 12A/PG-13, and it goes (from least strict
to strictest): BBFC < IFCO < MPAA.
For
example, the sex scenes in The Light between Oceans, Brooklyn and My Cousin
Rachel received the 12A equivalent in all three films boards. About 80% of
PG-13-rated sex scenes do fall in that Venn diagram intersection of BBFC, IFCO
and MPAA rating sameness.
Saoirse Ronan shines in Brooklyn. She's also in the music video of Ed Sheeran's 'Galway Girl' a song I currently have stuck in my head!
A good musical has to have more than just one big marquee song. Frozen has several great ones, so I thought I’d do a top 5 of the ones that I liked the most. After all, it's a musical who's soundtrack I'm fairly well acquainted with, shall we say!
Four months on from seeing Beauty and the Beast at the cinema, I'm still absolutely obsessed with the 'Gaston' song. Even the most tenuous thing, such as the club photographed above, gets me breaking out in song. It might just be my second-ever favourite Disney song (second only to 'Let it Go', obviously).
Oh, and say hello to what will almost certainly be one of the worst films of 2017:
About two or three times a year, I deviate from my questionable practice of dining at mediocre restaurants using Groupon deals (and then absolutely destroying the dumps on my blog, and give patronage to restaurants which don't need deals in order to get custom. Although such an act (of paying full price for a meal) doesn't strike most as out of the ordinary, when I do, I always feel like Charli XCX, in that 'I'm so fancy', and it means I've gotten to eat at some pretty awesome places.
I had the Thanksgiving dish, which, given the time of year, I felt was apropos:
Yes, I am a little bit obsessed. Some of these are for the poetic value of the lyrics, or the way the boys sing them (such as the way Zayn belts out #8).
01. “Shot me outta the Sky, you’re my Kryptonite” – One Thing (Harry)
02. “The way that you flip your hair gets me overwhelmed” – What Makes You Beautiful (all)
03. “It hurts me to think that you never cried” – Stand Up (Niall)
04. “I lie awake just to convince myself this wasn’t just a dream” – I Should’ve Kissed You (Liam)
05. "I'm blinded 'cause you are everything I see" – More than This (Liam)
06. “I hear the beat of my heart getting louder whenever I’m near you” – I Wish (Harry)
07. “And if we get together, yeah get together, don’t let the pictures leave your phone” – Live While We’re Young (Zayn)
08. “And giiiiiiiiiiiiiiiirl, you and I, we’re ’bout to make some memories tonight” - Live While We’re Young (Zayn)
09. “So come one, you got it wrong, to prove I’m right I put it in a sooooooooong” – What Makes You Beautiful (Zayn)
10. “I would walk through the desert, I would walk down the aisle, I would swim all the oceans, just to see you smile” – Stand Up (Liam)
11. "I used to think that I was better alone / why did I ever wanna let you go?" - Rock Me (Louis)
12. “Get out, get out, get outta my head, and fall into my arms instead” – One Thing (all)
13. “It feels like I’m constantly playing a game that I’m destined to lose” – I Would (Louis)
14. “I’ve tried playing it cool, but when I’m looking at you, I can’t ever be brave, cos you make my heart race” – One Thing (Liam)
15. “Now I’m climbing the walls, but you don’t even notice at all, that I’m going outta my mind, all day and all night” – One Thing (Niall)
16. “When he lays you down I might just die inside” – More than This (Harry)
17. “I see you every time I close my eyes, what am I gonna do” – I Should’ve Kissed You (Liam)
18. “Then I see you on the street, in his arms I get weak” – More than This (Louis)
19. “It took a minute, girl, to steal my heart tonight” – Stole My Heart (Harry)
20. “There is no place I’d rather be than right here with you tonight” - Stole My Heart (Zayn)
It’s always a novelty to hear Harry Shum, Jr sing, and he sings surprisingly well. Jenna Ushkowitz, who is often sidelined by other louder members of the Glee cast, has a terrific quality to her voice and their two voices complement each other perfectly, buoyed by some snappy Fred-and-Gingeresque dance moves as well as hilarious cut-aways to Rory and Artie competing for Sugar’s affections by trying to best each other at giving her tacky Valentines’ presents.
