BAFTA predictions, 2020.

My predictions last year were decent, especially in how I anticipated that we'd give Best Film to Roma, a move that was not mirrored by the Academy Awards, who went for Green Book.

Thus, as is a tradition on my blog, I'd try my hand at predicting tonight's British Academy Film Awards! Remember, the below is who I think will win, which very rarely overlaps with who I think actually should win.

Best Film: 1917

Sadly, I think this uninspired Dunkirk rip-off will triumph, even though it's not a patch on Dunkirk, and feels like watching someone play a computer game for 2 hours. I see BAFTA falling for the 'made to look like it was filmed in one shot' gimmick, and even more sadly, the Oscars to do the same next week.

Oscars Not Bad

The acting class of 2018 including two sparring partners Outside Ebbing, Missouri. The most predictable batch of winners in recent years, but hey, no Casey Affleck or Emma Stone in sight, so not as objectionable as last year!

Hot dang! I should have put a bet down yesterday, because, bar the short film categories, I got every feature length film category bang on! Ohai, sick predictions! This is by far the best showing I’ve had since creating this blog at the age of 15, and, I have to say, it feels pretty satisfying!

My 10 Favourite Films of 2010.

I can’t tell a lie, I wasn’t exactly blown away by the majority of 2010 releases. Much of this was my own fault/ I didn’t frequent my little arthouse digs quite as much last year, which explains the highly commercial nature of the majority of my top 10. 

Whilst there are usually two or three obscure little treats in my top list, due to the fact that I barely watched any indie films this year, the top 10 is the most blockbuster it’s been for a while. And what I did see, on the whole, I wasn’t impressed with. 

Should I have time I may do a least favourite 10, but until then, the goodies.

10. StreetDance 3D [full review here]

I have big, unapologetic love for my dance movies (Step Up 2 made the same position on my top list of 2008 two years ago). StreetDance 3D is very similar to the Step Up movies; it centres around dance and disaffected youth and looks at how dance gives them a raison d'etre, and like with the original Step Up with Channing Tatum, it fuses hip hop and street dancing with the more refined skills involved in ballet. 

As so much of the film revolves around the dancing spectacles, the acting, plot and dialogue aren’t the greatest, but they more than suffice, plus there’s the novelty of seeing Charlotte Rampling cast as a ballet teacher; even in autopilot, she’s nothing less than a queen. 

Set in inner-city London, the city is shot in a way that Woody Allen captured London in Match Point- practically on a pedestal, and the cameos from Britain’s Got Talent acts such as Diversity and Flawless, the acting debut from the wonderful cheeky chappy George Sampson, the trendy soundtrack and the modern day Romeo and Juliet parallel all somehow fit together slickly. 

So whilst it’s a simple enough film in terms of character and plot, the dancing is anything but, and StreetDance 3D is one of the few films wherein watching it in 3D genuinely does heighten the viewing pleasure. Definitely worth singing and dancing about.

A random thought I had about Wall-E…

For assorted reasons, it reminds me of last year’s Western of sorts, There Will Be Blood and No Country for Old Men.

It reminds me of There Will Be Blood in how it shows the evils of consumerism and corporate control, as well as the scene with Eve blowing up the spaceship reminding me of the burning derrick scene in There Will Be Blood. Also, the opening 16 minutes of Wall-E was wordless, as was the opening sequence to those two films, when no dialogue was spoken. And lastly, the “look” of Wall-E just resembled the look of NCFOM at parts. (Although I’m probably imaging things seeing as I know that Roger Deakins was a consultant on Wall-E)

OK, so that’s not an awful lot to go by. But I just wanted to say.

How cute was Eve, by the way? Her giggle was just adorable:

Wall-E review.

(Sorry dears, I’ve been on holiday and hence no posting. But on holiday I saw The Dark Knight & Wall.E, so, reviews follow!)

It’s several hundred years into the future and grubby little Wall.E is the last remaining robot on Earth, programmed to collect garbage around the world. By now the Earth has become such an unliveable mass of scum and debris that the humans had vacated the planet long ago, shirking responsibility for the mess they made to live it large in space.

Wall.E’s only company is a little cockroach that follows him about, until one day a spaceship lands in his vicinity, bringing with it Eve, a high-tech, no-nonsense pod robot that has been programmed to search for traces of life on Earth. Wall.E spies on Eve, and he is in turns bewildered and bewitched by her, but the principle emotion he feels toward her is love. So much love, in fact, that when the spaceship comes back to take Eve back, he follows his Goddess onto the ‘ship and it takes them to where all the humans have relocated; floated around in Space and with no intention of going home.

Any initial doubts I had about whether Pixar could pull off a futuristic robot movie were immediately quashed when we were introduced to the enigmatic robot himself. Wall.E’s existence is a mundane one; forcing rubbish into cube after cube, which he piles together to make towers of rubbish, but he finds pleasures in the household items he encounters – a spoon, a light, a bra. Back in his “home” – an upturned schoolbus he resides in, he gathers together all the items he collects, and falls asleep Hello, Dolly!, from which he becomes particularly fascinated with the act of holding hands, and wishes he has someone to do it with.

The romance between Wall.E and Eve is believable (yes, believable!) and poignant; I had tears in my eyes when he was tending to her and holding an umbrella to shield her from the rain, even though it resulted in himself getting electrocuted. Though the film is about robots (humans don’t feature until the second half, and even then they are just fat rolls operating electrical chairs, a sad reminder of where our society is headed) and the only words exchanged by the two leads are each others’ names, this is one of the must “humane” movies I have ever seen, with a lot of soul.

Beauty dominates practically every frame. The initial scenes of Wall.E captured the desolate, crumbling state of Earth, but Pixar has found loveliness in the most unexpected of places. This is Pixar’s most ambitious movie to date, and the landscapes and details are appropriately cinematic (the planet is captured with such meticulous pans and fade-outs that it feels almost Shawshank Redemptionly, no real surprise when we consider that Roger Deakins worked as a visual consultant on the movie). Another filmmaker who helped make The Shawshank Redemption the masterpiece that it was, Thomas Newman, also contributed to Wall.E, and his score, whilst not matching his personal best of the other Pixar movie he wrote for, Finding Nemo, still ranks as one of his best, particularly in his usage of the harp, which lends an otherworldly feel to the film throughout.

(Ahem. Sorry for all the references to The Shawshank Redemption here.)

My only qualm with Wall.E is that there isn’t enough humour in the movie. In a way, this is Pixar’s darkest movie to date; with its messages about society’s need to wake up to the problem of global pollution, commercialism, mass obesity and whatnot. The cheeky filmmakers even managed to slip in their own message to Disney; when the president in the old clip says “stay in the course.” But all this means that, whilst there’s the odd visual gag or two, Wall.E is not really all that funny, with no definite belly laughs. With last year’s Ratatouille also failing to tickle my funny bones, I worry that Pixar are becoming darker and darker these days, and leaving the comedic roots that served them so well in the past.

However, despite the fact that I cried more than I laughed, Wall.E still gets a resouding thumbs up from me. The animation is flawless, the entertainment is countless and for once, I became interested in sci-fi. And the denouement shows that it’s not too late; redemption is still available and we can still save the world if we really want to.

9/10.