Showing posts with label Kumail Nanjiani. Show all posts
Showing posts with label Kumail Nanjiani. Show all posts

Tuesday, March 20, 2018

Very helpful (not)

This blog post is rated 15 for references to sexual violence and torture.

The BBFC replied to my e-mail on Red Sparrow, and in doing so, reminded me why it is I don’t usually bother e-mailing them. The Call Me By Your Name thing was a fluke; I forgot how obstinate and obtuse these people are when they want to be or have accepted a bung from 20th Century Fox.







Don’t be fooled by the length; like Jamie Redknapp’s punditry, they have used a lot of words which ultimately say very little.

1) The BBFC are in the business of re-writing film history to suit their agendas.

Friday, March 16, 2018

The Worst Acting Performances of 2017 [10 - 6]

Now that awards season is all wrapped up, it’s time for this blog to slowly wave goodbye to 2017 and start looking ahead to the 2018 cinematic year! As part of that slow wave goodbye, I will celebrate the best and worst of 2017 according to me! 

We shall start with the worst acting performances. Here was 2016’s worst performances list for reference. I unfortunately had to throw shade at Jesse Eisenberg, one of my favourite actors, in last year's Hall of Shame. I'm glad to report he reined his Lux Luthor in a lot in Justice League, and thus, avoids making the list a second year running. Phew!

10. Daisy Ridley, Murder on the Orient Express

Although the Star Wars actress is very pretty, has a nice screen presence and seems like a lovely person, she was far too lightweight in the role of Mary Debenham. The film is set in the 30s, and Ridley’s character is secretly having a relationship with Dr. Arbuthnot (Hamilton’s Leslie Odom, Jr). Such are the outdated attitudes of the time towards inter-racial dating, that Debenham and Arbuthnot have to keep this, as well as their involvement with the murder of Johnny Depp’s character on the train, under wraps.

Sunday, February 25, 2018

A Look Ahead to Best Original Screenplay



I watched Lady Bird yesterday, so I can analyse another Oscar category, woohoo! Read my analysis of Best Original Score here. Due to time constraints, this is probably the final category I’m gonna analyse before the ceremony, but, at least I discussed two fields this year, an improvement from last year by one.