I particularly liked it when Tina whipped up a paper heart magically and incorporated it into the dance. A-
Hiya, I thought it’s high time I got my finger out and actually did some proper film blogging, haha. And what better way than to analyse each of the Oscar nominated categories? So, whilst I brush up on watching the remaining 2010 Oscar nominated movies that I need to watch, I thought I’d analyse the one category wherein I don’t need to watch the movies to analyse the category: best song. Of course, the whole aim of a song is that it’s supposed to epitomize the film, and in that case, having seen the film might improve my appreciation of the song, so in that case, 127 Hours and Toy Story 3 might be at a (dis)advantage. But I’mma try to analyse these songs from a purely aural point of view, ignoring context.
Oh yeah, and if you're wondering what the frick this is, it's basically me pretentiously rambling on about the things I love, the things I hate and everything in between in all the Oscar nominated categories (or just the ones I can be arsed with). Past examples: costume 2007 / score 2006 / supporting actress 2007 etc etc
The nominees are: 127 Hours: A.R. Rahman, Rollo Armstrong, Dido- "If I Rise" Country Strong: Tom Douglas, Hillary Lindsey, Troy Verges - "Coming Home" Tangled: Alan Menken, Glenn Slater- "I See the Light" Toy Story 3: Randy Newman - "We Belong Together"
My rankings and grades:
01. Coming Home/Country Strong
A country music ballad as good as they used to make ‘em, Gwyneth Paltrow’s surprisingly mellifluous voice (check her out in her performance in Glee, covering “Forget You”, he sass and swagger gave me a newfound appreciation of the song and cemented its place as my favourite song of 2010) sings about finding love and one’s place in the world. Standard topics, then, but her belting out “H-oooome” in the chorus is so powerful that it almost evokes the nostalgia-type emotions that I get in listening to my personal favourite song about homecomings, Kanye West’s Homecoming. A.
02. We Belong Together / Toy Story 3
“When we're together/Gray skies are clearer./And I'll share them, till where I'm less depressed./And it's sincerely, from the bottom of my heart/I just can't take it when we're apart” go the sweet but very Disneyfied lyrics of Randy Newman’s Oscar nominated Toy Story 3 entry. Whilst not quite touching the heart quite as much as “You’ve Got a Friend in Me” did, it’s still an adorable song which can bung a smile or two on my face with its unapologetically uplifting lyrics. B+
03. I See the Light/Tangled
A very pretty song, but emotionally, it doesn’t really do anything for me. It starts with the female lead singing a verse, then the male lead singing a verse, then, surprise surprise, the two of them fusing into a harmony. Musically, it’s hardly revolutionary, and, as with Randy Newman’s Toy Story 3 song, the lyrics are so massively Disney that it borders on tedious. The guitars, strings and piano chords are all very nice though. C.
04. If I Rise/127 Hours
Urgh. I’ll be analyzing Best Original Score tomorrow, wherein I’m not gonna bother hiding my disdain for 127 Hours bagging a nomination for its joke of a score. But yet another travesty is that it stained the Best Song category, when there really were many other more deserving songs that should have been nominated. Dido, on seeing how successful M.I.A. got with her super-swaggerous “O Saya” in Slumdog Millionaire, teams up with A.R. Rahman to wail away on this crappy song. I quite like Rollo’s vocals in the chorus, but Dido’s caterwauling and the bland lyrics are just disgraceful. E.
Who should win: Coming Home
Who will win: I legit have no idea! Um, If IRise from 127 Hours?
Who should have been nominated: “Sticks and Stones” from How to Train Your Dragon, and that ain’t even a fucking question!!!!! Such a good song that it’s already been employed in a bunch of “2010: a retrospect” type montages, it sums up the film perfectly; highs, lows, and loving life. Terrifically fast-paced and with more life than an energiser bunny, this really is an adorably sweet song. I was also a fan of “Never Say Never” from The Karate Kid, though that is hugely due to Jaden Smith’s “no pun intended, raised by the power of Will” line. Lawlzswagger.
