Showing posts with label Michael Stuhlbarg. Show all posts
Showing posts with label Michael Stuhlbarg. Show all posts

Thursday, April 12, 2018

My 25 Favourite Performances of 2017

My final post commemorating the cinematic year that was 2017 is my favourite: the acting!

This list is judged from two factors: acting quality, and my heavy, unrepentant sense of favouritism. I like to think that I wouldn’t put a bad performance on the list, but it would also be inaccurate to claim every performance listed was one of the 25 best acting performances of 2017 (for example, I’d have a hard time arguing that Gal Gadot was better in Wonder Woman than Emma Stone in Battle of the Sexes, say).

Warning: the following blog under the cut is gif heavy! (To paraphrase Hamilton, ‘We rendezvous with Rochambeau, consolidate their GIFS!’)

25. Will Poulter as ‘Krauss’ in Detroit

Fun fact: one of my friends works in the same building as Poulter's father (who's a very big dog in his field of science). Thus, whenever I see the BAFTA Rising Star winner in a film, I feel like we're mates (by three degrees of separation, but still. 😂)

Friday, March 30, 2018

My Favourite Films of 2017 [10 – 6]

Now that I’ve got the substantial snark out of the way, it’s time to honour the good stuff! Part 1 and part 2 of my favourite films of 2016, if you were wondering what my taste in films is like!

These following five movies constitute the bright sparks of 2017: the movies that bought a smile to my face, made me feel passionately, or triggered deep philosophical thoughts in my otherwise pretty one-track mind (nah, let’s be fair to myself, two-track. In that I think about Fionn Whitehead and Aneurin Barnard).

10. Wonder Woman

After the dross that was Batman vs Superman and Suicide Squad (which, despite me giving 7.5/10 initially after watching it, I’ve realised after reflection that the jukebox-style soundtrack and Viola Davis playing a red wine-drinking, steak-eating HBIC papered over a whole litany of flaws), the DCEU finally get it right.

Saturday, March 03, 2018

Oscar predictions, 2018


Sick Oscar graphic credit: Vulture. Guess the films represented!


Thursday, January 11, 2018

Thoughts on the 2018 BAFTA nominations

On Tuesday, I woke up to the blandest bunch of BAFTA nominations ever. Each year, the British Academy – which have recently morphed into a glorified Oscar prognosticating body – find new ways to disappoint me, but this year, there were extenuating factors which meant that they did so with more panache than ever.
Film
Call Me by Your Name
Darkest Hour
Dunkirk
The Shape of Water
Three Billboards Outside Ebbing, Missouri


Wednesday, December 13, 2017

Reflections on Monday’s Golden Globe nominations

The awards season is officially underway! I was on holiday in NYC when the Golden Globe nominations dropped on Monday and didn’t have time to do a reaction post, so here be my rather delayed Good, Bads and Uglies on the nominations. 

Good
- Dunkirk and Christopher Nolan being nominated. Dunkirk is currently my choice for best of 2017 (having not seen the vast majority of the Oscar heavyweights as they’re released later), and the only 9/10 I’ve awarded a 2017 film.