But yeah, “Sticks and Stones” from How to Train your Dragon is literally sublime. And that's an Emmabung kind of literally, not a Redknapp kind of literally. ;) Me and my bro spent all Christmas dancing around our house to it like the nerds we are. You’ll hear it on lots more awards shows and montages, mark my words, so you best download it here now so when your mates say “I wonder what song that is, it’s nice”, you can wow them with your trivia. ;)
Now, I’ve always been a big Girls Aloud fan, but it took my lengthy commutes to work this Summer with nothing but my big-ass iPod for company to appreciate the full genius of their song lyrics, rather than just view them as a fun girl-band. In fact, I used to only ever notice Cheryl's beauty and Nadine's t'riffic voice, but recently I've got a whole lotta love for Kimberley, and acknowledge that Sarah and Nicola both have their moments too. As an ensemble, I just can't get enough of 'em, and so wish they'd get back together. Thus, as I did with Regina Spektor ages back (and by ages I do mean ages, 2 years ago, Jesus), I thought I’d do my top 10 of their songs. I’ve given this a fair bit of thought, and it’s not been easy to leave out some songs, but, finally, I think I’m ready to unleash it!
Because ten just isn’t enough for this insanely wonderful five-some: The Loving Kind, Watch Me Go, Graffiti My Soul, Here We Go, The Promise are runners-up
10. She
The B-Side to The Promise, and, whilst the frontline single itself is a terrifically cheery and feel-good song about falling in love despite everything, She turned my head even more. The beat in She is one of Girls Aloud’s sexiest, as are the lyrics, about a she-wolf and how she prowls, set to a combination of sultry singing and cheeky chanting. And Nadine, who I’ve always believed to have the best voice in the band, gets to really give a pipes a good blasting in the song’s closing refrain, which she completely nails; her delivery of “you in the middle, get your coat, let’s go!” manages to be both bossy and alluring.
09. No Good Advice
“Shut your mouth, because your shit might show” is one of Girls Aloud’s feistiest lyrics, but it suits No Good Advice, a song which showed that they aren’t just like every other goody-goody girlband on the scene, and that they have more of an edge to them, an edge which brings out the inner rockstars in them. The delivery of the spirited lyrics are especially so from Nadine and Cheryl, who do some ballsy voice work here, and the funky guitar and drums in the background complement the lively tone of the song. Essentially, it’s a song about rebelling about the (well-intentioned) things your parents say to you, and do your own thing instead (the part of the song wherein the girls say a litany of things they can do without – absolute genius). Which, to be quite honest, I complete connect to.
08. Sound of the Underground
Back in the day of Popstars: The Rivals, this was their first song, which they beat their opponents with for the spot of Christmas no. 1, and, eight years on, it has more than survived the test of time. The bassline wouldn’t be out of place in a Tomoyasu Hotei instrumental and the beat is wonderfully metallic, but you’ve also got the catchy lyrics (of which Nadine’s delivery hints at the promise of a great singer to come).
07. Fix Me Up
For a long, long time, this was my mobile ringtone, and certainly one of their catchiest (and bawdiest) songs. Essentially, it’s about being horny and wanting to bung your man, but such is the cheekiness of the lyrics and the band’s delivery of them (Sarah Harding, perhaps construed as the most fun-loving of the band, unsurprisingly takes centre stage here) that the song remains on just the right side of seediness. It’s a funky, funny, enjoyable choon.
06. Control of the Knife
My favourite rendition of this is easily from the Tangled Up tour, wherein Cheryl puts her exquisite dancing talent to good use by taking centre stage. The “trick me” part, which doesn’t feature in the single, is a very ingenious use of Kelis (see also: integrating Rihanna’s Disturbia in Sexy! No No No… in the Out of Control tour). With an intrepid move into the world of reggae and ska, Control of the Knife is a mish-mash of musical flavours, topped off with a great horn solo, showing that, it’s often just as much about the instruments and producers as it is about Girls Aloud themselves.
05. Something Kinda Ooh
Something Kinda Ooh, which receives my vote for sexiest GA music video and has had me repeatedly questioning my sexuality (the silhouettes! The cars! The skimpy outfits!), is easily the best one to dance to on cheesy nights out and in the cheese rooms in Oceana. The adrenaline-pumped bass, the jolly guitar riffs, Nadine Coyle rapping, it all comes together to create what is – and will continue to be – a nightclub favourite. I still get insanely happy when I hear the girls’ voices chanting “I GOT TO HEAT IT UP, GOTTA, GOTTA HEAT IT UP.”
04. Call the Shots
One of my favourite songs to listen to whenever I’m irked with men, I really dig the message of being strong and not giving into men and their damn petty games. The ooh-ing and aah-ing give the song a little added spice, and the backing track wouldn’t be out of place in a 90s disco, which gives the whole thing a wonderfully nostalgic feel. The line “I won’t cry because I’ve stumbled through this far” shows the mature, sensitive side to the band that may not have been as well-exhibited in the past, and the whole package is just a wonderfully bittersweet and elegant affair.
03. Can’t Speak French
“Not that one!” my workmate exclaimed when I revealed my list to her after finally constructed it, for, whilst extremely re-playable and featuring a music video that makes a playful nod to the Marie-Antoinette lifestyle of gorgeous costumes and hedonistic lifestyles, Can’t Speak French is far from being one of the deepest songs ever written. But by keeping it simple, I find Can’t Speak French easy to bop along to and connect with, especially the underlying message that often, it is difficult to convey the depth of our emotions through words, so we let our actions do the talking. Plus Cheryl’s “I gotta let you know” refrain contains what is quite possibly her strongest vocal work; I think it’s absolutely lovely.
02. Untouchable
When I think about how my initial reaction to hearing this song was “yawn”, I cannot help but cringe. Thankfully, I came to my senses, and saw this song for what it really was: pure poetry. Lyrics-wise, I feel this is Girls Aloud’s most beautiful song. Clocking in at just under seven minutes long, the band take their sweet time with this one, and texturally, it happens to be one of their most ambitious songs as well. But the gamble pays off. Moving, deep, and very, very classy, Untouchable shows that Girls Aloud don’t have to be loud to be brilliant. The tone of the song can be interpreted as sad, but I also get a strange sense of uplift whenever I hear it too, which is the mark of a good piece of art. Plus there is one line in it that never fails to give me shivers – Nadine’s stunning “Without any meaning, we’re just skin and bone, like beautiful robots dancing alone”, which, to me, is like Keats for the 21st century. Sublime.
01. Sexy! No No No…
In a word, complete and utter musicalling genius. Although the music video still disturbs me, I simply cannot resist the sultry, girl-power and downright swagger of this song. The bass and guitar riffs are terrific, funked-up pop music, as is Nicola hollering “from top to bottom I’m a woman, sunshine”, which easily takes my vote for the best delivery of a lyric within the band, though there are countless other lines which I quote on a daily basis, “Did you ever think that loving would be nothing more than walking me home”, “I’ll give you nothing ‘til you show me something”, etc. The lyrics, which are relatively obscure, are generally telling of a woman not giving away her affection, and making a man “chase” her, which, I approve 100% of. The song has no structure to speak off, no chorus, bridge and verse, like the majority of their songs, and for that, it jarred when I first heard it, but on repeat listening, I was as hooked as an England left back to his mobile phone (I kid, Ashley, I kid because I love. Clean sheet against Arsenal on Sunday, yeah?) Topped off with a bass which samples “Hair of the Dog” and tonnes of stringry guitar, Sexy! No No No… is an amazing song, whether it be to dance to, sing to, or feel like a woman to (for other songs that fulfil this latter function, listen to Portishead’s Glory Box), and there will never, ever, be anything like it. Perfection? Hell yes.
